Music-making across borders: A memorable week in Vienna with Superar

Exploring the value of youth leadership and inclusive music education in ‘the city of music’…

Hello! I am Elen, Fundraising and Communications Coordinator here at Orchestras for All (pictured middle above).

Earlier this year and during my time as Youth Leadership Coordinator, I was offered the incredible opportunity to represent Orchestras for All during a visit to Superar, a music and choir programme based in Vienna committed to providing high-quality music education to young people, regardless of their background.

It was a week filled with learning, sharing and making connections, thanks to the organisation’s wonderful staff and students as well as the rich musical culture of the city – and I’ve been keen to share this with you.

Read more: “Investing in youth leadership is crucial for shaping the future of the arts” >

Stunning scenery: Enjoying the sunshine outside the renowned Hofburg Palace.

A highlight of my trip was having the chance to share OFA’s mission and practice – those relating to its focus on youth leadership – with Superar’s staff and students, in particular.

During these discussions, I was able to delve into how we implement our youth leadership leadership initiatives, including youth-led performances or working with the Youth Board.

The staff were keen to hear about how this could be integrated into their own work, while the students were eager to ask questions and share their own experiences from their personal music-making journeys.

Plus, no visit to Vienna would have been complete without exploring its operatic heritage and I was fortunate enough to visit the Vienna State Opera to watch a rehearsal of ‘Sugar Revolution’ – a newly-created performance by CityLab.

This is the Opera’s cross-generational community theatre group, in which people of all ages are invited to develop their own piece and perform it in front of an audience.

I was amazed by how collaborative the rehearsal felt and the different ways in which they created an inclusive and empowering environment.

It was inspiring to see how opera, which is often written off as an ‘elite’ artform, could be made accessible to all,  leaving me with plenty of ideas for how we might continue to expand community outreach through music back home.

Ornate details: The beautiful architecture of Vienna State Opera.

I also had the privilege of visiting two middle schools in different parts of Vienna, where I observed Superar’s choir programme in action.

The energy in the room was contagious! The students were fully immersed in the music and it was clear they had formed a close-knit community through their choir work.

Watching the rehearsals, I was struck by how singing can break down barriers and create a shared space for expression. What stood out to me most was the variety of languages the children were singing in. From German to English and Turkish to Ukrainian (to name but a few), every song was sung in a different language and from a different genre.

The programme’s commitment to inclusivity, much like Orchestras for All’s approach to inclusivity, was admirable, and it was wonderful to witness the impact of this vital work in real-time.

Read more: OFA invites young people in the UK to participate in new season of programmes >

So many strings: My view as a cellist from within the orchestra.

To cap off my experience, I was invited to join an orchestra rehearsal, playing cello alongside Superar students. It was one thing to observe, but something else entirely to sit among the students and experience their rehearsal practices firsthand.

The dedication and focus of the young musicians was impressive, as was the warm, supportive environment fostered by their conductor and tutors.

The rehearsal felt collaborative, with plenty of space for the students to make musical decisions and even direct the orchestra. It was an excellent example of the kind of youth leadership we champion at Orchestras for All – and it was joyful to be a part of.

Vibrant surroundings: Vienna has the most colourful terraced buildings.

Overall, my week with Superar was a reminder of how much music has the power to transcend borders and bring people together. It reaffirmed the idea that music is a universal language, capable of building bridges between different cultures, experiences and communities.

It wasn’t just a chance for me to share what we do at Orchestras for All; it was also a valuable opportunity to learn from Superar’s approach to inclusive music education.

I am so grateful to Valerie, Fundraising Manager at Superar and my host for the week, and the rest of the team at Superar, for their kindness and hospitality.

I came away with a renewed sense of purpose and excitement about what can be achieved when people work together across borders to empower young musicians – and I encourage others arts organisations to give it a go too!

