modulo programme

Inclusive music-making across the UK: Modulo Programme 2024 season highlights

All the best bits from our barrier-smashing national ensembles…

Earlier this year, the Orchestras for All team travelled across the UK with the Modulo Programme to bring inclusive music-making activities to 500 students from 35 participating schools and community groups – with 252 young people joining us in the spring and 248 in the summer months.

We were delighted to be joined by 18 schools from Arts Council England’s Levelling Up for Culture Places, 15 returning schools and one home educated group. We were also thrilled to be able to widen the impact of Modulo even further by welcoming our first ensemble from a Special Educational Needs and Disability (SEND) school.

From Royal Birmingham Conservatoire to the University of York, Royal Northern College of Music in Manchester to the Royal Academy of Music in London (watch our concert video above), we held eight energising meets that were jam-packed with uplifting ensemble music-making.

A Modulo participant said: “Now I have found where I belong.”

Read more: 9 groundbreaking black composers you really need to know > 

Modulo participants getting in the groove

Our inspiring participants had the opportunity to perform an eclectic programme of music together as one powerful large-scale orchestra, which included everything from video game soundtracks to 1970s funk classics.

Read more: Orchestras for All invites young people to join its new season of inclusive programmes >

Arranged by Orchestras for All’s Associate Conductor, Rocco Brunori, Christopher Larkin’s ‘Hornet’, as featured in the video game Hollow Knight, quickly became a firm favourite for its driving rhythms and captivating melodies (watch video below).

Our participants also had the chance to perform the stunning ‘Allegro’ movement of Florence Price’s Symphony No. 1 (1932), arranged specially for our Modulo ensembles by award-winning composer, Emily Lim.

Plus, our inclusive ensembles even got stuck into ‘I Wish’, the 1976 funk classic written and produced by Grammy Award-winning American singer, Stevie Wonder, and arranged by our keyboard tutor, Matthew Poad. In this catchy tune, Wonder’s lyrics share how he wishes he could go back in time and relive his childhood – and you just can’t help but dance along!

As with all our work, wellbeing was at the forefront of every event this season. Alongside building on their musical skills, our diverse cohort of students were able to develop their social and communication skills, while having their emotional needs fully supported by our expert team of safeguarding staff.

A young participant told us: “I come to Modulo for the confidence-boosting side of it.”

A group of Modulo participants enjoying a break from one of their rehearsals

Modulo Participants enjoying a break from rehearsals

On behalf of everyone at Orchestras for All, we would like to thank our Modulo funders, Arts Council England, Department for Education, Foyle Foundation, Garfield Weston Foundation, Scops Arts Trust, 29th May 1961 Charitable Trust, Association British Orchestras Sirens Fund and Catherine Cookson Charitable Trust.

We would also like to thank our individual donors, orchestral and wellbeing tutors, freelance staff, ambassadors and audience members for making our Modulo 2024 season so memorable.

Keen to get involved? There’s still time to apply to join our next Modulo cohort in 2025 – but hurry, the deadline is 6pm on Monday 19th November 2024!

Find out how your school can get involved below:

Music matters: Orchestras for All invites young people in the UK to join its new season of inclusive programmes

In this picture, we see the front sections of National Orchestra for All enjoying a rehearsal with Artistic Director, Emma, as the ensemble wish one of the string players 'Happy Birthday' through music.

Shaping the future of music, one note at a time…

Orchestras for All (OFA) is delighted to announce that it is now recruiting young people, state schools and local community groups for two of its flagship programmes: National Orchestra for All (NOFA) and the Modulo Programme.

Whether a young person is an experienced player or just getting started on their musical journey, OFA welcomes all young people to join its vibrant community and enjoy its life-changing activities.

NOFA violinist, Freya, said: “I think you should join NOFA because it is a once in a lifetime opportunity and you’ll never want to leave! It gives you a new outlook on other people and instruments – and it’s something you can’t get anywhere else.”

A Modulo participant commented: “I love Modulo because the people here are super nice and they’ll help you no matter what skill level you are.”

Read more: Not Just A Note – 7 reasons National Orchestra for All’s inspiring young musicians urge others to join >

What are the NOFA and Modulo programmes?

National Orchestra for All: NOFA is an inclusive, non-auditioned national youth orchestra bringing together an inspiring group of around 100 young people aged 11-19 from across the UK – regardless of their background, musical ability or choice of instrument – for an 18-month season of group music-making.

The orchestra performs all types of music, from popular songs to classical works, film music to jazz, video game soundtracks to dance anthems as well as world music. Members also create their own pieces with professional composers.

We want to ensure that cost isn’t a barrier to participating, so everything is covered for young people to join NOFA, including their food, travel, accommodation and tuition. 

Modulo Programme: We support teachers and music leaders in schools and local community groups to set up and run their own mini orchestras, known as ‘Modulos’. They receive all the music and resources they need to create an inclusive, accessible and high-quality musical experience for young people.

Throughout the year, Modulos from different parts of the UK come together to perform as one large-scale orchestra at ‘Modulo Meets’, culminating in an energising showcase of group music-making, with summer concerts open to the public.

A group of five NOFA members wearing brightly-coloured Orchestras for All t-shirts in pink, purple and navy. They’re smiling at the camera and doing the 'peace' sign or thumbs up as they enjoy a break at CBSO Centre.

Pictured: National Orchestra for All members enjoy a break from rehearsals at CBSO Centre in summer 2024.

Reflecting on the previous season

With its wide range of workshops, social activities, youth leadership initiatives and colourful concerts, NOFA’s 2023-24 season was a truly memorable experience for all involved. Its powerful theme, ‘Sounds of Change’, explored how music can often inspire, reflect and drive change in society as well as within ourselves.

Members had the opportunity to rehearse and perform at Royal Birmingham Conservatoire and CBSO Centre, all the while supported by an expert team of 10 Ambassadors and orchestral and wellbeing tutors.

Chosen in collaboration with the young people we work with, NOFA repertoire included an eclectic mix of works that celebrated diversity and challenged the status quo. From ever-eerie ‘Ghost Town’ by The Specials to Florence Price’s sweet-sounding Symphony No. 1 in E minor, Gamelan-inspired pieces to original compositions written with NOFA members, we’ve taken away memories and connections to last a lifetime.

Read more: 7 ways that youth leadership will empower your youth orchestra >

Meanwhile, 250 young musicians from 30 schools and community groups joined us at leading arts venues in London, Birmingham, Manchester and York for our eight Modulo Meets. Performing Stevie Wonder’s funk classic, ‘I Wish’, as part of their concert programme, participants had audiences grooving all over the country.

In 2024, we were delighted to see 19 new Modulo ensembles established. We also held 20 in-person workshops, created visual scores to make our resources more inclusive, launched a new digital hub for Modulo leaders to access their resources more easily and worked with the first Special Education Needs and Disability (SEND) school to join the programme.

View our summer 2024 picture gallery >

Why should you join our programmes?

By signing up for National Orchestra for All and Modulo, young people and music leaders will have the opportunity to:

  • Be part of a national movement: Connect with like-minded individuals from across the UK and be part of something bigger that shapes the future of music.

  • Make music accessible: Help us break down significant barriers to group music-making, making it possible for all young people to participate, regardless of their background.

  • Perform in prestigious venues: Experience the thrill of performing in some of the UK’s most iconic spaces.

  • Learn from the best: Receive expert training and mentorship from professional musicians and educators, with the health and wellbeing of participants at the heart of all programme activity.

How to apply

This is a wonderful opportunity to be part of something truly extraordinary. Take a moment to sign up and let’s continue creating sounds of change with the next generation!

Learn more about our application process and application deadlines below:

Huge thanks to our funders, partners, donors and supporters for making these life-changing programmes possible.


35 UK schools to team up in spring 2024 for orchestral music-making with the Modulo Programme

A group of 11 young people smile together outside the Royal Birmingham Conservatoire during a summer Modulo event in 2023.

From London to Birmingham, York to Manchester, Arts Council England’s new National Portfolio Organisation is ready for its next tour…

Spring has long been considered the most uplifting season, with its longer days and flowers in bloom – and at Orchestras for All (OFA), it also means exciting new musical opportunities for the year ahead.

With our first live event for the Modulo Programme just on the horizon, students and music leaders across the country are busy preparing for our next series of ‘Modulo Meets’, which welcome young people from diverse backgrounds to play together in large-scale ensembles – whatever their personal background, ability, level of experience or chosen instrument.

Taking place from 26 February to 19 March 2024, the inclusive music-making activities will kick off at London’s Cecil Sharp House, before heading over to the Midlands Arts Centre in Birmingham, University of York and Royal Northern College of Music in Manchester.

We’re delighted to share that Modulo reaches new heights this season, with a total of 41 applications received and 35 schools participating in the programme. This is a new record for in-person Meets at OFA and we’re so pleased to be bringing Modulo’s positive impact to even more local communities across the UK, breaking down musical barriers and improving access to music education for young people who need it the most.

During our spring 2023 Meets, a participant said: “I enjoyed the opportunity to visit a new place and work in some of the different Modulo music spaces. Everyone was very kind and encouraging and made Modulo an enjoyable experience.”

Read more: Orchestras for All’s powerful new Impact Report >

This season, 18 schools joining us are from Arts Council England’s Levelling Up for Culture Places and/or Priority Places, 15 schools are returning to the programme and one is a home educated group. We’re also widening our impact by welcoming our first Modulo ensemble from a Special Educational Needs and Disability (SEND) school and they will be supported by our Wellbeing Lead, Sasha Mattock.

For the students that join us, Modulo is more than just a music education initiative. For many, attending a Meet can be a transformative experience that goes beyond reading the notes on a page. Our charity’s aim is to empower each young person to express themselves, explore their own creativity and build confidence and leadership skills, while learning to collaborate and communicate with others.

A Modulo musician told us: “I feel more confident in ensemble playing and have enjoyed discovering new music and instruments. I’ve also made new friends through Modulo, who I talk to regularly!”

Read more: 7 wonderful ways youth leadership will empower your youth orchestra >

Modulo values diversity and encourages its young participants to explore a broad range of musical genres and styles from around the world, helping them to foster cultural awareness and an appreciation for different traditions. This spring, our repertoire includes the ‘Allegro’ movement of Symphony No. 1 (1932), penned by Arkansas-born classical composer, pianist and organist, Florence Price, and arranged specially for our inclusive Modulo ensembles by award-winning composer, Emily Lim.

A group of school students stand on stage at the Royal Birmingham Conservatoire with OFA Ambassador, Tasha, during the summer 2023 Modulo Programme.

Pictured: A group of Modulo participants and OFA Ambassador, Tashan, at Royal Birmingham Conservatoire

Participants will also be raising their instruments to play ‘Hornet’, a dramatic video game soundtrack taken from Hollow Knight, written by composer and sound designer, Christopher Larkin. Orchestras for All’s Associate Conductor, Rocco Brunori, who specialises in brass and music education in primary schools and universities, produced the Modulo arrangement, and the work was selected as an OFA piece by Modulo and National Orchestra for All members during our 2022-23 season.

Plus, our inclusive ensembles will have the opportunity to perform ‘I Wish’, a 1976 funk classic written and produced by Grammy Award-winning American singer, Stevie Wonder. The uplifting song, which has been arranged for OFA by our keyboards tutor, Matthew Poad, focuses on Wonder’s childhood from the 1950s into the early 1960s, with lyrics sharing how he wished he could go back and relive it.

We can’t wait to greet our dedicated cohort of school students and music leaders – who now have access to an exclusive online hub of Modulo resources – very soon, and would like to extend our warm thanks to the ongoing support of OFA’s generous funders and individual donors. Without you, our charity wouldn’t exist.

Not attending the Meets but keen to get a sense of the action? We’ll be sharing daily event highlights via our social media channels, including Instagram takeovers from OFA’s 10 brilliant Ambassadors, so do visit our profile and follow along!

Finally, if you haven’t quite locked down your New Year’s resolutions this year, why not join our inspiring network of supporters? By donating just £10 a month to Orchestras for All, you could help a young person who faces daily barriers discover the joy of music-making with others, when they may not otherwise have the opportunity.

Making an impact: read Orchestras for All’s powerful new report

A side-by-side image of a NOFA percussionist (left), Modulo flautist (middle) and Modulo guitarist (right).

Building inclusive communities, one musical note at a time…

Another memorable year at Orchestras for All (OFA), another inspiring Impact Report – and our 2022-23 roundup might just be our best one yet.

In a world that often echoes with discord, we’ve been working tirelessly over the past year to become a driving force for positive social change by welcoming young people and music leaders from all across the UK – from London to Birmingham, Manchester to York – to our inclusive music-making activities.

We truly believe that the joy of group music-making should be experienced by all young people, from all walks of life – not to mention the associated benefits that come through playing music with others in an orchestra, which include boosting a young person’s confidence, developing their social skills, unlocking creative potential and building community, to name but a few.

In our latest Impact Report, we share key findings from OFA’s three barrier-smashing programmes: National Orchestra for All (NOFA), Modulo and Music Leadership Training (MLT), through which we aim to empower and energise young people and music leaders alike – regardless of their personal circumstances or the daily challenges they might be facing.

Trustees Beth White and Joelle Sogunro said: “This year, the number of NOFA members has doubled compared to last year, which is a testament to the growing influence and reach of our organisation. Through Modulo, we reached 613 young people nationwide, directly impacting their lives and fostering a sense of community through music making. Plus, an astounding 7,000 young people have been indirectly impacted through our MLT programme.”

Read more: 13 barrier-smashing highlights from Orchestras for All in 2023 >

Modulo participants play together at Cecil Sharp House in London, led by OFA’s Associate Conductor, Rocco.

Modulo participants play together at Cecil Sharp House in London, led by OFA’s Associate Conductor, Rocco.

The former NOFA members added: “We firmly believe in the power of youth voice and have taken significant strides towards championing it, so one of our key triumphs this year has been the development of youth leadership opportunities at OFA. As part of this, we handed over the Youth Board to current OFA Ambassador, Chloe Morgan, and welcomed her to the Board of Trustees. Chloe’s energy and fresh perspective has already made a positive impact on our decision-making processes.

“We also further invested in our wellbeing approach, ensuring that OFA’s programmes not only inspire creativity but also nurture the individual needs of every participant – making our initiatives even more inclusive and accessible, while opening up doors for diverse young minds to thrive.”

Read more: Meet National Orchestra for All musicians, Lola and Christian >

As well as outlining the steps we have taken to keep youth leadership and wellbeing at the forefront of OFA’s vital work, the Impact Report shares event highlights, heartwarming stories of personal growth and resilience from the young people who participate in our programmes, and sheds light on how we plan to strengthen the charity in future – from investing in our environmental responsibility to continuing our exciting transition as a new National Portfolio Organisation.

Alongside our commitment to providing high-quality music education and musical opportunities, building inclusive communities where each and every young person (and staff member) feels welcome and supported is what makes OFA so very special.

By fostering a sense of belonging and collaboration, we’re creating vibrant ensembles that reflect the rich tapestry of our society. During NOFA’s spring 2023 residential, we recorded a video of the young musicians creating a powerful improvised piece, titled ‘Strength in Numbers’, with composer and multi-instrumentalist, Joe Broughton. The video (watch above) is currently being considered in the Smiley Charity Film Awards 2024 and open to a public vote until midnight on 24th January 2024 – you can support us by casting your vote here!

We can’t wait to see what the future holds for OFA and through our latest Impact Report, we hope to demonstrate that when young people have access to a safe space in which they can come together to create music, it can be truly life-changing.

Please join us in breaking down musical barriers by reading our Impact Report below and taking a moment to share it with your network – let’s make a difference in 2024!

13 barrier-smashing highlights from Orchestras for All in 2023

From inclusive music-making activities and youth leadership developments to inspiring new additions to our team, here are a few charity highlights from over the past year…

1. Amplifying youth voice

Pictured: Ambassadors Tashan, Beau and Shannon support the OFA team at the Royal Academy of Music.

Pictured: Ambassadors Tashan, Beau and Shannon support the OFA team at the Royal Academy of Music.

At Orchestras for All (OFA), youth voice is at the heart of everything that we do. That’s why we welcomed a dynamic new cohort of 10 Ambassadors and appointed 15 passionate individuals to the Youth Board – each playing a fundamental role in representing the wants and needs of the young people our charity supports as well as in the planning and delivery of our vital work in breaking down barriers to music-making nationwide.

Like the other nine ambassadors, my job is to support the young people if they need anything or have any questions. Always happy to help! The thing I’m most excited about is seeing everyone play together at the end of the course as well as seeing how much progress everyone’s made.
— Grace, Ambassador and National Orchestra for All alum

2. Sharing powerful stories and expert insights

Throughout the year, we were lucky enough to interview many of the inspiring young people who participate in OFA’s life-changing programmes – both in the “diary room” during our live events as well as virtually. We always learn so much from their often brave, motivating and heartwarming accounts. We also gained expert insights through speaking with arts industry professionals, such as BBC Young Jazz Musician 2022 finalist, Ralph Porrett, and composer and arranger, James Brady.

It’s important that musical institutions think really seriously about diversity, equity, inclusion and accessibility – and that’s why it’s so brilliant that young people can get involved with Orchestras for All.
— Ralph Porrett, guitar tutor at OFA

3. A youth-led season of memorable music

National Orchestra for All members rehearse music from the ‘Hollow Knight’ soundtrack.

National Orchestra for All members rehearse music from the ‘Hollow Knight’ soundtrack.

We’re keen to ensure that our repertoire always resonates with the personal interests and aspirations of our diverse community, so our Youth Board have been busy collaborating with OFA’s Artistic Director, Emma Oliver-Trend, to co-design our current musical season. Video game soundtracks continue to be a popular choice with young people, so ‘Hornet’ and ‘Reflection’ (taken from Christopher Larkin’s video game soundtrack, Hollow Knight) made it to this year’s list, alongside ‘99 Red Balloons’, a protest song by 80s pop singer, Nena, and ‘Merry-Go-Round of Life’, a stunning piece written by Japanese film composer, Joe Hisaishi.

It’s good at NOFA because there are a lot of video game music composers who get inspiration from orchestral music, but you never usually hear their music being played.
— Christian, euphonium player at National Orchestra for All

4. Welcoming our Associate Conductor, Rocco

Associate Conductor, Rocco Brunori, leads the way during a performance at Royal Birmingham Conservatoire.

Associate Conductor, Rocco Brunori, leads the way during a performance at Royal Birmingham Conservatoire.

As well as expanding our team of Young Leaders in 2023, we were also proud to welcome another maestro to the charity to support us in delivering OFA’s artistic vision. Associate Conductor, Rocco Brunori, has been working closely with our Artistic Director and skilled team of professional orchestral tutors to bring vibrant new energy to our inclusive ensembles and arrangements. It’s all about dynamics, expression and sticking to the beat!

I truly enjoy seeing so many young musicians and colleagues. I conduct all sorts of musical styles (symphonic, jazz, big band, wind band, choir and brass band) and I love the challenges this role is offering me. It’s never-ending fun!
— Rocco Brunori, Associate Conductor

5. Securing new Arts Council England funding

Pictured: Trustees, Ambassadors, core team members and special guests gather in Birmingham.

Pictured: Trustees, Ambassadors, core team members and special guests gather in Birmingham.

In the spring, we were excited and grateful to hear the news that OFA would be one of the arts organisations receiving new funding from Arts Council England (ACE). Also known as the National Portfolio Organisation (NPO) Transfer Programme, this funding will help our charity deliver its creative and cultural activity over the next few years and as part of the programme, new NPOs are encouraged to move their registered office out of London to another UK-based location by October 2024. Watch this space!

This is fantastic news. I’m so glad that OFA’s got the funding to improve the lives of young people – just like they did for me. Their commitment for making a space where young people can thrive both musically and socially is unique.
— Isaac, former National Orchestra for All Ambassador and young carer

6. Youth leadership takes centre stage

It takes two: Co-Chairs to the Board of Trustees, Susanna Eastburn (left) and Beth White (right).

It takes two: Co-Chairs to the Board of Trustees, Susanna Eastburn (left) and Beth White (right).

The growth of our core team has also included welcoming OFA’s first-ever Youth Leadership Coordinator, Elen Derrett – a National Orchestra for All (NOFA) alum, cellist and recent Royal Welsh College of Music & Drama graduate. She is joined by NOFA alum and trumpeter, Beth White – our new Co-Chair to the Board of Trustees, working alongside Susanna Eastburn MBE. Both Elen and Beth have already made a positive impact and taken OFA’s youth leadership to the next level, regularly representing the charity at arts conferences and events across the UK.

I am so excited to continue my OFA journey and delve deeper into the organisation. I have found such a fulfilling purpose over these last few years volunteering in numerous roles and can’t wait to see what this new venture as Co-Chair brings.
— Beth, Co-Chair to the Board of Trustees

7. Spring activity with Modulo and National Orchestra for All

Making friends through the power of music: A group of young participants bond during a Modulo Meet.

Making friends through the power of music: A group of young participants bond during a Modulo Meet.

With the launch of NOFA’s new season and our first few Modulo Meets of the year all taking place throughout March and April, our spring months were filled with joy, connection and young participants being empowered to take ownership over their music-making. From London’s Cecil Sharp House to the University of York, Royal Birmingham Conservatoire to the Royal Northern College of Music in Manchester, our first tour of the year left us with memories to last a lifetime.

For me, playing instruments is the best part about music. I think it’s very exciting and I really enjoy it.
— Xander, Modulo participant and bassoonist

8. Summer extravaganzas

Of course, the musical fun didn’t stop in the spring! During our summer activity, NOFA and Modulo musicians played everything from traditional orchestral works written by underrepresented female composers – including the first movement of Florence Price’s Symphony No. 1 in E minor – to improvised pieces such as ‘Strength in Numbers’, which was written in collaboration with NOFA and Joe Broughton. Young musicians also shared their love of music with their peers in our famed NOFA recital evening – a true annual highlight!

When you’re improvising, you can do nothing but think of the song you are playing, which gives you a sense of freedom.
— Farbod, National Orchestra for All flautist

9. Wellbeing remains at the forefront of our work

Pictured: Orchestras for All’s new Wellbeing Lead, Sasha, kickstarts a NOFA day with some relaxing stretches.

Pictured: Orchestras for All’s new Wellbeing Lead, Sasha, kickstarts a NOFA day with some relaxing stretches.

At OFA, the wellbeing, safety and happiness of all young people and staff is our top priority. We do everything in our power to promote welcoming, inclusive and accessible spaces and are committed to creating a positive safeguarding culture. This year, Sasha Mattock joined the core team as our new Wellbeing Lead and her key focus is to embed wellbeing at every level of the organisation. The young people we work with have also been encouraged to write ‘About me’ profiles, sharing their individual needs and preferences with us in their own words.

When I found Orchestras for All, it showed me there are places that value wellbeing completely. It makes me excited that I can use the skills and knowledge I have developed to contribute to creating spaces that support wellbeing.
— Sasha Mattock, Wellbeing Lead

10. Live webinars for music leaders

As part of our Music Leadership Training programme, we held a series of live webinars for music teachers and leaders across the UK – including a session on ‘Inclusive Arranging for Mixed Ensembles’. Drawing on experience from NOFA and Modulo, and led by Glasgow-based arranger and music educator, James Brady, the webinar introduced participants to practical arranging techniques and approaches, while also exploring the importance of repertoire choice, instrumentation templates and the essential connection between musical content and rehearsal techniques.

For many of us working in music education, buying arrangements off the shelf isn’t always the best solution. We’re often dealing with groups with wide ranges of ability, or unusual instrumental line-ups, or mixing different genres of music – and this is something we do at NOFA and Modulo all the time.
— James Brady, arranger and orchestral tutor at Orchestras for All

11. Inspiring away days

Orchestras for All’s Youth Board, Trustees, core team members and guests meet for an inspiring away day.

Throughout the year, we held thought-provoking away days in a variety of London locations for OFA’s Youth Board, Trustees and core team. Most recently, we discussed key topics such as wellbeing, the environment, artistic development, diversity, inclusion and accessibility as well as how our charity and its activities could become even more youth led in future. Every decision we make at our charity is guided by young people: “Nothing about us, without us.”

I cannot do all the good the world needs. But the world needs all the good that I can do.
— Co-Chair, Beth, shares a quote from Jana Stanfield with away day attendees

12. Advocacy at national conferences

Making an impact: Executive Director, Nick Thorne, and Youth Leadership Coordinator, Elen Derrett.

To help raise awareness of our charity’s vision, life-changing impact and unique approach, ‘The OFA Way’, with other organisations across the arts sector, we regularly took to the stage at national conferences. Our new Youth Leadership Coordinator, Elen, recently attended Music Mark’s annual conference in Southampton and gave an insightful presentation to delegates about the importance of youth leadership within music education.

As a National Orchestra for All alum, I feel very privileged to be able to share Orchestras for All’s powerful approach to youth leadership with the world.
— Elen, Youth Leadership Coordinator and former NOFA cellist

13. Soothing sounds at National Orchestra for All’s winter regionals

A group of NOFA musicians play Gamelan instruments as another member tries his hand at conducting.

A group of NOFA musicians play Gamelan instruments as a percussionist tries his hand at conducting.

To wrap up another memorable year, we held a series of one-day winter sessions for NOFA members in York, London and Glasgow. Here we introduced them to the enchanting sounds of Indonesia’s beautiful Gamelan instruments – and unlike traditional orchestral instruments, they can be picked up by ear, so do not always require sheet music. This makes them the perfect choice for an inclusive group and with the relaxing ambience they create, listening to Gamelan music can be a great way to boost your wellbeing and unwind after a busy day too. Give it a go!

On behalf of everyone at Orchestras for All, we would like to thank each of the incredible individuals and organisations who have been part of our journey in 2023. Without you, our life-changing programmes wouldn’t exist. We are so grateful for your ongoing support and can’t wait to see what the future holds. Roll on 2024!

Keen to support young people in fulfilling their musical dreams?
Please donate what you can to our charity today:

In pictures: tour highlights from our summer 2023 Modulo Programme

Students from all across the country come together at the Royal Northern College of Music in Manchester to play together in an orchestra. Here we see the conductor, Emma, leading the way in front of the ensemble.

Making powerful music with young people nationwide…

Earlier this month, the Orchestras for All team went on tour with the Modulo Programme for the first time to bring inclusive music-making activities to school students all across the UK.

From the University of York to the Royal Birmingham Conservatoire, the Royal Northern College of Music in Manchester to the Royal Academy of Music in London, our venues for the Meets provided the perfect backdrop for the 330 young people in attendance – 171 of which had never played in an ensemble before.

By working in close partnership with these venues as well as engaging with their participation teams and inspiring students – many of which joined us as orchestral tutors during the Modulo Meets, we were also able to share best practice for running inclusive music-making sessions with our four brilliant ensembles.

Alongside improving their social and instrumental skills during sectional and full orchestra rehearsals, our diverse cohort of participants had the opportunity to perform an eclectic programme of music to special guests together as one large-scale orchestra – with Nena’s ‘99 Red Balloons’, Joe Hisaishi’s ‘Merry-Go-Round of Life’ and Christopher Larkin’s ‘Hornet’ all becoming firm favourites.

During the York Meet, Modulo percussionist, Kiara, from All Saints Catholic College in Huddersfield, told us: “My favourite piece is ‘99 Red Balloons’ – it just sounds so good with everyone playing together! Also, a really kind thing that Modulo has done for me is donated a drum kit. It really helped me out because I needed a drum kit to practice with at home – I’m so grateful for it.”

In London, Modulo musician, David, from Harris Academy Morden, said: “I’m so excited about our live performance later today and I’ve really enjoyed my trips with Modulo and Orchestras for All. I hope that other people have enjoyed them as much as me!”

Scroll down to browse all the highlights…

Read more: Introducing the newest members of the Orchestras for All team >

York: University of York

 

Birmingham: The Royal Birmingham Conservatoire

 

Manchester: The Royal Northern College of Music

 

London: The Royal Academy of Music

 

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education, the Scops Arts Trust, 29th May 1961 Charitable Trust and the Rayne Foundation as well as each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Please support aspiring young musicians across the UK and donate what you can today:

University of York’s spectacular concert hall hosts the Modulo Programme’s final meet of the spring

Modulo participants sit in their orchestra sections in the Concert Hall at the University of York as conductor Rocco leads the way

We’re already counting down the days to our summer sessions…

Following a successful series of events in Birmingham, London and Manchester, Orchestras for All (OFA) took its fourth and final Modulo meet of the spring to the picturesque city of York.

Taking place in the grand surrounds of the Sir Jack Lyons Concert Hall at the University of York, which boasts a peaceful riverside setting for its music students, the programme welcomed 60 young people to enjoy its inclusive music-making activities this time round, led by Associate Conductor, Rocco Brunori.

A superb effort from each of our mixed-ability participants – who joined us from Heworth Grange School, Parkside School, Immanuel College​, All Saints Catholic College, Woodham Academy and St. Bede’s and St. Joseph’s Catholic College – as well as OFA Ambassadors, Nell and Grace, who kindly supported young musicians in the string and woodwind sections.

Despite having only met each other for the first time on the day, the newly-formed ensemble played Nena’s ‘99 Red Balloons’ and Joe Hisaishi’s ‘Merry-Go-Round of Life’ beautifully, rounding off this year’s spring sessions in good spirits and leaving us all feeling energised for the summer Modulo meets ahead.

We look forward to seeing you again soon – but first, please enjoy our York snaps below!

Read more: Royal Northern College of Music welcomes 83 young people for a day of group music-making with Modulo >

Orchestras for All Ambassadors, Nell (left) and Grace (right) smile at the camera as they stand in front of the University of York’s beautiful tree-lined riverside location
Modulo participants sit in their orchestra sections in the Concert Hall at the University of York as conductor Rocco leads the way
Modulo participants sit in their orchestra sections in the Concert Hall at the University of York as conductor Rocco leads the way
Two images side by side, showing a picturesque historic building in York on the left and the University of York Concert Hall entrance on the right
A tree-lined riverside image of the student campus at the University of York, just outside the Concert Hall
Modulo participants sit in their orchestra sections in the Concert Hall at the University of York, with strings in focus
Modulo participants sit in their orchestra sections in the Concert Hall at the University of York as conductor Rocco leads the way
Modulo Programme Manager, Sam, enjoys a serene riverside setting in York as she stands on a bridge with fellow OFA team member, Sarah

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education, 29th May 1961 Charitable Trust and the Rayne Foundation, and each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Keen to support a young musician on the Modulo Programme? Please donate today:

Royal Northern College of Music welcomes 83 young people for a day of group music-making with Modulo

83 young musicians and orchestral tutors hold up their instruments in the main hall at the Royal Northern College of Music

Making lifelong memories at our third meet of the spring…

After kickstarting our spring Modulo meets in Birmingham and London, the Orchestras for All team took to the road once again to bring the charity’s powerful music-making programme to students in and around the city of Manchester.

Held at the Royal Northern College of Music, the third Modulo event of the season was attended by 83 young people from six maintained schools in the UK – including Hathershaw College, Bellerive, Bridgewater, Philips, St Patrick’s and Ullswater – and with bassoons, drum kits and electric guitars in the room, what a wonderful sound they all made.

With a revitalised push for more music in schools following the national plan for music education, the Modulo Programme exists to support teachers and community music leaders in setting up a small, inclusive ensemble of their own, before inviting participating students to team up with others from across the country to play together as one giant orchestra.

From soothing warmups with our Artistic Director, Emma, and a friendly greeting from Ambassador and former National Orchestra for All member, Haseeb, to an energising orchestral rendition of of an 80s pop classic, our Modulo meet in Manchester was surely a day to remember. Scroll down for a few of the highlights!

Read more: This gallery of 108 young Modulo musicians gathering in London is the wholesome content we all need >

OFA Ambassador, Haseeb, stands behind a xylophone at the RNCM in his purple Orchestras for All t-shirt.
Three brass players stand side by side and show their instruments to the camera.
A photo of the staircase at the Royal Northern College of Music, which reads: 'For 50 years the RNCM has fuelled the ASPIRATIONS of young musicians, composers, conductors, educators, and entrepreneurs from all over the WORLD.'
Two Modulo cellists sit beside their instruments and enjoy a moment of laughter during the break.
Artistic Director, Emma, holds her arms up high and leads the Modulo ensemble in the main hall as they sit around her.
A young bassoon player smiles at the camera and shows us his instrument – the only bassoon player in the room!
An image of instruments in the percussion section, including a large bass drum that has the initials 'R.N.C.M.' written on the top.
Our Modulo conductor shares her expert guidance in front of the young ensemble.
A front portrait of the orchestra, with strings, woodwind and some percussion in shot, as Artistic Director Emma holds her right arm high up in the air.
A close-up image of a black Steinway & Sons piano, its stool and some sheet music from this year’s Modulo repertoire.
A group shot of the orchestra in the main hall at the RNCM, taken from the view of the pianists.
A group shot with the guitar, brass and woodwind sections in focus.
A group shot with the brass section in focus.
A group shot with the strings in focus as conductor Emma introduces Ambassador Haseeb to the ensemble.
Ambassador Haseeb stands in front of the orchestra and shares a friendly greeting.
Brass players sit side by side and hold up their instruments, including two trombones.
A close-up of a trumpet, resting on a chair.
A group shot of the orchestral tutors, ambassadors and volunteers as they prepare to play a piece for today’s Modulo participants.
A group shot of the string section as they hold their bows up high during a full orchestra rehearsal.
Two violinists share a joke and laugh together during a rehearsal.
A group shot of the orchestra during a quick collaborative activity.
A close-up of a cello, resting on the floor during the break.
An image of the Modulo ensemble speaking to each other during a group activity.
A music teacher stands with a brass instrument as he helps two young musicians with electric guitars
A close-up of an electric guitar with a young person’s name sticker stuck on the front reading 'Maisie'
A powerful group shot of the full Modulo ensemble in the main hall at the RNCM, taken from the front view
An image of the full orchestra, taken from the side
An image of a sheet of music for '99 Red Balloons', placed next to a trombone and some neon lights
A student wearing a jumper with the 'RNCM' logo stands beside her violin case, which has several colourful stickers on the front.
A group of post-its on the table with words written by Modulo participants at the end of the day, including 'happy, satisfied, buzzing', 'proud, developed, grateful' and 'tired but happy!'

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education, 29th May 1961 Charitable Trust and the Rayne Foundation, and each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Keen to support a young musician on the Modulo Programme? Please donate today:

This gallery of 108 young Modulo musicians gathering in London is the wholesome content we all need

A violinist holds up his instrument and smiles at the camera in the main hall at Cecil Sharp House

Pure joy in the form of young people and their musical instruments…

As part of our spring meets for the Modulo Programme, 108 students from schools all across the country joined Orchestras for All in London for an energising day of group music-making.

Taking place at Camden music venue, Cecil Sharp House, the inclusive event came following a successful first Meet of the year at Midlands Arts Centre in Birmingham, kicking off an exciting new season of activity with our mixed-ability ensembles.

Modulo’s main aim is to create a warm environment where young people from any background can thrive and enjoy making music with others – regardless of their musical ability, experience, personal circumstances or the instrument they choose to play – and the London leg of our spring Modulo tour certainly left both participants and staff members with fond memories.

All students did a fantastic job of playing through Nena’s ‘99 Red Balloons’ and Hisaishi’s ‘Merry-Go-Round of Life’, with schools in attendance including Oak Wood​, Gable Hall, Southborough High School, Oasis Shirley Park, Thames Park as well as Harris Academy schools from Bermondsey, Merton, Morden and Orpington. Scroll down for all the highlights!

Read more: Modulo in pictures: Midlands Arts Centre hosts OFA’s first spring meet >

Two students in school uniform smile at the camera
A brass player holds her instrument and smiles at the camera, while other Modulo students prepare instruments on stage behind her.
A Modulo flautist enjoys a quick chat with her neighbour during sectionals.
Two percussionists  enjoy a playful exchange with drumsticks and mobile phones at break time.
A student wearing a pink school shirt and glasses smiles with her guitar.
A Modulo participant holds up her violin and bow.
A group shot of Modulo students in the main hall at Cecil Sharp House, with a keyboardist in focus and others can be seen playing their harmonicas in the background.
A bold image of brass players lined up in a row, holding their shiny trumpets and trombones up high.
Conductor Rocco stands up and holds his arms up high in the air as he leads the London Modulo ensemble, who can all be seen sitting in front of him.
Two girls with blonde hair and school blazers strike a pose with the xylophone.
A woodwind player smiles from behind his music stand.
A Modulo guitarist focuses on the music as she looks down towards her instrument.
A Modulo drummer smiles at the camera, holding up his drumsticks in an 'X' shape.
This photo was taken from behind the grand piano, with two students seated there and they look out towards a busy group shot of the London Modulo ensemble in Cecil Sharp House, with a large artwork on the wall in the background.
Three girls in school uniform sit in a row and laugh with their mobile phones during break time.
A Modulo student and her teacher catch up in the main hall.
A string player stands tall with her instrument, smiling towards the camera.
A violinist reads sheet music as she plays her instrument.
Two woodwind players sit and rehearse together.
Woodwind and saxophone players pick up the melody during a sectional rehearsal.
Conductor Rocco stands in front of the Modulo ensemble in the main hall at Cecil Sharp House.
The London Modulo ensemble play together in the main hall at Cecil Sharp House.
Conductor Rocco is in focus, addressing the orchestra with his microphone.
Modulo flautists flutter with their instruments.
Percussion tutor Andre guides students in his section.
A violinist holds up her instrument and looks up towards the conductor.
A young participant laughs with her musical neighbour in the guitar section.
Two boys enjoy each other's company at lunchtime over cake and fizzy pop.
OFA’s Operations Manager, Helen, sits next to her laptop and smiles at the camera
Two students volunteering to do vox pops laugh with Communications Manager, Helena
Broaden Productions’ videographer, Sam, stands behind the camera as he gets ready to record vox pops
OFA Ambassador, Keefe, gives videographer Sam the thumbs up as he stands in front of the camera
Three girls stand in a line and give videographer, Sam, the thumbs up
Conductor Rocco shares his conducting skills with a Modulo participant
A great group shot of the orchestra taken from the angle of the strings
Conductor Rocco doing what he does best and leading the way
Cellists focus during full orchestra rehearsals
A guitarist looks down towards her instrument as she plays
Artistic Director, Emma, holds up her violin and laughs during a full orchestra rehearsal
Two girls who are good friends at their school sit with their keyboards and hold hands
Two girls play the grand piano in the main hall at Cecil Sharp House
A group shot of the London Modulo ensemble in the main hall at Cecil Sharp House
A percussionist smiles at the camera as he stands by his instrument
Two percussionists smile and give the camera the thumbs up
Two guitarists sit side by side – one is a blue electric guitar and the other black and white.
Two guitarists sit with their instruments and smile up at the camera
A group shot of the strings in the main hall at Cecil Sharp House
Brass players sit in a row and hold up their trumpets as they play.
A group shot of participants in the percussion section, with a drum kit and bongos in focus.
Percussion tutor, Andre, holds up his arm and makes students laugh as they all stand in a circle during a sectional rehearsal.
A group of flautists play together during a sectional rehearsal.
Woodwind players and flautists play together during a sectional rehearsal
Guitar tutor, Ralph Porrett, leads the way during a sectional rehearsal
A group shot of the string sectional, with participants all gathered around in a circle.
A photo of the main hall at Cecil Sharp House, facing a painting on the wall and with a xylophone and other percussion instruments in focus
A group shot of the full orchestra in the main hall at Cecil Sharp House
Modulo Programme Manager, Sam, smiles and points towards the orchestra in the main hall
A group of participants wave goodbye to the camera at the end of the day
Surrounded by trees, a sign outside the venue reads: 'Cecil Sharp House, The English Folk Dance And Song Society'

Modulo Programme in pictures: Midlands Arts Centre hosts OFA’s first spring meet

The percussion section at the spring Modulo Meet in Birmingham

What a wonderful start to live activity in 2023…

On Tuesday, Orchestras for All welcomed 120 school students to the Midlands Arts Centre in Birmingham for its first Modulo Meet of the spring – and it was pure joy.

From calming stretches during group warmups and energetic sectionals to conducting demos with young people and full orchestra rehearsals, it was surely a day to remember and we’d like to extend our thanks to all those involved (including two of our inspiring Ambassadors, Chloe and Noah!).

Next week, we’ll be taking the Modulo Programme to Cecil Sharp House in London and the Royal Northern College of Music in Manchester but before we do, scroll down for a few of this week’s musical highlights!

Read more: 504 students from 35 UK schools to perform a protest song as part of Orchestras for All’s Modulo Programme >

On behalf of everyone at Orchestras for All, we would like to thank our funders, 29th May 1961 Charitable Trust and the Rayne Foundation, and each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Keen to support a young musician on the Modulo Programme? Please donate today: