Inclusive music-making across the UK: Modulo Programme 2024 season highlights

All the best bits from our barrier-smashing national ensembles…

Earlier this year, the Orchestras for All team travelled across the UK with the Modulo Programme to bring inclusive music-making activities to 500 students from 35 participating schools and community groups – with 252 young people joining us in the spring and 248 in the summer months.

We were delighted to be joined by 18 schools from Arts Council England’s Levelling Up for Culture Places, 15 returning schools and one home educated group. We were also thrilled to be able to widen the impact of Modulo even further by welcoming our first ensemble from a Special Educational Needs and Disability (SEND) school.

From Royal Birmingham Conservatoire to the University of York, Royal Northern College of Music in Manchester to the Royal Academy of Music in London (watch our concert video above), we held eight energising meets that were jam-packed with uplifting ensemble music-making.

A Modulo participant said: “Now I have found where I belong.”

Read more: 9 groundbreaking black composers you really need to know > 

Modulo participants getting in the groove

Our inspiring participants had the opportunity to perform an eclectic programme of music together as one powerful large-scale orchestra, which included everything from video game soundtracks to 1970s funk classics.

Read more: Orchestras for All invites young people to join its new season of inclusive programmes >

Arranged by Orchestras for All’s Associate Conductor, Rocco Brunori, Christopher Larkin’s ‘Hornet’, as featured in the video game Hollow Knight, quickly became a firm favourite for its driving rhythms and captivating melodies (watch video below).

Our participants also had the chance to perform the stunning ‘Allegro’ movement of Florence Price’s Symphony No. 1 (1932), arranged specially for our Modulo ensembles by award-winning composer, Emily Lim.

Plus, our inclusive ensembles even got stuck into ‘I Wish’, the 1976 funk classic written and produced by Grammy Award-winning American singer, Stevie Wonder, and arranged by our keyboard tutor, Matthew Poad. In this catchy tune, Wonder’s lyrics share how he wishes he could go back in time and relive his childhood – and you just can’t help but dance along!

As with all our work, wellbeing was at the forefront of every event this season. Alongside building on their musical skills, our diverse cohort of students were able to develop their social and communication skills, while having their emotional needs fully supported by our expert team of safeguarding staff.

A young participant told us: “I come to Modulo for the confidence-boosting side of it.”

Modulo Participants enjoying a break from rehearsals

On behalf of everyone at Orchestras for All, we would like to thank our Modulo funders, Arts Council England, Department for Education, Foyle Foundation, Garfield Weston Foundation, Scops Arts Trust, 29th May 1961 Charitable Trust, Association British Orchestras Sirens Fund and Catherine Cookson Charitable Trust.

We would also like to thank our individual donors, orchestral and wellbeing tutors, freelance staff, ambassadors and audience members for making our Modulo 2024 season so memorable.

Keen to get involved? There’s still time to apply to join our next Modulo cohort in 2025 – but hurry, the deadline is 6pm on Monday 19th November 2024!

Find out how your school can get involved below:

‘Sounds of Change’: Immerse yourself in live music at National Orchestra for All’s summer concert!

Don’t miss it.

The inspiring young musicians of National Orchestra for All (NOFA) are delighted to invite you to their final concert of the season: ‘Sounds of Change’.

Taking place on Thursday 1 August 2024 from 3-5pm at Birmingham’s CBSO Centre, this special event is relaxed, family-friendly and promises to be an unforgettable experience for performers and attendees alike.

Following two years of powerful group music-making at arts venues nationwide, NOFA is ready to showcase the hard work and incredible achievements of its inclusive ensemble through a diverse programme of live music.

Chosen in collaboration with the young people OFA works with, audience members can expect to hear pieces such as ‘Hornet’ and ‘Reflection’, taken from Christopher Larkin’s gripping soundtrack for video game, Hollow Knight, arranged for NOFA by Emily Lim. Watch the video above to see NOFA’s rendition of ‘Hornet’ at Royal Birmingham Conservatoire in the spring.

Pianist Noah said: “NOFA is a second home for me – a second family, a safe space. I can't recall any moment here that I haven't enjoyed. I feel respected and heard and it’s here I’ve made some of my closest friends. The music is catchy and the staff are absolutely amazing! I feel so proud to be part of this organisation.”

Read more: Orchestras for All announces its headquarters relocation to Sheffield >

Pictured: National Orchestra for All receive a round of applause at Royal Birmingham Conservatoire.

Music often mirrors the social, political and cultural shifts occurring in society, so some of the repertoire chosen under NOFA’s artistic theme, ‘Sounds of Change’, is intended to highlight times of significant change or movement. NOFA will therefore be celebrating the Midlands and its fascinating history by playing James Brady’s haunting arrangement of ‘Ghost Town’, written by Jerry Dammers in 1981 and made famous by British two-tone band, The Specials.

Our programme also includes the ‘Allegro’ movement of Symphony No. 1 in E minor – a sonorous, lyrical work penned by American classical composer, Florence Price, which has been arranged for OFA by Simon Tong. 

Plus, NOFA will be joined on stage by 13 young musicians from CBSO’s Learning & Engagement programme and there will be solos, small group performances and original NOFA compositions to be heard such as ‘Strength in Numbers’, which the ensemble created in collaboration with Birmingham-based multi-instrumentalist, Joe Broughton.

Aged between 11 and 19, NOFA members come together from diverse backgrounds and cultures, from all corners of the country – and thanks to our charity’s inclusive, non-auditioned programme, they have been able to experience the joy of playing in an orchestra regardless of the daily barriers they might be facing and take ownership over their learning.

On an individual level, ‘Sounds of Change’ represents the personal growth and development that NOFA musicians experience. This could include mastering new skills, making new friends, growing in confidence and finding a deeper sense of identity through musical expression.

NOFA violinist, Meicha, said: “NOFA is just a wonderful community and experience for young people across the UK.” NOFA cellist, Jess, added: “At NOFA, you don’t have to feel like you have to be the best – you can just play along and laugh if you make mistakes.”

Orchestras for All strives to make its concerts accessible to all, so admission to ‘Sounds of Change’ is free. However, we welcome any donations to the charity and would like to thank each of our individual supporters as well as our loyal NOFA funders – including Arts Council England, Department of Education, Garfield Weston Foundation, Foyle Foundation, Association of British Orchestras Sirens Fund, Finzi Trust, Schroder Charity Trust and Wavendon Foundation – for making this life-changing programme possible.

Music has the ability to shift our mood, alter our perspective and create emotional connection, so whether you’re a long-time supporter of orchestral music or new to the scene, ‘Sounds of Change’ is a wonderful opportunity to experience the transformative power of live music. Come along and be part of our musical celebration. We look forward to seeing you there!

35 UK schools to team up in spring 2024 for orchestral music-making with the Modulo Programme

From London to Birmingham, York to Manchester, Arts Council England’s new National Portfolio Organisation is ready for its next tour…

Spring has long been considered the most uplifting season, with its longer days and flowers in bloom – and at Orchestras for All (OFA), it also means exciting new musical opportunities for the year ahead.

With our first live event for the Modulo Programme just on the horizon, students and music leaders across the country are busy preparing for our next series of ‘Modulo Meets’, which welcome young people from diverse backgrounds to play together in large-scale ensembles – whatever their personal background, ability, level of experience or chosen instrument.

Taking place from 26 February to 19 March 2024, the inclusive music-making activities will kick off at London’s Cecil Sharp House, before heading over to the Midlands Arts Centre in Birmingham, University of York and Royal Northern College of Music in Manchester.

We’re delighted to share that Modulo reaches new heights this season, with a total of 41 applications received and 35 schools participating in the programme. This is a new record for in-person Meets at OFA and we’re so pleased to be bringing Modulo’s positive impact to even more local communities across the UK, breaking down musical barriers and improving access to music education for young people who need it the most.

During our spring 2023 Meets, a participant said: “I enjoyed the opportunity to visit a new place and work in some of the different Modulo music spaces. Everyone was very kind and encouraging and made Modulo an enjoyable experience.”

Read more: Orchestras for All’s powerful new Impact Report >

This season, 18 schools joining us are from Arts Council England’s Levelling Up for Culture Places and/or Priority Places, 15 schools are returning to the programme and one is a home educated group. We’re also widening our impact by welcoming our first Modulo ensemble from a Special Educational Needs and Disability (SEND) school and they will be supported by our Wellbeing Lead, Sasha Mattock.

For the students that join us, Modulo is more than just a music education initiative. For many, attending a Meet can be a transformative experience that goes beyond reading the notes on a page. Our charity’s aim is to empower each young person to express themselves, explore their own creativity and build confidence and leadership skills, while learning to collaborate and communicate with others.

A Modulo musician told us: “I feel more confident in ensemble playing and have enjoyed discovering new music and instruments. I’ve also made new friends through Modulo, who I talk to regularly!”

Read more: 7 wonderful ways youth leadership will empower your youth orchestra >

Modulo values diversity and encourages its young participants to explore a broad range of musical genres and styles from around the world, helping them to foster cultural awareness and an appreciation for different traditions. This spring, our repertoire includes the ‘Allegro’ movement of Symphony No. 1 (1932), penned by Arkansas-born classical composer, pianist and organist, Florence Price, and arranged specially for our inclusive Modulo ensembles by award-winning composer, Emily Lim.

Pictured: A group of Modulo participants and OFA Ambassador, Tashan, at Royal Birmingham Conservatoire

Participants will also be raising their instruments to play ‘Hornet’, a dramatic video game soundtrack taken from Hollow Knight, written by composer and sound designer, Christopher Larkin. Orchestras for All’s Associate Conductor, Rocco Brunori, who specialises in brass and music education in primary schools and universities, produced the Modulo arrangement, and the work was selected as an OFA piece by Modulo and National Orchestra for All members during our 2022-23 season.

Plus, our inclusive ensembles will have the opportunity to perform ‘I Wish’, a 1976 funk classic written and produced by Grammy Award-winning American singer, Stevie Wonder. The uplifting song, which has been arranged for OFA by our keyboards tutor, Matthew Poad, focuses on Wonder’s childhood from the 1950s into the early 1960s, with lyrics sharing how he wished he could go back and relive it.

We can’t wait to greet our dedicated cohort of school students and music leaders – who now have access to an exclusive online hub of Modulo resources – very soon, and would like to extend our warm thanks to the ongoing support of OFA’s generous funders and individual donors. Without you, our charity wouldn’t exist.

Not attending the Meets but keen to get a sense of the action? We’ll be sharing daily event highlights via our social media channels, including Instagram takeovers from OFA’s 10 brilliant Ambassadors, so do visit our profile and follow along!

Finally, if you haven’t quite locked down your New Year’s resolutions this year, why not join our inspiring network of supporters? By donating just £10 a month to Orchestras for All, you could help a young person who faces daily barriers discover the joy of music-making with others, when they may not otherwise have the opportunity.

National Orchestra for All’s barrier-smashing spring residential in pictures

“It’s energetic and a really good experience!”

National Orchestra for All’s summer extravaganza is just on the horizon and we couldn’t be more excited to reunite with this year’s diverse new cohort – but first, we wanted to share a few highlights from the ensemble’s energising spring residential.

In April, NOFA members travelled to the Royal Birmingham Conservatoire from all four corners of the UK, with many of the young musicians being introduced to returning members of the ensemble for the first time and in many cases, quickly making lifelong friends.

The inclusive event was defined by powerful sectionals, rip-roaring full orchestra rehearsals and expert one-to-one tuition for this season’s eclectic repertoire, which includes ‘Ghost Town’ by The Specials, ‘Hornet’ and ‘Reflection’, taken from Christopher Larkin’s Hollow Knight video game soundtrack, the first movement of Florence Price’s stunning Symphony in E minor and a ‘Strength in Numbers’ collaboration with Birmingham-based composer and multi-instrumentalist, Joe Broughton, who runs the Conservatoire’s Folk Ensemble.

We also heard inspiring words from our ambassadors and a memorable series of performances during the recital evening (both moving and witty in equal measure). Plus, in true OFA style, there was plenty of focus on boosting wellbeing as well as fostering a happy, safe and collaborative environment, alongside opportunities for the young musicians to share their feedback and take ownership of their learning throughout.

In the words of new NOFA member, Jess: “I play the cello and this is my second day at NOFA. It’s a really good experience – it’s loud (but not too loud) and energetic. It’s a fun, friendship-building thing; you stay overnight and get to meet some really interesting people!”

Scroll down to view our barrier-smashing event gallery…

Read more: University of York’s spectacular concert hall hosts the Modulo Programme’s final meet of the spring >

On behalf of everyone at National Orchestra for All and the OFA team, we would like to thank our individual donors for their kind generosity; without them, this life-changing programme wouldn’t be possible.

We would also like to extend this thanks to our funders – including Clore Duffield Foundation, Three Monkies Trust, Austin Hope Pilkinton Trust, D'Oyly Carte Charitable Trust and Wingate Foundation. In addition, National Orchestra for All’s spring residential was the first course part-funded by NPO funding from Arts Council England and the Department for Education.

We’re making great strides in improving access to music for young people nationwide – please join our movement and together, let’s continue to make a positive impact!

Keen to help us provide musical activities to young people who might not otherwise have the opportunity? Please donate what you can today:

Tear-jerking performances and togetherness wrap up National Orchestra for All’s memorable spring season

“NOFA is all about collaboration, community and creativity – and joining the orchestra has definitely helped me grow in confidence.”

National Orchestra for All (NOFA) musicians just experienced their first in-person spring residential, following two years of online activity – and it was pure joy.

Held at iconic music venue, Royal Birmingham Conservatoire, on 11-14 April, the four-day course was packed with engaging sectionals and full orchestra rehearsals, giving our diverse cohort of young people the chance to bond and play together as a group.

The 43 NOFA members in attendance – who had travelled to Birmingham from all across the country – were also able to indulge in a carefully curated programme of social activities, from running clubs, jamming sessions and cinema evenings to relaxing yoga, choir practice and arts and crafts.

Seventeen-year-old NOFA pianist, Troy, said: “In secondary school, I didn’t have much going for me and didn’t have many opportunities, but then my teacher found NOFA and suggested that I should apply.

“I’m so happy that I did – it’s amazing and has made my life much more interesting! I can brag about being in an orchestra to my friends but it’s also really fun as there’s loads of activities happening and more opportunities to perform and connect with other people as well.”

Read more: 7 ways to support autistic musicians in your youth orchestra >

Pictured: National Orchestra for All (NOFA) musicians celebrate the final day of their spring residential

NOFA oboeist, Lily, added: “I love all the different music we’re playing – I wouldn’t play this type of music in my orchestra back home, so it’s nice to have that balance between classical music and dance music like ‘Crossfade’ and ‘Spoitoresa’. It’s great to have the variety.

“Being part of NOFA has also helped me to develop as a musician – the music we’re learning takes you out of your comfort zone but not to the point of breaking you, so it’s good to have that little push.”

Meanwhile, lower brass player, Christian, volunteered to try his hand at conducting, led by Artistic Director Emma Oliver-Trend. He told us: “I’ve improved a lot more in rhythm, and being part of NOFA has had such an impact on my life. When I go back home to my other bands, they can tell that I’ve improved and it’s helped me to make a lot more friends.”

Read more: Orchestras for All wins award for Outstanding Musical Initiative at the Music and Drama Education Awards 2022 >

All too often however, our young musicians are excluded from musical opportunities outside of NOFA due to the significant daily barriers they face, with many groups unwilling to make reasonable adjustments to cater to their level of need.

NOFA musicians take a moment away from orchestra rehearsals to enjoy an afternoon in the jamming room

As it stands, 50 per cent of NOFA members are in receipt of free school meals or come from areas of deprivation, 17 per cent are neurodivergent, 11 per cent have learning difficulties and 14 per cent have emotional and behavioural challenges.

That’s why they were joined at the spring residential by a lively team of NOFA ambassadors, volunteers and core staff as well as orchestral and wellbeing tutors, who were all on hand to build their confidence in performance and assist them throughout. Special guests included UK-based charity, Sound Connections, and book publisher, HarperCollins, who interviewed our young people and tutors to hear their inspiring stories.

For many attendees, one of the highlights of the course was the heart-warming recital evening, with NOFA members treating an intimate audience to stunning solos, original compositions and moving renditions of well-known tunes including Adele’s ‘Chasing Pavements’ and Whitney Houston’s ‘I will always love you’.

Meet our musicians >

NOFA guitarist, Kit, said: “Joining the orchestra has definitely helped my confidence with playing in front of other people. You’re surrounded by others doing the same thing and the support has been really good. NOFA is all about collaboration, community and creativity. Regardless of how nervous you might feel, you really enjoy it – and not many young people have the chance to do this, so I’m really grateful.”

NOFA ambassadors Mars, Kate, Phoebe, Joe and Isaac were on hand to help orchestra members throughout

NOFA parent, Polly, commented: “The work [OFA] does is amazing and there is no other setting where Cameron feels as happy, included and valued as with the NOFA family. Thank you so much for everything your team do to give Cam a place to belong, just the way he is and for bringing out the very best in him.”

NOFA Programme Manager, Paula, added: “My first NOFA was incredible. I loved getting to know the young people and I was blown away by their performances. It was inspiring being in the main hall with them, seeing how professional they all were. Big thanks to all the staff, tutors, volunteers and young ambassadors for supporting the project. I cannot wait until our next residential in Nottingham this summer!”

On behalf of everyone at Orchestras for All, our sincere gratitude goes out to Royal Birmingham Conservatoire, Aston University, our individual donors and loyal funders – the Ashley Family Foundation, Clore Duffield Foundation, D'Oyly Carte Charitable Trust, Wingate Foundation, Youth Music, Arts Council England, Headley Trust, Association of British Orchestra and Foyle Foundation – for making this spring residential possible.

To fund a life-changing programme like NOFA, please donate today >