Keen to support our inclusive music-making programmes? Please donate what you can:

‘Investing in youth leadership is crucial for shaping the future of the arts,’ says National Orchestra for All alum, Elen

From working with Orchestras for All’s Youth Board to supporting its inspiring team of Ambassadors, Elen tells all on her time as Youth Leadership Coordinator…

At Orchestras for All (OFA), we believe that young people are best placed to tell us what they need and want – and we want all young people to feel empowered enough to do so, which is why it is essential their voices and opinions are heard, valued and actioned.

However, cultivating youth leadership isn’t just about giving young people a voice; it’s about empowering them to take active roles in decision-making, fostering a sense of ownership and enabling them to lead the change that the sector so desperately needs.

At OFA, we have implemented all kinds of key initiatives to cultivate youth leadership within our organisation and as the charity’s first Youth Leadership Coordinator, my role over the past year focused on creating and facilitating these opportunities, many of which I share in this blog.

Read more: OFA invites young people in the UK to participate in its new season of inclusive programmes >

“Orchestras for All gives young people lifelong skills, potentially opening up career paths they never thought they’d have.”

— Phoebe, National Orchestra for All alum

Pictured: OFA’s Youth Board, Trustees, core team members and guests meet for an inspiring away day.

One of OFA’s flagship youth leadership programmes is its Youth Board. This brilliant programme has been specially designed to give the young people we work with the opportunity to influence the direction of the organisation and bring new ideas to the table.

The Youth Board is actively involved in all major decision making and strategic planning as well as providing feedback and valuable insights to help shape and improve OFA’s vital work.

I was delighted to be tasked with the responsibility of designing and implementing a new set of subcommittees for Youth Board members, trustees and core staff, enabling us to collaborate on different areas of our work in a focused setting, which has boosted youth involvement.

Read more: Why becoming an OFA Trustee is the volunteer role you never knew you needed >

“Hearing from our Youth Board about the difference that Orchestras for All has made to their lives is key – and celebrating the successes of the young people OFA works with in a range of fields proves it is making an impact.”

— Kate, former OFA Trustee

Pictured: OFA Ambassador, Grace, expertly leading the NOFA summer concert at CBSO Centre in August.

Since joining OFA as a member of staff, I have also been working closely with OFA’s dedicated team of 10 Ambassadors. Employed as part of our freelance team, this group are recent alums of National Orchestra for All – one of OFA’s life-changing music-making programmes for young people in the UK, which I have personal experience of.

For many of the young people we work with, this opportunity acts as a valuable first step into the workplace, providing them with meaningful ways of applying their skills in a real-world context, while also supporting the smooth running of our live events.

Ambassadors take on diverse roles within the organisation, from working with production and shadowing communications to designing new software, all the while gaining insight into our charity and developing skills they can take forward into their future careers. Some Ambassadors have even gone on to join OFA’s orchestral and wellbeing teams!

“Being an Ambassador has been a very rewarding and valuable experience for me. ”

— Atse, OFA Ambassador and NOFA alum

Pictured: NOFA members enjoy a break from rehearsals at CBSO Centre in summer 2024.

Meanwhile, OFA’s Young Leaders programme is designed for 16-18-year-olds who are still members of National Orchestra for All. It focuses on equipping these young musicians with the leadership skills they need to take on more significant roles within the orchestra and beyond.

Through supported, hands-on experience, this group of young leaders are encouraged to grow in confidence, develop personally and build their communication skills.

Read more: 7 wonderful ways that youth leadership will empower your youth orchestra >

I was able to reinstate our Bronze Arts Award programme, which is a practical qualification that develops young people’s artistic abilities, alongside their research and communication skills.

The Young Leaders were involved in a whole host of activities for the award, including a visit to Birmingham Symphony Hall to see National Youth Orchestra live in concert as well as an old NOFA tradition – an entertaining instrument swap!

We have found that by empowering young people to lead, we can ensure OFA’s work and the organisation itself remains dynamic, innovative and responsive.

Pictured: Elen (middle) and the Superar team enjoying a visit to a renowned Viennese ice cream parlour.

Beyond supporting our own youth leadership programmes, I’ve spent much of the past year raising awareness of the importance of youth leadership across the wider music sector.

As Music Mark’s Advisory Council representative for its 15-strong group of National Youth Music Organisations, I have had the privilege of advocating for the interests and needs of young people on a national level. This role involves collaborating with other organisations within the sector to drive positive change.

As part of this, I’ve had the opportunity to speak at major conferences, including those held by Music Mark and Association of British Orchestras. These platforms allowed me to share OFA’s vision and the success of our youth leadership programmes with a broader audience, inspiring other organisations to adopt similar approaches.

Another key highlight of my year was a visit to Vienna, where I was fortunate enough to spend a week with a leading organisation in youth music education, Superar, which works with professional musicians to offer children and young people free access to cultural education.

Here I was able to learn more from others in Europe, exchange ideas and explore potential collaborations that could enhance OFA’s programmes. Watch this space!

“You have to be open-minded – nothing new has ever been implemented from staying closed-minded. You just don’t know unless you try. ”

— Beth, previous Co-Chair of OFA and NOFA alum

Pictured: OFA’s newly-appointed Co-Chairs, Joelle (left) and Susanna (right).

Another great example of how youth leadership has developed at OFA lately is the appointment of Trustee and NOFA and Modulo alum, Joelle Sogunro, who will be stepping into her new role as Co-Chair of the Board of Trustees. Joelle will be building on the success of our previous Co-Chair, Beth White (also a NOFA alum!) and we can’t wait to see where this will take our charity.

After a rewarding year as Youth Leadership Coordinator, I have now handed over my baton to NOFA and Modulo alum, Laura Fullwood, who recently joined the team. I have moved into the role of Fundraising and Communications Coordinator, meaning there are currently two alums in our core team – how exciting!

Laura is already doing incredible things, such as sharing our work with music leaders and teachers at Music Mark’s South Yorkshire conference, and we are all excited to see how she further develops the role and our youth leadership programmes.

Above all, our work to promote youth leadership at Orchestras for All is driven by a belief in the transformative power of music and the potential of young people to shape the future. I encourage all organisations – musical or not – to invest in youth leadership.

By providing young people with opportunities to lead, we not only empower them but also enrich our organisations through their creativity, enthusiasm and diverse perspectives, enabling us to create the positive change we all want to see in the world.

Keen to support this life-changing work? Please consider donating what you can:

Welcoming a new Co-Chair: Beth White takes up new role as Orchestras for All’s Co-Chair of the Board of Trustees

Susanna and Beth after their first meeting as Co-Chairs of Orchestras for All

Orchestras for All is delighted to announce the appointment of Beth White as the new Co-Chair of the Board of Trustees. Beth will sit alongside Susanna Eastburn MBE, our current Chair, who moves to the position of Co-Chair alongside Beth. This appointment marks a significant moment in OFA's journey as Beth brings with her a unique blend of experience, passion, and connection to the organisation's mission.

Read more: Introducing the newest members of the Orchestras for All team >

Beth White: A Remarkable Journey with Orchestras for All

Having joined the charity as a cornet player from Peterlee in County Durham back in 2013, Beth’s journey with Orchestras for All is nothing short of inspiring. She is not only a current Trustee but also a previous participant of one of the charity’s programmes, the National Orchestra for All (NOFA), and Founding Co-Chair of OFA’s Youth Board 2020-2022. Her story is a testament to the transformative power of music.

““I am so excited to continue my OFA journey and delve deeper into the organisation. I have found such a fulfilling purpose over these last few years volunteering in numerous roles and can’t wait to see what this new venture as Co-Chair brings.” ”

— Beth White - Co-Chair of Orchestras for All

Read more: Music podcast highlights need ‘to take meaningful action against inequality’ – here’s how to listen >

Orchestras for All Ambassadors laughing with guests at the National Orchestra for All summer course

The Power of Youth on Charity Boards

OFA’s Board of Trustees are a group of 12 volunteers who ensure we carry out our mission, use our funding and resources wisely, ensure we are accountable and comply with our governing document and the law.

It’s our belief that Boards whose trustees have different backgrounds and experience are more likely to encourage debate and to make better decisions as a result.

As a charity working with young people, Young Trustees bring fresh perspectives, energy, and a deep understanding of current issues. However, when less than 3% of charity trustees are under 30, charities are in desperate need of young people’s perspectives. This engagement of young people, alumni of OFA’s programmes, not only helps in better understanding the needs of the community but also paves the way for more effective and relevant decision-making and strategic planning.

According to a study conducted by the Charity Commission, organisations with younger Trustees tend to be more innovative, adaptable, and in tune with the needs and expectations of younger beneficiaries.

Read more: Meet Orchestras for All’s barrier-smashing new trustees >

Beth and the founding Orchestras for All Youth Board members

Beth White's Vision for Orchestras for All

Beth’s appointment as Co-Chair is a clear signal of OFA's dedication to promoting the involvement of young people in the decision-making processes. She brings her unique perspective as a previous member of the NOFA programme, having experienced firsthand the transformative power of music and the impact it can have on the lives of young people.

She Founded OFA’s very first Youth Board 2020 – 2022 at a vital moment for young people’s perspectives to be heard throughout the pandemic. Her leadership oversaw the Youth Board rebranding the charity, becoming more invested in artistic and programme decision making alongside creating the Youth Board slogan: nothing about us, without us.

Susanna Eastburn, Co-Chair shared: “I am so looking forward to working as Co-Chair with Beth, who has been a wonderful and committed Trustee and brilliant advocate for our work. Co-Chairing is a new experience for me and I appreciate being able to draw on Beth’s insights from her previous role as Co-Chair of the Youth Board. Putting youth leadership at the top and front of the organisation is what we’re all about, so this is a vital step for us to be taking.”

Read more: 7 wonderful ways youth leadership will empower your youth orchestra >

As Beth takes on this new role, we can look forward to witnessing her passion and dedication driving positive change within Orchestras for All. With her unique perspective having taken part in NOFA, Beth is poised to lead Orchestras for All towards even greater heights, ensuring that more young people across the country can experience the transformative power of music.

7 wonderful ways that youth leadership will empower your youth orchestra

Because young people are the future…

At Orchestras for All (OFA), we believe that youth leadership holds the potential to transform the future of orchestral music.

By encouraging young people to take on leadership roles – such as becoming an Ambassador, joining a Youth Board or providing support to an ensemble as a Young Leader, youth orchestras can benefit from fresh perspectives, innovative ideas and remain connected to modern trends.

What’s more, youth leadership can help to foster an inclusive musical community that keeps young people engaged (just like in National Orchestra for All!) as well as boost a young person’s wellbeing and social skills.

Are you a member of a youth orchestra or a music leader looking to improve your practice? If so, here are seven key reasons why you should consider embracing youth leadership in your ensemble...

Read more: In pictures: tour highlights from the summer Modulo Programme 2022 >

1. Encouraging creativity and innovation

Let’s face it, young people are brilliant at bringing unique ideas to the table. At OFA, we find they are often more open to experimentation, suggest new ideas for repertoire or live concerts, are keen to collaborate or learn from diverse artists, and use their knowledge of current technology to help us create captivating musical experiences that can reach broader audiences.

Watch this epic live concert starring one of the world’s most inclusive youth orchestras >

Young people can also act as great representatives during your live shows, assist with production (for example, at NOFA recital evenings), engage in game-changing discussions with partners and funders, and join the team as Trustees or Ambassadors.

2. Promoting diversity, inclusivity and accessibility

Pictured: An inspiring group of National Orchestra for All musicians enjoy their summer 2023 residential.

With social media platforms like TikTok making it easier than ever to share knowledge and hold live debates, young people can often be more attuned to current issues surrounding diversity, inclusion and accessibility.

We find that regularly involving young leaders in areas such as programming and key decision-making leads to greater representation of different backgrounds and demographics, contributing to a much more vibrant and inclusive culture. This cultural richness will not only enhances your orchestra and its reach, it will make your ensemble more representative of our society as a whole.

““If we have orchestras with more diversity, I think it can bring new ideas as music from around the world comes in all different forms.””

— Christian, euphonium player in National Orchestra for All

3. Boosting key skills

Leading the way: A Modulo participant tries her hand at conducting with our Associate Conductor, Rocco.

By helping to develop a young person’s musical skills, creating youth leadership opportunities within your orchestra can provide valuable life experience.

Taking on roles within orchestral management – from organising events and fundraising, to marketing and artistic planning – enables a young people to improve vital skills such as teamwork and time management as well as improving their ability to organise and communicate with others – benefitting them both personally and professionally, in any career path they choose to follow in future.

““I have always wanted to go teach and always liked the idea of music therapy. Being part of NOFA has really built my confidence for that.” ”

— Abz, National Orchestra for All percussionist

4. Peer-to-peer mentorship

Orchestras for All Ambassadors, Nell (left) and Chloe (right) help the core team at NOFA’s summer residential.

There’s no doubt that young leaders can act as inspiring role models for their peers – and at OFA, we see this happen every day! Strengthening relationships and fostering a supportive and collaborative environment within a youth orchestra creates a positive cycle of learning, where knowledge and skills are shared more freely among members.

Read more: 13 ways you can be kind to others in an inclusive youth orchestra >

Many of our Ambassadors or alumni of the Modulo Programme and National Orchestra for All choose to take on wellbeing roles, or offer their support in different instrumental sections by rehearsing and performing with the ensembles during live activity.

““At OFA, I felt the very aspects of my lived experience were not a burden; they became an entry point for meaningful contribution to the charity’s work, which is empowering and invaluable.” ”

— Xia, Wellbeing Tutor

5. Building confidence and self-esteem

Soaring strings: Three National Orchestra for All violinists celebrate their instruments during a rehearsal.

Youth leadership opportunities are incredibly important as they also give young people the chance to take ownership over their experiences, which creates an empowering learning environment in which they can build their confidence and self-esteem.

Read more: ‘Before joining National Orchestra for All, I felt helpless – but now I’ve grown in confidence and independence,’ says autistic double bass player, Noah

Playing in an orchestra often requires you to spend a lot of time following directions from your conductor (we’re looking at you, Emma and Rocco!) as well as the instructions written on your sheet music. In a traditional ensemble, there are few scenarios where a young musician would have full control over what they are doing, so why not offer them the opportunity through youth leadership?

““Before joining National Orchestra for All, I felt helpless – but now I’ve grown in confidence and independence.””

— Noah, Ambassador

6. Boosting social awareness

Pictured: Orchestras for All Ambassador, Tashan, is sharing his views with the audience during a concert

Increasingly, we’re seeing young people become the champions of social issues and drivers of widespread change (think the Kanneh-Masons, Greta Thunberg and Lewis Capaldi, among many others), with social media being used as an effective tool to help spread important messages and reach young audiences.

Youth leadership positions in orchestras also gives young people a platform to raise awareness about the topics they care most about – from climate change and mental health, to social justice and supporting the LGBTQIA+ community – using the power of music to spark conversations with others and create a positive ripple effect.

Read more: 504 students from 35 UK schools to perform a protest song as part of Orchestras for All’s Modulo Programme >

7. Sustainability and long-term vision

Members of the OFA core team, Ambassadors, Trustees and guests at NOFA’s summer 2023 residential.

By involving young people in key decision-making processes and giving them the chance to act as advocates – for example, in developing sustainable practices for your orchestra, you’ll benefit from their forward-thinking perspectives and ensure the relevance and longevity of your youth orchestra.

At OFA, we know that youth leadership is a catalyst for positive change and growth. By continuing to harness the passions of the young people we engage in our inclusive programmes, we can create a better musical landscape that resonates with both current and future generations.

Keen to support young musicians nationwide?
Please donate what you can to Orchestras for All:

Introducing the newest members of the Orchestras for All team

Spoiler alert: they’re all pretty darn amazing.

Over the past year, Orchestras for All (OFA) has continued to evolve as a charity and grown at rapid speed, reaching even more young people across the UK than ever before through its inclusive music-making programmes.

To support this demand and further develop OFA’s musical offering, its team has welcomed 10 inspiring ambassadors, who all started out on their journey as young musicians with National Orchestra for All. In these paid roles, ambassadors play a vital part in assisting the core team and championing OFA’s work across all programmes, while also boosting their skills and having the opportunity to focus on a specialty of their choice.

Joining them is OFA’s new Youth Leadership Coordinator, Elen, who will be creating and facilitating opportunities for young people – including current members, ambassadors and alumni – to be involved in the charity’s key decision-making, planning and delivery of work. We believe that young people are best-placed to tell us what they want and need, so it’s essential that their voices and opinions are heard, valued and actioned. Outside OFA, Elen is a member of the ABO board’s Musicians’ Advisory Council, which also ensures that the voices of orchestral musicians are heard at board and executive level.

Finally, OFA is pleased to welcome Sasha, who will be supporting the wellbeing of both staff and participants across the charity as Wellbeing Lead, alongside superb Associate Conductor, Rocco, barrier-smashing Programmes Coordinator, Jenny, and Production Manager, Chris, whose role is key to making our live events a success.

From Arsenal fans and filmmaking students to keen cellists and music-loving maestros, let’s meet the latest additions to the team…

Read more: National Orchestra for All’s barrier-smashing spring residential in pictures >

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Atse, Ambassador

Hi, my name is Atse and I’m an OFA Ambassador. I’ve been a part of OFA since 2014, when I joined as a NOFA member. As an Ambassador, my role is to help guide young people through the experience of being part of OFA, using my own knowledge of being a NOFA member.

I am also a member of the Youth Board, which is where we take the feedback of members and discuss how we can improve the OFA experience. Outside of OFA, I’m studying to be a music producer and sound engineer and I’m a big Arsenal fan.

Beau, Ambassador

Hello! I’m Beau and I’m an Ambassador for OFA. I’ve been with NOFA since 2016 and I’ve enjoyed every year I’ve been here. An ambassador helps young people feel more comfortable within OFA as we act as a bridge between staff and members as we were once members ourselves. 

Music has always been a big part of my life and I’m always doing something that has music. Outside of OFA, I love making my own music – OFA helped me gain the confidence to be able to do that. I’m also a filmmaking student in Brighton, specialising in production design, sound design and soundtracks for film. 

Chloe, Ambasssador and Trustee

I’m Chloe and I loved music from a young age – sitting in my Granny’s kitchen in Belfast, listening to my family have a trad session, I desperately wanted to join in. I felt then how music brought people together and created a feeling of community. Naturally I did the only reasonable thing… stole one of my uncle’s tin whistles and began to make a racket.

I then started learning the cello in school at age eight. There was very limited opportunity for ensemble playing and my idea of an orchestra was “serious and stuffy”. Joining National Orchestra for All in 2018 changed that entirely! There I felt that same sense of community but this time it was with 99 other young people that I’d only met three days prior! Most importantly, as an Ambassador and Trustee I’m looking forward to helping OFA achieve what the Youth Board likes to call… “world domination”!

Chris, Production Manager

Hi everyone, I’m Chris Tindall and I’m the Production Manager at Orchestras For All. My job is to make sure all the equipment, such as stands, chairs, power for guitars and so on, is set up and working for rehearsals. I also help with the lighting and sound for the recital evening.

I love working with musicians and have previously worked for lots of opera companies. The thing I’m most excited about with NOFA is hearing the orchestra play together for the first time! I also live in the North East of England, love cricket and am a trained umpire.

Elen, Youth Leadership Coordinator

I’m Elen and I am the Youth Leadership Coordinator at Orchestras For All. My role will be focused on amplifying youth voices and furthering the youth involvement in all areas of OFA. I have recently graduated from Royal Welsh College of Music and Drama but prior to this, I was a member of OFA’s National Orchestra For All. My experience with music education, especially conservatoire, has meant that I have experienced first-hand the inaccessibility of the music industry, but these experiences have only made me more passionate about OFA’s mission.

My time with OFA has given me an insight into the lives of young musicians from all walks of life and has truly shown me the value of music-making opportunities. I firmly believe that everyone should have the opportunity to make music regardless of their background or personal challenges, so I am incredibly excited to be a member of the OFA team and to be part of the positive changes they are making!

Grace, Ambassador

Hi everyone! My name is Grace and I’m one of the NOFA ambassadors. A bit about me – I’m a violinist and auditioning for a conservatoire in November, but I also play piano and like to sing. I love buying clothes from charity and thrift shops – you will often see me in brightly-coloured clothes! 

I’m very excited to meet NOFA’s new musicians in the summer – I’m sure it’ll be a fantastic week! Like the other nine ambassadors, my job is to support the young people if they need anything or have any questions. Always happy to help! The thing I’m most excited about is seeing everyone play together at the end of the course as well as seeing how much progress everyone’s made! 

Haseeb, Ambassador

Hello everyone! I’m Haseeb, an OFA Ambassador. I have been with the organisation since 2015 and have loved every second (as you can probably tell as I’m still here). As one of the ambassadors and someone who only recently aged out of being a NOFA member, I essentially act as a bridge between members of OFA’s programmes and its staff.

I’ve also been a member of the Youth Board, so if you have an idea on how we could improve something, I would love to hear it and feed this back to the Board, who can take it further up the ladder. Outside of OFA, I've completed my A-Levels and I'm currently a Medical Engineering Apprentice at Leeds Teaching Hospitals.

Jenny, Programmes Coordinator

Hello! My name is Jenny and I’m the Programmes Coordinator for Orchestras for All. My role is new and was created because OFA’s programmes are reaching more people than ever before! I support the lovely Sam (Modulo and MLT Manager) and Paula (NOFA Manager) in the delivery of OFA’s three innovative programmes. Something I am particularly looking forward to is attending OFA events, meeting the young people involved and experiencing their incredible performances!

Music has been a part of my life since I started learning to play the violin aged eight. My favourite part of learning an instrument was playing in ensembles – particularly orchestras! If I hadn’t participated in orchestras while growing up, I wouldn’t have the skills, friendships and life experiences I am fortunate enough to have today. I am delighted to be joining the OFA team and contributing towards inclusive music-making opportunities in the UK.

Keefe, Ambassador

Hi, I’m Keefe and I come from London. Music has been a large part of my life for a long time now, ever since I started playing the piano in Year Three. I love it because although music can vary massively, it has always been a universal language for everyone. Music has always been a sort of safe place in my mind that I can retreat to when I’m nervous or overwhelmed, almost a sort of second language. I can't imagine a life without it now.

I’ve been with OFA for three years now (although it seems a lot longer than that!) and it has given me invaluable experience, many unforgettable memories and great friends. I’m absolutely honoured to be an Ambassador for OFA! Outside of music, my biggest interest is medicine and I’m aiming to become a doctor in the future. I will also never say no to a game of chess, although I’ll probably lose very quickly!

Nell, Ambassador

I’m Nell and I’ve enjoyed playing music since I was little, bouncing around between instruments until ultimately settling on the clarinet. I joined NOFA back in 2015 and they’ve yet to manage to get rid of me. OFA were the first to introduce me to the joys of playing with others, especially on a large scale. My hope as an Ambassador is that I can play a part (get it?) in helping the current generation to experience all the opportunities OFA has given me.

Outside of music, I study physics at university. I’m also always on the lookout for another sport to try; the current list includes trampolining, netball and gymnastics. I try to find the time to play in an orchestra but none of them ever quite match up to NOFA (we’re just that good!).

Noah, Ambassador

I’m Noah and I’ve been a part of OFA for nearly six years – and every year has been better than the last. Over the years, OFA has helped me to improve my confidence and musical ability. I can play things now that I thought were impossible for me to do. I have been playing double bass for the past eight years and thanks to OFA, I have no intention of stopping anytime soon. I have always had a passion for music as it allows me to imagine and create from my mind, something which I am very grateful to be able to do.

I am incredibly grateful to have the opportunity of being an Ambassador as I would like to be able to give back to the orchestra and organisation that I have been a part of for so long. Outside of OFA, I enjoy programming – especially in the field of cyber security, as well as making robots and machines. I also enjoy outdoor sports like bouldering and kayaking.

Rocco, Associate Conductor

My name is Rocco and I am the Associate Conductor of Orchestras for All. I was born and raised in Tuscany, Italy, where I started playing the trumpet aged seven. I immediately fell in love with ensemble playing – that hasn't changed yet! I studied classical trumpet, jazz trumpet and music education, and have played in 1,500 concerts all over Europe, Asia and Oceania.

After a few years travelling around the world, I settled in North London, where I work for several music services. I truly enjoy seeing so many young musicians and colleagues every week. I conduct all sorts of musical styles (symphonic, jazz, big band, wind band, choir and brass band) and I love the challenges that this role is offering me every single time. It’s never-ending fun! I also love coffee, painting, cooking, reading and my dog Frank.

Sasha, Wellbeing Lead

Growing up, I was taken to a local brass band concert and my mum asked me what I would like to play. I vividly remember choosing the drum kit, which I think surprised even me as my mum and brother both played a brass instrument! Later on, I volunteered with a community theatre company in Toronto, where I learned about the different access points of music, before studying psychology at Goldsmiths, specialising in musical ability in children who are neurodivergent. We explored the positive sides of neurodiversity and I loved it!

I found my early 20s quite hard mentally, so started exploring different ways of looking after my wellbeing. Music, dancing, family, friends and being outside were all helpful for me during difficult times. After my dad was diagnosed with motor neurone disease, I also became an advocate for my family, keen to challenge systems that did not put the person receiving the care or support first. My dad shared all his music with me throughout this period and it held us together. Then, I found Orchestras for All. It showed me that there are places that value wellbeing completely. It makes me excited that I can use the skills and knowledge that I developed to contribute to creating spaces that support wellbeing.

Shannon, Ambassador

I’m Shannon and I joined NOFA in 2018. It changed my life as a musician – NOFA’s approach to music-making was different to anything else I’d experienced and made me realise just how much music could connect people. Since first picking it up in secondary school, my cello and I have been inseparable. I ended up studying music at college and I’m now studying Actor-Musicianship at a drama school.

I’m so excited to be joining the OFA team as an Ambassador and supporting their mission towards making music education more inclusive. I’ve been so inspired by the way OFA empowers young voices and by their commitment to making music accessible – giving me an opportunity that I otherwise wouldn’t have had. Without them, I wouldn’t be where I am today.

Tashan, Ambassador

Hey! It’s Tashan here. I’ve been part of OFA for quite some time actually – it’s been seven years. As an Ambassador, I feel that it’s important to assist the core team to make sure all OFA courses, sessions and events run smoothly. I also believe that being an Ambassador puts me in a position to be the bridge between the staff and the young members of OFA, to gain insight on what the young members like and how these OFA courses can be improved for them in the future.

I’m just another guy who really likes music and as I’ve gotten older, I’ve grown to appreciate how much music touches people and brings them together. Outside of music, I’m also studying physics at university, which is another interest of mine. It’s challenging but it’s quite fun too.

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On behalf of everyone at Orchestras for All, we would like to thank our individual donors and funders for their kind generosity; without them, these opportunities to strengthen our team wouldn’t be possible.

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Keen to support aspiring young musicians across the UK? Please donate what you can: