Music matters: Orchestras for All invites young people in the UK to join its new season of inclusive programmes

Shaping the future of music, one note at a time…

Orchestras for All (OFA) is delighted to announce that it is now recruiting young people, state schools and local community groups for two of its flagship programmes: National Orchestra for All (NOFA) and the Modulo Programme.

Whether a young person is an experienced player or just getting started on their musical journey, OFA welcomes all young people to join its vibrant community and enjoy its life-changing activities.

NOFA violinist, Freya, said: “I think you should join NOFA because it is a once in a lifetime opportunity and you’ll never want to leave! It gives you a new outlook on other people and instruments – and it’s something you can’t get anywhere else.”

A Modulo participant commented: “I love Modulo because the people here are super nice and they’ll help you no matter what skill level you are.”

Read more: Not Just A Note – 7 reasons National Orchestra for All’s inspiring young musicians urge others to join >

What are the NOFA and Modulo programmes?

National Orchestra for All: NOFA is an inclusive, non-auditioned national youth orchestra bringing together an inspiring group of around 100 young people aged 11-19 from across the UK – regardless of their background, musical ability or choice of instrument – for an 18-month season of group music-making.

The orchestra performs all types of music, from popular songs to classical works, film music to jazz, video game soundtracks to dance anthems as well as world music. Members also create their own pieces with professional composers.

We want to ensure that cost isn’t a barrier to participating, so everything is covered for young people to join NOFA, including their food, travel, accommodation and tuition. 

Modulo Programme: We support teachers and music leaders in schools and local community groups to set up and run their own mini orchestras, known as ‘Modulos’. They receive all the music and resources they need to create an inclusive, accessible and high-quality musical experience for young people.

Throughout the year, Modulos from different parts of the UK come together to perform as one large-scale orchestra at ‘Modulo Meets’, culminating in an energising showcase of group music-making, with summer concerts open to the public.

Pictured: National Orchestra for All members enjoy a break from rehearsals at CBSO Centre in summer 2024.

Reflecting on the previous season

With its wide range of workshops, social activities, youth leadership initiatives and colourful concerts, NOFA’s 2023-24 season was a truly memorable experience for all involved. Its powerful theme, ‘Sounds of Change’, explored how music can often inspire, reflect and drive change in society as well as within ourselves.

Members had the opportunity to rehearse and perform at Royal Birmingham Conservatoire and CBSO Centre, all the while supported by an expert team of 10 Ambassadors and orchestral and wellbeing tutors.

Chosen in collaboration with the young people we work with, NOFA repertoire included an eclectic mix of works that celebrated diversity and challenged the status quo. From ever-eerie ‘Ghost Town’ by The Specials to Florence Price’s sweet-sounding Symphony No. 1 in E minor, Gamelan-inspired pieces to original compositions written with NOFA members, we’ve taken away memories and connections to last a lifetime.

Read more: 7 ways that youth leadership will empower your youth orchestra >

Meanwhile, 250 young musicians from 30 schools and community groups joined us at leading arts venues in London, Birmingham, Manchester and York for our eight Modulo Meets. Performing Stevie Wonder’s funk classic, ‘I Wish’, as part of their concert programme, participants had audiences grooving all over the country.

In 2024, we were delighted to see 19 new Modulo ensembles established. We also held 20 in-person workshops, created visual scores to make our resources more inclusive, launched a new digital hub for Modulo leaders to access their resources more easily and worked with the first Special Education Needs and Disability (SEND) school to join the programme.

View our summer 2024 picture gallery >

Why should you join our programmes?

By signing up for National Orchestra for All and Modulo, young people and music leaders will have the opportunity to:

• Be part of a national movement: Connect with like-minded individuals from across the UK and be part of something bigger that shapes the future of music.

• Make music accessible: Help us break down significant barriers to group music-making, making it possible for all young people to participate, regardless of their background.

• Perform in prestigious venues: Experience the thrill of performing in some of the UK’s most iconic spaces.

• Learn from the best: Receive expert training and mentorship from professional musicians and educators, with the health and wellbeing of participants at the heart of all programme activity.

How to apply

This is a wonderful opportunity to be part of something truly extraordinary. Take a moment to sign up and let’s continue creating sounds of change with the next generation!

Learn more about our application process and application deadlines below:

Huge thanks to our funders, partners, donors and supporters for making these life-changing programmes possible.

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‘Sounds of Change’: Immerse yourself in live music at National Orchestra for All’s summer concert!

Don’t miss it.

The inspiring young musicians of National Orchestra for All (NOFA) are delighted to invite you to their final concert of the season: ‘Sounds of Change’.

Taking place on Thursday 1 August 2024 from 3-5pm at Birmingham’s CBSO Centre, this special event is relaxed, family-friendly and promises to be an unforgettable experience for performers and attendees alike.

Following two years of powerful group music-making at arts venues nationwide, NOFA is ready to showcase the hard work and incredible achievements of its inclusive ensemble through a diverse programme of live music.

Chosen in collaboration with the young people OFA works with, audience members can expect to hear pieces such as ‘Hornet’ and ‘Reflection’, taken from Christopher Larkin’s gripping soundtrack for video game, Hollow Knight, arranged for NOFA by Emily Lim. Watch the video above to see NOFA’s rendition of ‘Hornet’ at Royal Birmingham Conservatoire in the spring.

Pianist Noah said: “NOFA is a second home for me – a second family, a safe space. I can't recall any moment here that I haven't enjoyed. I feel respected and heard and it’s here I’ve made some of my closest friends. The music is catchy and the staff are absolutely amazing! I feel so proud to be part of this organisation.”

Read more: Orchestras for All announces its headquarters relocation to Sheffield >

Pictured: National Orchestra for All receive a round of applause at Royal Birmingham Conservatoire.

Music often mirrors the social, political and cultural shifts occurring in society, so some of the repertoire chosen under NOFA’s artistic theme, ‘Sounds of Change’, is intended to highlight times of significant change or movement. NOFA will therefore be celebrating the Midlands and its fascinating history by playing James Brady’s haunting arrangement of ‘Ghost Town’, written by Jerry Dammers in 1981 and made famous by British two-tone band, The Specials.

Our programme also includes the ‘Allegro’ movement of Symphony No. 1 in E minor – a sonorous, lyrical work penned by American classical composer, Florence Price, which has been arranged for OFA by Simon Tong. 

Plus, NOFA will be joined on stage by 13 young musicians from CBSO’s Learning & Engagement programme and there will be solos, small group performances and original NOFA compositions to be heard such as ‘Strength in Numbers’, which the ensemble created in collaboration with Birmingham-based multi-instrumentalist, Joe Broughton.

Aged between 11 and 19, NOFA members come together from diverse backgrounds and cultures, from all corners of the country – and thanks to our charity’s inclusive, non-auditioned programme, they have been able to experience the joy of playing in an orchestra regardless of the daily barriers they might be facing and take ownership over their learning.

On an individual level, ‘Sounds of Change’ represents the personal growth and development that NOFA musicians experience. This could include mastering new skills, making new friends, growing in confidence and finding a deeper sense of identity through musical expression.

NOFA violinist, Meicha, said: “NOFA is just a wonderful community and experience for young people across the UK.” NOFA cellist, Jess, added: “At NOFA, you don’t have to feel like you have to be the best – you can just play along and laugh if you make mistakes.”

Orchestras for All strives to make its concerts accessible to all, so admission to ‘Sounds of Change’ is free. However, we welcome any donations to the charity and would like to thank each of our individual supporters as well as our loyal NOFA funders – including Arts Council England, Department of Education, Garfield Weston Foundation, Foyle Foundation, Association of British Orchestras Sirens Fund, Finzi Trust, Schroder Charity Trust and Wavendon Foundation – for making this life-changing programme possible.

Music has the ability to shift our mood, alter our perspective and create emotional connection, so whether you’re a long-time supporter of orchestral music or new to the scene, ‘Sounds of Change’ is a wonderful opportunity to experience the transformative power of live music. Come along and be part of our musical celebration. We look forward to seeing you there!

Not Just A Note: 7 reasons National Orchestra for All’s inspiring young musicians urge others to join

From connecting with our thriving musical community to performing at iconic arts venues, here’s everything you need to know…

Are you a keen young musician aged 11-16 in the UK and looking to be part of something extraordinary, or do you happen to know someone else who is? Do you believe in the power of music-making to bring people together from all walks of life? If so, National Orchestra for All (NOFA) wants to hear from you!

Our memorable two-year season with the current members of NOFA ends in August, which means that this autumn, our friendly team will be getting ready to recruit the next diverse group of young people to join us (as well as welcome back some of our existing members).

But what exactly is NOFA and why should you join? Read on as our current NOFA members share seven reasons you should consider signing up for this epic youth orchestra…

1.   National status

Whether you’re based in London, Edinburgh, Belfast or Manchester, you’re welcome to join NOFA. Our national orchestra is made up of around 100 young people from across the UK, who come together to rehearse and perform in set locations throughout the year.

In this diverse community of like-minded individuals, you’ll have the opportunity to make new friends, share exciting musical experiences and learn from each other’s different cultures and backgrounds.

NOFA cellist, Santiago, said: “NOFA provides the opportunity to meet people you’ve never seen before and make great connections all around the UK.”

2.   Inclusive environment

Young musicians in NOFA are welcome to play non-traditional orchestral instruments, including guitars.

At NOFA, any young person can participate regardless of their musical ability, background, chosen instrument (including those not usually found in a traditional orchestra, such as guitars and melodicas), or the daily challenges they might be facing – whether that’s physical disability, a mental health condition, learning difference, rural isolation, economic deprivation, living in care or living as a young carer.

We aim to promote a happy, collaborative and empathetic environment where both the young people we work with and NOFA staff feel valued, fostering a sense of belonging. From using pronouns and inclusive musical arrangements, to providing support for those with additional needs, NOFA is truly for all.

NOFA trumpeter, Cameron, said: “I would strongly recommend joining NOFA because I really feel like it gives back to others if you haven't had as much access to music before – I have personal experience through this. I love being part of the inclusive orchestra and anybody would be welcome and included.”

3.   No auditions

Pictured: National Orchestra for All members perform to a live audience at Royal Birmingham Conservatoire.

Unlike most traditional orchestras, you won’t have to worry about auditioning for NOFA as we encourage young musicians of all skill levels to join – from beginners right through to Grade 8 for those completing exams (but this isn’t a NOFA requirement).

Without the competitive pressure of auditions or fear of failure in a typical selection process, participants can focus more on their learning and collaborate in a stress-free setting. At NOFA, the primary goal is for young people to enjoy the collective experience of playing music together with others.

NOFA cellist, Jess, said: “It’s a good place to join if you are nervous about going to an orchestra because it’s just one big happy family! You don’t have to feel like you have to be the best; you can just play along and laugh if you make mistakes.” 

4.   Expert guidance

NOFA musicians will be supported during each residential by our friendly team of wellbeing staff (pictured).

From the moment each young person signs up for NOFA, they receive expert support tailored to their individual needs by our friendly team of staff.

Held a few times each year, our four-day NOFA residentials are led by experienced conductors, orchestral tutors and music educators who are passionate about helping young musicians reach their full potential, providing all the training and mentoring they need to thrive in full orchestra rehearsals and live performances. This includes one-to-one sessions and sectional rehearsals with smaller groups. Young people are also supported by our brilliant team of wellbeing staff, who are always on hand to ensure that everyone feels safe and happy.

NOFA keyboardist, Noah, said: “NOFA is a second home for me, a second family, a safe space. I can't recall any moment here that I haven't enjoyed. I feel respected and heard, and it’s here I’ve made some of my closest friends. The music is catchy and the staff are absolutely amazing!”

5.   Diverse repertoire

Being part of NOFA’s inclusive ensemble, you’ll get to rehearse and perform music spanning all kinds of genres and styles – from popular chart hits to classical masterpieces, world music to captivating film and video game soundtracks. Embracing music and learning by ear in this way introduces the young musicians we work with to different musical traditions and cultures as well as providing concert audiences with a unique and enriching experience.

You’ll also get to collaborate with other NOFA members and guest musicians to create original compositions. This season, NOFA created ’Strength in Numbers’ with composer and multi-instrumentalist, Joe Broughton, which has become a firm favourite (watch and listen above).

NOFA flautist, Keaton, said: “You should join NOFA because it’s a great opportunity to improve your musical ability!”

6.   Performance opportunities

National Orchestra for All members and Artistic Director, Emma, perform at Royal Birmingham Conservatoire.

For many young musicians who join NOFA, a highlight is having the chance to perform live. This could be to each other during group jam sessions, NOFA’s famed recital evenings, or to friends, family and members of the public at prestigious music venues like Royal Birmingham Conservatoire and Nottingham’s spectacular Albert Hall.

While performing enables NOFA members to showcase their musical achievements, it also gives them the opportunity to inspire others through the power of group music-making and share the transformative benefits of live music – like boosting wellbeing – in their local communities.

NOFA violinist, Miecha, said: “It’s nice to go somewhere independently and find yourself, and meet other people from across the UK.”

7.   Personal growth

National Orchestra for All is about more than just playing music – here you can make lifelong friendships.

While we value creativity, NOFA isn’t just about playing music – it’s about personal growth. As well as improving your musical skills, joining the orchestra will boost your confidence and help you develop vital skills. This could be through teamwork or youth leadership opportunities such as becoming a Young Leader or later an Ambassador, where you can provide support as a NOFA alum to members as well as the Orchestras for All team in key areas, including production, marketing and artistic planning.

You’ll learn how to listen and collaborate with others, take ownership over your own learning and wellbeing, and create something truly special that you can feel proud of with an inspiring group of individuals.

NOFA violinist, Freya, said: “I think you should join NOFA because it is a once in a lifetime opportunity and you will never want to leave! It gives you a new outlook on other people and instruments, and it’s something you can’t get anywhere else.”

Are you interested in learning more and signing up for NOFA?
Would you like to nominate a young person for the orchestra?
Register your interest using the form on the NOFA page below:

Making an impact: read Orchestras for All’s powerful new report

Building inclusive communities, one musical note at a time…

Another memorable year at Orchestras for All (OFA), another inspiring Impact Report – and our 2022-23 roundup might just be our best one yet.

In a world that often echoes with discord, we’ve been working tirelessly over the past year to become a driving force for positive social change by welcoming young people and music leaders from all across the UK – from London to Birmingham, Manchester to York – to our inclusive music-making activities.

We truly believe that the joy of group music-making should be experienced by all young people, from all walks of life – not to mention the associated benefits that come through playing music with others in an orchestra, which include boosting a young person’s confidence, developing their social skills, unlocking creative potential and building community, to name but a few.

In our latest Impact Report, we share key findings from OFA’s three barrier-smashing programmes: National Orchestra for All (NOFA), Modulo and Music Leadership Training (MLT), through which we aim to empower and energise young people and music leaders alike – regardless of their personal circumstances or the daily challenges they might be facing.

Trustees Beth White and Joelle Sogunro said: “This year, the number of NOFA members has doubled compared to last year, which is a testament to the growing influence and reach of our organisation. Through Modulo, we reached 613 young people nationwide, directly impacting their lives and fostering a sense of community through music making. Plus, an astounding 7,000 young people have been indirectly impacted through our MLT programme.”

Read more: 13 barrier-smashing highlights from Orchestras for All in 2023 >

Modulo participants play together at Cecil Sharp House in London, led by OFA’s Associate Conductor, Rocco.

The former NOFA members added: “We firmly believe in the power of youth voice and have taken significant strides towards championing it, so one of our key triumphs this year has been the development of youth leadership opportunities at OFA. As part of this, we handed over the Youth Board to current OFA Ambassador, Chloe Morgan, and welcomed her to the Board of Trustees. Chloe’s energy and fresh perspective has already made a positive impact on our decision-making processes.

“We also further invested in our wellbeing approach, ensuring that OFA’s programmes not only inspire creativity but also nurture the individual needs of every participant – making our initiatives even more inclusive and accessible, while opening up doors for diverse young minds to thrive.”

Read more: Meet National Orchestra for All musicians, Lola and Christian >

As well as outlining the steps we have taken to keep youth leadership and wellbeing at the forefront of OFA’s vital work, the Impact Report shares event highlights, heartwarming stories of personal growth and resilience from the young people who participate in our programmes, and sheds light on how we plan to strengthen the charity in future – from investing in our environmental responsibility to continuing our exciting transition as a new National Portfolio Organisation.

Alongside our commitment to providing high-quality music education and musical opportunities, building inclusive communities where each and every young person (and staff member) feels welcome and supported is what makes OFA so very special.

By fostering a sense of belonging and collaboration, we’re creating vibrant ensembles that reflect the rich tapestry of our society. During NOFA’s spring 2023 residential, we recorded a video of the young musicians creating a powerful improvised piece, titled ‘Strength in Numbers’, with composer and multi-instrumentalist, Joe Broughton. The video (watch above) is currently being considered in the Smiley Charity Film Awards 2024 and open to a public vote until midnight on 24th January 2024 – you can support us by casting your vote here!

We can’t wait to see what the future holds for OFA and through our latest Impact Report, we hope to demonstrate that when young people have access to a safe space in which they can come together to create music, it can be truly life-changing.

Please join us in breaking down musical barriers by reading our Impact Report below and taking a moment to share it with your network – let’s make a difference in 2024!

Orchestras for All seeks new headquarters – join the search!

As Orchestras for All (OFA) continues to expand and develop its reach and impact across the UK, the charity finds itself in an exciting new phase of growth and development.

We are now on the lookout for new headquarters that will provide much more to us than just office space; our new location could also be a hub for forging new partnerships, nurturing existing relationships and fostering creativity within the sectors of music education, mental health and wellbeing, youth leadership and engagement.

We invite you, our incredible network of supporters and followers, to join us on our search by sharing your expert insights and recommendations for where our new headquarters could be based.

A Modulo participant expertly conducting their ensemble

What are we looking for?

Our vision is a country where all young people have access to the joy and benefits of orchestral music making, regardless of the daily challenges they might be facing.

By relocating to a vibrant location that takes OFA’s strategy into consideration, we aim to amplify our charity’s impact, celebrate being truly national and strengthen our connections within the sectors we are so deeply passionate about.

We have now embraced a hybrid model of working and are based all across the UK, so our new headquarters will not merely offer us a physical space, it will also provide us with the opportunity to collaborate and innovate.

We are envisioning an area of the country where like-minded organisations and individuals can come together to share ideas, knowledge and resources. It should be a dynamic space, where music educators, mental health and wellbeing advocates, youth leaders and artists alike can join forces to create a positive ripple effect across the UK.

Anthony and the powerful National Orchestra for All (NOFA) trumpet section

We need your help!

We believe that the best suggestions often come from the participants of our programmes and the supporters who believe in our cause. Whether you’re a young person, teacher or tutor working with OFA, or someone who values the impact of music on young lives, your input is truly invaluable to us.

• Can you suggest a city or town that is well-known for its vibrant arts scene and/or commitment to young people?

• Is there a region in which the passion for music and wellbeing of young people seamlessly unite?

• Perhaps you have a personal connection to a place or organisation that you feel we should be teaming up with, to ensure our vision and mission become a reality?

We hope this callout will result in an exciting list of locations and partners that we can explore for our relocation, or give us food for thought about how we might engage with other brilliant organisations.

Orchestras for All Artistic director and conductor, Emma, leading the way with her violin

How to get involved

There are three key ways you can contribute:

1. Share your suggestions: Please complete the short questionnaire below, offering recommendations for where our new headquarters should be and explain why you think a particular place would be an ideal fit;

2. Spread the word: Encourage your friends, family and colleagues to participate. The more diverse and wide-ranging the suggestions, the better!

3. Engage in the conversation: Follow our social media updates and join the ongoing conversation about our potential new headquarters’ location. Your insights and perspectives are incredibly valuable.

Your recommendations will not only help to shape our future; they will also enable us to have a positive and lasting impact on the lives of young people nationwide.

We will research each and every recommendation, assessing their potential within the topics of strategic and partnership opportunity, accessibility, financial and environmental opportunity and impact, culture and values as well as participant and audience development.

Thank you for being part of our mission – stay tuned for updates and we can't wait to see where this collaborative effort takes us! Together, we can continue to smash down the barriers to music making that so many young people face every day.

Questionnaire deadline: 12pm on Thursday 28th of September

Meet National Orchestra for All musicians, Lola and Christian

From building their confidence to boosting their skills, two of our Coventry-based members share their NOFA story…

This week, the inspiring group of young people known as National Orchestra for All (NOFA) will be reuniting in the striking surrounds of Royal Birmingham Conservatoire for their exciting summer residential.

Taking place from 1-4 August, the four-day event will be a non-stop celebration of inclusive music-making and togetherness, with each member of the diverse ensemble being fully supported throughout – both musically and emotionally, based on their individual needs and preferences – by a friendly team of professional tutors.

While NOFA’s lively gatherings have always been joyous and memorable in equal measure, with nearly 100 young people from across the UK now making their way to the Conservatoire, we’re pleased to share that the youth orchestra has finally reached its pre-pandemic numbers – making this residential especially significant.

Ahead of the musical festivities, we caught up with 12-year-old flautist, Lola, and 17-year-old euphonium player, Christian, who were both introduced to NOFA via Coventry Music Hub, to find out what it means to be part of our vibrant musical family.

Read more: In pictures – tour highlights from the summer Modulo Programme 2023 >

Sharing her thoughts on what makes NOFA so special (watch full interview above), Lola said: “Meeting new friends and building my confidence. I love the music we’re playing and I like seeing people who play the same instrument as me! When I first joined, when I first played, I felt like I wasn’t getting judged.

“I feel like people think in their own opinion that they're getting judged – but when you play, it lets it all out and you have confidence. If you mess up or feel like people are going to laugh or like you’re getting judged all the time, you’re not.”

Describing why other young people should join an orchestra like NOFA, she added: “Music, in my opinion, is about expressing yourself in your own way. I feel like you should definitely join an orchestra because it’s really helped me with talking to people and with playing my instrument. It’s helped me learn new notes and different dynamics. You get better at your instrument and you can hear all the other instruments. If you want to play another instrument, then you can hear that too!”

Lola isn’t the only young musician looking forward to the summer residential. Speaking about his experience with NOFA (watch full interview below), Christian told us: “In a lot of orchestras, the only person with the power is probably the conductor, maybe the concertmaster. I’m literally just a person on the euphonium, which a lot of people wouldn’t pay attention to, but at NOFA, I’ve had talks with people to try and see if I can learn new repertoire and even conducted the orchestra myself, so I think that’s pretty cool!”

Explaining why he feels diversity and inclusion is so important, he commented: “Back when we had Baroque, Classical, Romantic music… a lot of it was written by white composers, with white musicians playing it. A lot of the time you’d never see anybody else from different backgrounds in orchestras, or composing or playing the music.

Read more: 13 ways you can be kind to others in an inclusive youth orchestra >

“I think that if we have orchestras with more diversity, it can bring new ideas as music from around the world comes in all different forms. With African drumming, rhythm is given a lot more emphasis. Then if we go to Indian music, they have different scales, which Western music wouldn’t use.”

Highlighting some of the music in NOFA’s current season of repertoire, Christian said: “The first one I want to talk about is from a video game called Hollow Knight, which I think is quite interesting as compared to the other seasons I’ve played in, this is the first time we’ve done a song from a game, which I think is pretty good! There are a lot of game composers that get inspiration from orchestral music but you never really hear them played, unlike some of the bigger composers.”

Pictured: 17-year-old NOFA member, Christian, tries his hand at conducting during the spring residential

“The other piece is called ‘Ghost Town’, which is by a band who actually originated in Coventry! The song talks about what Coventry was like when it went through an era of everything going wrong. Everything was really bad then – and the song just talks about that time. The piece we’re playing is basically just an orchestral version of it, which is quite interesting because I don’t think I would be able to make an orchestral composition of a song like that!

“[NOFA] does help a lot of young musicians to build their musical ability; when I first started, I’d say I was terrible at euphonium. The repertoire they’ve given me, especially in the last season when we did ‘A Young Person’s Guide to the Orchestra’, was very challenging – but I’m able to play it now and I think that challenge is really good as it helps you to improve.”

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education and D’Oyly Carte Charitable Trust, as well as our individual donors and charity volunteers, for making this life-changing musical programme possible.

To support the young people in National Orchestra for All and contribute towards our vital work, please donate what you can today:

Introducing the newest members of the Orchestras for All team

Spoiler alert: they’re all pretty darn amazing.

Over the past year, Orchestras for All (OFA) has continued to evolve as a charity and grown at rapid speed, reaching even more young people across the UK than ever before through its inclusive music-making programmes.

To support this demand and further develop OFA’s musical offering, its team has welcomed 10 inspiring ambassadors, who all started out on their journey as young musicians with National Orchestra for All. In these paid roles, ambassadors play a vital part in assisting the core team and championing OFA’s work across all programmes, while also boosting their skills and having the opportunity to focus on a specialty of their choice.

Joining them is OFA’s new Youth Leadership Coordinator, Elen, who will be creating and facilitating opportunities for young people – including current members, ambassadors and alumni – to be involved in the charity’s key decision-making, planning and delivery of work. We believe that young people are best-placed to tell us what they want and need, so it’s essential that their voices and opinions are heard, valued and actioned. Outside OFA, Elen is a member of the ABO board’s Musicians’ Advisory Council, which also ensures that the voices of orchestral musicians are heard at board and executive level.

Finally, OFA is pleased to welcome Sasha, who will be supporting the wellbeing of both staff and participants across the charity as Wellbeing Lead, alongside superb Associate Conductor, Rocco, barrier-smashing Programmes Coordinator, Jenny, and Production Manager, Chris, whose role is key to making our live events a success.

From Arsenal fans and filmmaking students to keen cellists and music-loving maestros, let’s meet the latest additions to the team…

Read more: National Orchestra for All’s barrier-smashing spring residential in pictures >

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Atse, Ambassador

Hi, my name is Atse and I’m an OFA Ambassador. I’ve been a part of OFA since 2014, when I joined as a NOFA member. As an Ambassador, my role is to help guide young people through the experience of being part of OFA, using my own knowledge of being a NOFA member.

I am also a member of the Youth Board, which is where we take the feedback of members and discuss how we can improve the OFA experience. Outside of OFA, I’m studying to be a music producer and sound engineer and I’m a big Arsenal fan.

Beau, Ambassador

Hello! I’m Beau and I’m an Ambassador for OFA. I’ve been with NOFA since 2016 and I’ve enjoyed every year I’ve been here. An ambassador helps young people feel more comfortable within OFA as we act as a bridge between staff and members as we were once members ourselves. 

Music has always been a big part of my life and I’m always doing something that has music. Outside of OFA, I love making my own music – OFA helped me gain the confidence to be able to do that. I’m also a filmmaking student in Brighton, specialising in production design, sound design and soundtracks for film. 

Chloe, Ambasssador and Trustee

I’m Chloe and I loved music from a young age – sitting in my Granny’s kitchen in Belfast, listening to my family have a trad session, I desperately wanted to join in. I felt then how music brought people together and created a feeling of community. Naturally I did the only reasonable thing… stole one of my uncle’s tin whistles and began to make a racket.

I then started learning the cello in school at age eight. There was very limited opportunity for ensemble playing and my idea of an orchestra was “serious and stuffy”. Joining National Orchestra for All in 2018 changed that entirely! There I felt that same sense of community but this time it was with 99 other young people that I’d only met three days prior! Most importantly, as an Ambassador and Trustee I’m looking forward to helping OFA achieve what the Youth Board likes to call… “world domination”!

Chris, Production Manager

Hi everyone, I’m Chris Tindall and I’m the Production Manager at Orchestras For All. My job is to make sure all the equipment, such as stands, chairs, power for guitars and so on, is set up and working for rehearsals. I also help with the lighting and sound for the recital evening.

I love working with musicians and have previously worked for lots of opera companies. The thing I’m most excited about with NOFA is hearing the orchestra play together for the first time! I also live in the North East of England, love cricket and am a trained umpire.

Elen, Youth Leadership Coordinator

I’m Elen and I am the Youth Leadership Coordinator at Orchestras For All. My role will be focused on amplifying youth voices and furthering the youth involvement in all areas of OFA. I have recently graduated from Royal Welsh College of Music and Drama but prior to this, I was a member of OFA’s National Orchestra For All. My experience with music education, especially conservatoire, has meant that I have experienced first-hand the inaccessibility of the music industry, but these experiences have only made me more passionate about OFA’s mission.

My time with OFA has given me an insight into the lives of young musicians from all walks of life and has truly shown me the value of music-making opportunities. I firmly believe that everyone should have the opportunity to make music regardless of their background or personal challenges, so I am incredibly excited to be a member of the OFA team and to be part of the positive changes they are making!

Grace, Ambassador

Hi everyone! My name is Grace and I’m one of the NOFA ambassadors. A bit about me – I’m a violinist and auditioning for a conservatoire in November, but I also play piano and like to sing. I love buying clothes from charity and thrift shops – you will often see me in brightly-coloured clothes! 

I’m very excited to meet NOFA’s new musicians in the summer – I’m sure it’ll be a fantastic week! Like the other nine ambassadors, my job is to support the young people if they need anything or have any questions. Always happy to help! The thing I’m most excited about is seeing everyone play together at the end of the course as well as seeing how much progress everyone’s made! 

Haseeb, Ambassador

Hello everyone! I’m Haseeb, an OFA Ambassador. I have been with the organisation since 2015 and have loved every second (as you can probably tell as I’m still here). As one of the ambassadors and someone who only recently aged out of being a NOFA member, I essentially act as a bridge between members of OFA’s programmes and its staff.

I’ve also been a member of the Youth Board, so if you have an idea on how we could improve something, I would love to hear it and feed this back to the Board, who can take it further up the ladder. Outside of OFA, I've completed my A-Levels and I'm currently a Medical Engineering Apprentice at Leeds Teaching Hospitals.

Jenny, Programmes Coordinator

Hello! My name is Jenny and I’m the Programmes Coordinator for Orchestras for All. My role is new and was created because OFA’s programmes are reaching more people than ever before! I support the lovely Sam (Modulo and MLT Manager) and Paula (NOFA Manager) in the delivery of OFA’s three innovative programmes. Something I am particularly looking forward to is attending OFA events, meeting the young people involved and experiencing their incredible performances!

Music has been a part of my life since I started learning to play the violin aged eight. My favourite part of learning an instrument was playing in ensembles – particularly orchestras! If I hadn’t participated in orchestras while growing up, I wouldn’t have the skills, friendships and life experiences I am fortunate enough to have today. I am delighted to be joining the OFA team and contributing towards inclusive music-making opportunities in the UK.

Keefe, Ambassador

Hi, I’m Keefe and I come from London. Music has been a large part of my life for a long time now, ever since I started playing the piano in Year Three. I love it because although music can vary massively, it has always been a universal language for everyone. Music has always been a sort of safe place in my mind that I can retreat to when I’m nervous or overwhelmed, almost a sort of second language. I can't imagine a life without it now.

I’ve been with OFA for three years now (although it seems a lot longer than that!) and it has given me invaluable experience, many unforgettable memories and great friends. I’m absolutely honoured to be an Ambassador for OFA! Outside of music, my biggest interest is medicine and I’m aiming to become a doctor in the future. I will also never say no to a game of chess, although I’ll probably lose very quickly!

Nell, Ambassador

I’m Nell and I’ve enjoyed playing music since I was little, bouncing around between instruments until ultimately settling on the clarinet. I joined NOFA back in 2015 and they’ve yet to manage to get rid of me. OFA were the first to introduce me to the joys of playing with others, especially on a large scale. My hope as an Ambassador is that I can play a part (get it?) in helping the current generation to experience all the opportunities OFA has given me.

Outside of music, I study physics at university. I’m also always on the lookout for another sport to try; the current list includes trampolining, netball and gymnastics. I try to find the time to play in an orchestra but none of them ever quite match up to NOFA (we’re just that good!).

Noah, Ambassador

I’m Noah and I’ve been a part of OFA for nearly six years – and every year has been better than the last. Over the years, OFA has helped me to improve my confidence and musical ability. I can play things now that I thought were impossible for me to do. I have been playing double bass for the past eight years and thanks to OFA, I have no intention of stopping anytime soon. I have always had a passion for music as it allows me to imagine and create from my mind, something which I am very grateful to be able to do.

I am incredibly grateful to have the opportunity of being an Ambassador as I would like to be able to give back to the orchestra and organisation that I have been a part of for so long. Outside of OFA, I enjoy programming – especially in the field of cyber security, as well as making robots and machines. I also enjoy outdoor sports like bouldering and kayaking.

Rocco, Associate Conductor

My name is Rocco and I am the Associate Conductor of Orchestras for All. I was born and raised in Tuscany, Italy, where I started playing the trumpet aged seven. I immediately fell in love with ensemble playing – that hasn't changed yet! I studied classical trumpet, jazz trumpet and music education, and have played in 1,500 concerts all over Europe, Asia and Oceania.

After a few years travelling around the world, I settled in North London, where I work for several music services. I truly enjoy seeing so many young musicians and colleagues every week. I conduct all sorts of musical styles (symphonic, jazz, big band, wind band, choir and brass band) and I love the challenges that this role is offering me every single time. It’s never-ending fun! I also love coffee, painting, cooking, reading and my dog Frank.

Sasha, Wellbeing Lead

Growing up, I was taken to a local brass band concert and my mum asked me what I would like to play. I vividly remember choosing the drum kit, which I think surprised even me as my mum and brother both played a brass instrument! Later on, I volunteered with a community theatre company in Toronto, where I learned about the different access points of music, before studying psychology at Goldsmiths, specialising in musical ability in children who are neurodivergent. We explored the positive sides of neurodiversity and I loved it!

I found my early 20s quite hard mentally, so started exploring different ways of looking after my wellbeing. Music, dancing, family, friends and being outside were all helpful for me during difficult times. After my dad was diagnosed with motor neurone disease, I also became an advocate for my family, keen to challenge systems that did not put the person receiving the care or support first. My dad shared all his music with me throughout this period and it held us together. Then, I found Orchestras for All. It showed me that there are places that value wellbeing completely. It makes me excited that I can use the skills and knowledge that I developed to contribute to creating spaces that support wellbeing.

Shannon, Ambassador

I’m Shannon and I joined NOFA in 2018. It changed my life as a musician – NOFA’s approach to music-making was different to anything else I’d experienced and made me realise just how much music could connect people. Since first picking it up in secondary school, my cello and I have been inseparable. I ended up studying music at college and I’m now studying Actor-Musicianship at a drama school.

I’m so excited to be joining the OFA team as an Ambassador and supporting their mission towards making music education more inclusive. I’ve been so inspired by the way OFA empowers young voices and by their commitment to making music accessible – giving me an opportunity that I otherwise wouldn’t have had. Without them, I wouldn’t be where I am today.

Tashan, Ambassador

Hey! It’s Tashan here. I’ve been part of OFA for quite some time actually – it’s been seven years. As an Ambassador, I feel that it’s important to assist the core team to make sure all OFA courses, sessions and events run smoothly. I also believe that being an Ambassador puts me in a position to be the bridge between the staff and the young members of OFA, to gain insight on what the young members like and how these OFA courses can be improved for them in the future.

I’m just another guy who really likes music and as I’ve gotten older, I’ve grown to appreciate how much music touches people and brings them together. Outside of music, I’m also studying physics at university, which is another interest of mine. It’s challenging but it’s quite fun too.

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On behalf of everyone at Orchestras for All, we would like to thank our individual donors and funders for their kind generosity; without them, these opportunities to strengthen our team wouldn’t be possible.

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Keen to support aspiring young musicians across the UK? Please donate what you can:

National Orchestra for All’s barrier-smashing spring residential in pictures

“It’s energetic and a really good experience!”

National Orchestra for All’s summer extravaganza is just on the horizon and we couldn’t be more excited to reunite with this year’s diverse new cohort – but first, we wanted to share a few highlights from the ensemble’s energising spring residential.

In April, NOFA members travelled to the Royal Birmingham Conservatoire from all four corners of the UK, with many of the young musicians being introduced to returning members of the ensemble for the first time and in many cases, quickly making lifelong friends.

The inclusive event was defined by powerful sectionals, rip-roaring full orchestra rehearsals and expert one-to-one tuition for this season’s eclectic repertoire, which includes ‘Ghost Town’ by The Specials, ‘Hornet’ and ‘Reflection’, taken from Christopher Larkin’s Hollow Knight video game soundtrack, the first movement of Florence Price’s stunning Symphony in E minor and a ‘Strength in Numbers’ collaboration with Birmingham-based composer and multi-instrumentalist, Joe Broughton, who runs the Conservatoire’s Folk Ensemble.

We also heard inspiring words from our ambassadors and a memorable series of performances during the recital evening (both moving and witty in equal measure). Plus, in true OFA style, there was plenty of focus on boosting wellbeing as well as fostering a happy, safe and collaborative environment, alongside opportunities for the young musicians to share their feedback and take ownership of their learning throughout.

In the words of new NOFA member, Jess: “I play the cello and this is my second day at NOFA. It’s a really good experience – it’s loud (but not too loud) and energetic. It’s a fun, friendship-building thing; you stay overnight and get to meet some really interesting people!”

Scroll down to view our barrier-smashing event gallery…

Read more: University of York’s spectacular concert hall hosts the Modulo Programme’s final meet of the spring >

On behalf of everyone at National Orchestra for All and the OFA team, we would like to thank our individual donors for their kind generosity; without them, this life-changing programme wouldn’t be possible.

We would also like to extend this thanks to our funders – including Clore Duffield Foundation, Three Monkies Trust, Austin Hope Pilkinton Trust, D'Oyly Carte Charitable Trust and Wingate Foundation. In addition, National Orchestra for All’s spring residential was the first course part-funded by NPO funding from Arts Council England and the Department for Education.

We’re making great strides in improving access to music for young people nationwide – please join our movement and together, let’s continue to make a positive impact!

Keen to help us provide musical activities to young people who might not otherwise have the opportunity? Please donate what you can today:

‘Before joining National Orchestra for All, I felt helpless – but now I’ve grown in confidence and independence,’ says autistic double bass player, Noah

‘It’s all about the music.’

In 2017, autistic musician, Noah, joined National Orchestra for All (NOFA) after struggling to access inclusive music-making opportunities.

Fast forward to 2023 and the 19-year-old double bass player is now an ambassador for the inspiring ensemble, which celebrates all young musicians regardless of their differences or personal circumstances.

We caught up with Noah and his mum, Su, to learn more…

How has NOFA impacted your life?

Noah: “Before I joined NOFA, it wasn’t a great time. I had difficult personal circumstances and wasn’t in school because of bullying and unmet support needs for my autism. I was lonely and had no-one to talk to. My future was very uncertain and I felt helpless.

“Then I met Ed and Charlotte (fellow double bass players) through NOFA who gave me more confidence in my bass playing. Ed encouraged me to do grades and I’m now working on Grade Six! I found other people I could talk to and share my love of music with. It really helped seeing different campus life, accommodation and more, and I am now planning to go to uni.

“My first concert in Leeds Arena was great. I got to play music and be part of a bigger thing. Going to Leeds was my first experience of being away from home – I have enjoyed going to different places. It has really helped my bass playing, I’ve grown in confidence and independence and I learnt to deal with challenges.”

Su: “The two-hour round trip to Leeds every week was a commitment but it really developed Noah’s confidence travelling on the train – a key life skill that didn’t come naturally to him. Throughout his time with NOFA, Noah has practised many vital skills in a safe and supportive environment outside of his special school. I can’t stress enough how much this helped his development and wellbeing.”

Read more: BBC Young Jazz Musician 2022 finalist Ralph Porrett shares a virtual tea break with Orchestras for All >

Pictured: Noah (top right) plays double bass at National Orchestra for All’s summer concert in 2022.

What made you choose NOFA over another orchestra or music group? 

Noah: “I didn’t feel able to access anything else. I like having a week-long programme, spending so much time practising music and getting better. I felt included at NOFA – it doesn’t matter where you are from or what you are like, it’s all about the music rather than where you live or go to school.”

Su: “As a parent I have watched Noah struggle and hover on the edge of groups, never really being able to join in. He was adamant that he needed me to come with him to his first NOFA course. Here I was able to see him relax and join in and gradually, I was able to take a step back knowing he was in safe hands and supported by such a fantastic team. 

“As Noah gained in confidence to attend more independently, we were given the gift of respite care; something that used to be provided by local authorities but is almost non-existent now. For all the families of disabled members, NOFA provides a much-needed and appreciated service by default!

Please help us make a difference and donate to National Orchestra for All >

Any standout moments from NOFA 2021-2022?

Noah: “I enjoyed playing a solo; I did not have the confidence to do this when I started! And playing the music – my favourite pieces were Britten’s Young Person’s Guide to the Orchestra and Romanian folk song, ‘Spoitoresa’.”

Su: “The whole course was just one brilliant thing after another; I saw Noah talking to other musicians and interacting. On the first evening, Noah also ventured into the common room by himself and then put himself to bed – this may seem trivial but these were major achievements. He had become so withdrawn and struggled so much, so NOFA has given him much more than the chance to perform wonderful music.

“NOFA’s recital evening also blew me away and seeing Noah perform made me cry! I couldn’t see how things could get any better but they did. I didn’t realise that Leeds Arena really is a vast arena. I just couldn’t believe what I saw and experienced. Thank you so, so much – OFA really has changed Noah’s life and our family are extremely grateful for everything.”

Did you learn anything in particular during your NOFA experience that will help you in future? 

Noah: “Confidence. Now I feel able to try new things and talk to people, like I did when I joined the Youth Board. Independence. When I first started, I needed my mum to come with me but now feel confident going away with NOFA on my own and being able to talk to people about music as well as other things including being able to ask for help. Finally, I’ve also improved my musical knowledge and understanding and would have the confidence to join another music group or orchestra as an adult!”

Read Orchestras for All’s latest impact report >

Su: “Noah also joined in with icebreakers, spoke in front of everyone at the teatime sessions and even played a solo. Noah has made huge progress socially, emotionally and musically. Music gives him all of these things and it was OFA that allowed him to take the first step to see the potential of where music could take him in life. Even before Noah got a place at a special school, his friends and family had all noticed a huge difference in him after his time with NOFA. He stood taller and spoke to people about the concert and course.

“I can’t even begin to list all the times staff have taken the time to encourage and support Noah. They are all so skilled, professional and kind, I don’t think they know the huge difference they are making – OFA’s generous nature makes everything flow so naturally. Members are appreciated for who they are and what they contribute. The sum of the parts of the orchestra is definitely much greater than all the individuals.”

Please support other young musicians like Noah and donate today >

Season’s greetings: 12 days of Orchestras for All memories

From award wins to powerful live concerts, that’s a wrap on 2022…

What a memorable year it has been! We have so much to celebrate and be grateful for here at Orchestras for All (OFA) and would like to take this opportunity to thank all those who were part of our journey in 2022.

Without the ongoing support of our incredible partners, funders, supporters, tutors, trustees, volunteers, alumni, ambassadors, and of course, our brilliant Youth Board, OFA’s life-changing programmes for young people would not be possible.

OFA’s young trustees, Beth and Joelle, told us: “It’s been yet another eventful year, full of exciting activities, productive meetings and incredible achievements as well as a time for reflection. Seeing how energised our young musicians were while making music together again after a long two years of the pandemic was a perfect reminder of why this charity exists and is so needed.”

We can’t wait to meet and get started with our new cohort of National Orchestra for All and Modulo musicians very soon.

For now though, it’s time to rest up and recharge but to mark the festive period, we’ll leave you with 12 OFA memories from 2022 – and 2023, we’re ready for you! 

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1. The excitement of returning to live activity and reconnecting with our musical friends

2. Winning the award for ‘Outstanding Musical Initiative’ at the Music & Drama Education Awards 2022 – OFA’s first ever award

3. We met with Modulo schools and collaborated with diverse students and music leaders from all across the country, playing an eclectic programme of repertoire

4. Welcoming barrier-smashing new members of the team, Youth Board and trustees – including National Orchestra for All (NOFA) member, Chloe!

5. NOFA’s famed recital evenings – we laughed, we cried and most importantly, we went away feeling inspired by the young people we work with

6. Our powerful summer concert with NOFA, complete with body percussion, a Britten masterpiece and spoken word produced in collaboration with poet, Ben Macpherson

7. Raising over £18,000 from our winter fundraiser, Musical Chairs 2022, hosted by NOFA members Tashan, Nell and Chloe

8. Being constantly blown away by how incredible our five Ambassadors were – for example, Kate and Joe’s epic presentation on behalf of OFA at NYMAZ and Harrison Parrott’s Symposium

9. Collaborating with experts from across the music and education sectors during our thought-provoking Music Leadership Training webinars

10. Sharing a virtual tea break with esteemed conductor and Artistic Director at El Sistema Greece, José Ángel Salazar-Marin, who led the way at NOFA’s summer concert

11. Introducing pen profiles for all the young people and staff that we work with to ensure they receive the right level of support and their wellbeing remains a top priority

12. And finally, celebrating becoming a National Portfolio Organisation, helping us support even more young musicians nationwide who need it the most – a fantastic way to end the year!

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A winter-ful design

We would also like to take this opportunity to thank National Orchestra for All violinist, Patience, for designing this colourful greetings card for OFA! We’re sure you’ll all agree that her musical snowman looks super cool.

Have a restful, music-filled festive break, everyone!

Keen to support young musicians through our programmes? Please donate today >