orchestra

Royal Northern College of Music welcomes 83 young people for a day of group music-making with Modulo

83 young musicians and orchestral tutors hold up their instruments in the main hall at the Royal Northern College of Music

Making lifelong memories at our third meet of the spring…

After kickstarting our spring Modulo meets in Birmingham and London, the Orchestras for All team took to the road once again to bring the charity’s powerful music-making programme to students in and around the city of Manchester.

Held at the Royal Northern College of Music, the third Modulo event of the season was attended by 83 young people from six maintained schools in the UK – including Hathershaw College, Bellerive, Bridgewater, Philips, St Patrick’s and Ullswater – and with bassoons, drum kits and electric guitars in the room, what a wonderful sound they all made.

With a revitalised push for more music in schools following the national plan for music education, the Modulo Programme exists to support teachers and community music leaders in setting up a small, inclusive ensemble of their own, before inviting participating students to team up with others from across the country to play together as one giant orchestra.

From soothing warmups with our Artistic Director, Emma, and a friendly greeting from Ambassador and former National Orchestra for All member, Haseeb, to an energising orchestral rendition of of an 80s pop classic, our Modulo meet in Manchester was surely a day to remember. Scroll down for a few of the highlights!

Read more: This gallery of 108 young Modulo musicians gathering in London is the wholesome content we all need >

OFA Ambassador, Haseeb, stands behind a xylophone at the RNCM in his purple Orchestras for All t-shirt.
Three brass players stand side by side and show their instruments to the camera.
A photo of the staircase at the Royal Northern College of Music, which reads: 'For 50 years the RNCM has fuelled the ASPIRATIONS of young musicians, composers, conductors, educators, and entrepreneurs from all over the WORLD.'
Two Modulo cellists sit beside their instruments and enjoy a moment of laughter during the break.
Artistic Director, Emma, holds her arms up high and leads the Modulo ensemble in the main hall as they sit around her.
A young bassoon player smiles at the camera and shows us his instrument – the only bassoon player in the room!
An image of instruments in the percussion section, including a large bass drum that has the initials 'R.N.C.M.' written on the top.
Our Modulo conductor shares her expert guidance in front of the young ensemble.
A front portrait of the orchestra, with strings, woodwind and some percussion in shot, as Artistic Director Emma holds her right arm high up in the air.
A close-up image of a black Steinway & Sons piano, its stool and some sheet music from this year’s Modulo repertoire.
A group shot of the orchestra in the main hall at the RNCM, taken from the view of the pianists.
A group shot with the guitar, brass and woodwind sections in focus.
A group shot with the brass section in focus.
A group shot with the strings in focus as conductor Emma introduces Ambassador Haseeb to the ensemble.
Ambassador Haseeb stands in front of the orchestra and shares a friendly greeting.
Brass players sit side by side and hold up their instruments, including two trombones.
A close-up of a trumpet, resting on a chair.
A group shot of the orchestral tutors, ambassadors and volunteers as they prepare to play a piece for today’s Modulo participants.
A group shot of the string section as they hold their bows up high during a full orchestra rehearsal.
Two violinists share a joke and laugh together during a rehearsal.
A group shot of the orchestra during a quick collaborative activity.
A close-up of a cello, resting on the floor during the break.
An image of the Modulo ensemble speaking to each other during a group activity.
A music teacher stands with a brass instrument as he helps two young musicians with electric guitars
A close-up of an electric guitar with a young person’s name sticker stuck on the front reading 'Maisie'
A powerful group shot of the full Modulo ensemble in the main hall at the RNCM, taken from the front view
An image of the full orchestra, taken from the side
An image of a sheet of music for '99 Red Balloons', placed next to a trombone and some neon lights
A student wearing a jumper with the 'RNCM' logo stands beside her violin case, which has several colourful stickers on the front.
A group of post-its on the table with words written by Modulo participants at the end of the day, including 'happy, satisfied, buzzing', 'proud, developed, grateful' and 'tired but happy!'

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education, 29th May 1961 Charitable Trust and the Rayne Foundation, and each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Keen to support a young musician on the Modulo Programme? Please donate today:

Musical Chairs 2022: experience the magic of performing with a live symphony orchestra at this epic one-day fundraiser

Taking place in London this November, Musical Chairs 2022 aims to make a difference to the lives of aspiring young musicians nationwide.

Are you keen to try something new this winter and make a positive impact in the process? If so, join Orchestras for All (OFA) for its exciting forthcoming fundraiser: Musical Chairs 2022.

Taking place on Sunday 20 November 2022 at Westminster School, London, this spectacular one-day event gives members of the public the opportunity to experience the joy of playing with a full symphony orchestra, supported by National Orchestra for All members, alumni and a team of professional tutors.

Perhaps you’ve been waiting for the perfect excuse to dust off that childhood viola that’s been sitting under your bed, or maybe you want to challenge yourself to learn a new instrument and perform live with an ensemble before the year is up?

Whether you’re a complete beginner or a professional musician with years of performance under your belt, it doesn’t matter – Musical Chairs is fully inclusive and welcomes people of all ages and skill levels, from all backgrounds.

Read more: Orchestras for All relaunches programmes in a bid to improve access to group music-making for young people across the UK >

First, participants will spend a day rehearsing at the venue before putting their day of learning to the ultimate test – performing two pieces live in concert to an audience.

Specially arranged for a mixed-ability ensemble, the pieces include ‘Allegro’, taken from Alice Mary Smith’s stunning Symphony in A minor, along with ‘Spoitoresa’, a traditional Romanian folk song, which has become a firm favourite with OFA’s young musicians.

However, Musical Chairs isn’t just a fun day out – it’s also held for a good cause.

Each year, participants help OFA to raise money in sponsorship, with all funds contributing towards our life-changing musical opportunities for young people who may not otherwise have had the chance to play music with others due to the daily challenges they face.

Meet our musicians >

This year, OFA’s fundraising target is £30,000 and the suggested target for participants is £300. Those getting involved will also have the option to donate to play, with a suggested donation of £300, while further information on how to make the donation as well as sheet music and welcome packs will be provided after registering.

We are also very pleased to share that every penny raised (up to £10k) from this year’s Musical Chairs will be doubled thanks to generous match funding from Harriet's Trust.

This is a true highlight in the Orchestras for All calendar – and we hope that you can join us!

Pictured: National Orchestra for All rehearse at Westminster School, supported by a team of orchestral tutors.

Pictured: National Orchestra for All rehearse at Westminster School, supported by a team of orchestral tutors.

Musical Chairs 2022 will run on Sunday 20 November, from 10:00 until 17:00, with food and refreshments provided throughout. The live concert will commence at 16:00, followed by a drinks reception from 17:00 until 18:00.

To find out more, you can contact the OFA team via email at info@orchestrasforall.org or by phone on 020 7267 4141. If you would like to participate in Musical Chairs 2022, please complete the sign-up form below:

7 ways to support autistic musicians in your youth orchestra

Being autistic is a young musician’s superpower – and with the right level of support, guidance and opportunity, they can thrive.

In the UK, an estimated 700,000 people have a diagnosis of autism, with one in 100 of those being our young people.

Also known as ASD (autism spectrum disorder), ASC (autism spectrum condition) and Asperger’s (or Asperger syndrome) – often used to describe autistic people with above average intelligence – autism isn’t a medical condition, it just means that your brain works in a different way to ‘neurotypical’ people. It exists on a spectrum, so everyone with autism is different; some may need little or no support, whereas others require daily help from a parent or carer.

Famous musicians with autism, or thought to have had autism, include Britain’s Got Talent winner, Susan Boyle, Aphex Twin’s Richard James, singer-songwriter James Taylor, rapper Eminem and multi-instrumentalist, Ladyhawke, to name but a few – not to mention the late great composers, Mozart and Beethoven.

At Orchestras for All, we celebrate each and every one of the young people in our diverse, music-making family – this means championing autistic members as well as those who may be living with a physical disability, learning difficulty or mental health condition.

Recent case studies from the National Autistic Society have also shown just how powerful and effective music therapy can be for autistic musicians, having a positive impact on their overall wellbeing and development as well as providing a unique way to connect. So, here we share just a few ways you can support autistic musicians in your youth orchestra…

Read more: Orchestras for All wins award for Outstanding Musical Initiative at the Music and Drama Education Awards 2022 >

1.    Be aware of your environment

With autism, everyday sensory information is processed differently. Some people can be oversensitive to the senses, while others can be undersensitive or have a mixture of the two.

During your orchestra rehearsals and live events, avoid the use of fluorescent or strobe lighting to minimise the risk of epileptic seizures, provide earplugs if needed, shut doors and windows to reduce external sounds, and prepare a young person in advance if you plan to visit noisy or crowded places. Making the environment as fragrance-free as possible and allowing your musicians to rehearse in clothes they feel comfortable in can also be helpful.

National Orchestra for All’s Wellbeing Lead, Elli, and her son Lucas, an autistic trumpet player, told us: “People with autism may move around or fidget – do not assume this a sign of boredom or disengagement but a way of staying focused. While some will enjoy loud music, they may find other loud sounds (like people shouting) difficult, and many prefer to sit on the end of a row.”

Credit: RuiYing Wang, Royal Northern College of Music

2.    Set up quiet spaces

Always ensure there is a quiet room for your orchestra members to take a few moments out, should they need a quick break to relax. If available, rooms with little clutter and a green, blue, pink, soft orange or neutral interior can be particularly comforting, and you may wish to consider playing soothing sounds.

Whether you’re holding a rehearsal, at a concert venue or meeting with your young people somewhere externally, these designated areas of calm can be extremely helpful if your autistic musicians are feeling overstimulated, providing them with a safe space to manage their senses before returning to the group.

3.    Structure is crucial

Wherever possible, try to establish a regular routine and provide structure. Share any schedules well in advance, letting your young musicians know what time rehearsals will start and finish as well as timings for any upcoming events and when members can eat or take a break.

Staying consistent makes your activity more predictable for those with autism, and using visual cues can also be helpful.

4. Be friendly and approachable

For many autistic people, social interaction and developing new friendships can often feel like a struggle, so having a positive team of staff on hand – perhaps even a wellbeing team, like at Orchestras for All – can be reassuring for those dealing with anxiety and uncertainty.

Always lend an ear if needed and consider arranging for a chaperone to accompany autistic orchestra members to, and during, your live events, helping them to find their way around a new venue or relax them in unfamiliar social situations.

5. Communication is key

Try to be direct in your communication, giving short, concise instructions to ensure your autistic musicians clearly understand what is required of them and provide 1:1 explanations if needed. Avoid the use of sarcasm (which can be hard to pick up on) and relying too heavily on facial expressions or body language.

Offer multiple ways for young people to provide feedback – while verbal communication might be easy for some, others may prefer to share their ideas in written form or recorded as a video or audio clip.

You could also help by breaking down musical activities into small, easy-to-manage steps, providing coloured filters or sheet music printed on coloured paper, and using the ‘arm’s-length rule’ to judge personal space when interacting.

6. Create an inclusive culture

At Orchestras for All, fostering a culture of music-making that is free of judgment is important to us. We’ve seen firsthand through our three life-changing programmes just how powerful this can be, increasing levels of productivity and allowing young people to confidently express themselves with tutors as well as neighbours in their section.

Welcome musicians into your ensemble from diverse backgrounds, who are of mixed ability and play any instrument (alongside those traditionally found in an orchestra), and implement inclusive recruitment strategies for staff to help young people relate to those around them.

7. Remember, each musician is truly unique

Finally, despite some of the barriers that autistic people may face, there are so many valuable gifts and inspiring qualities that can come with neurodiversity.

National Orchestra for All’s Wellbeing Lead, Elli, said: “Young people with autistic spectrum disorders have extraordinary minds. Many have an exceptional talent for music. I have had the privilege of working with autistic young people for many years and continually see strengths and abilities that make them great musicians.

“These include memorising and learning information quickly, thinking and learning in a visual way, being precise and detail-orientated, exceptional honesty and reliability as well as being dependable – especially with schedules and routines. They also have a drive for perfection and order, along with a strong capability for alternate problem-solving and a rare freshness and sense of wonderment.”

We believe that being autistic is a young musician’s superpower – and with the right level of support, guidance and opportunity, they can thrive. So, continue to nurture your autistic peers; your youth orchestra will be much richer for it.

For further information about autism, or if you are autistic and would like to find the right support, the NHS website shares a wide range of resources – from local groups and charities, to social media forums.

To empower aspiring young musicians across the UK, please donate today >

13 marvellous reasons to join a Modulo orchestra at your school

Keen to experience the magic of playing in an orchestra with other like-minded students? Then look no further…

Since launching a decade ago, Orchestras for All’s Modulo Programme has connected hundreds of young people and music leaders nationwide – and it’s been pure joy.

The bright initiative supports teachers from maintained schools and music hub leaders to set up and develop a ‘Modulo’, a small ensemble of four to 15 students aged 11-18, before inviting them to team up with other Modulos from across the country and play as one epic orchestra.

But what makes being part of a Modulo so special? Here are just a few reasons why you should consider joining this much-loved, music-making family…

Read more: Modulo resumes live events as music teachers and students join classrooms nationwide in ‘joyful’ music-making programme >

  1. Anyone can join!

    While entry to most traditional orchestras requires players to have reached a certain level of musical skill, a ‘Modulo’ ensemble welcomes students of all skill levels and experience.

2. Meet other musicians

You’ll gain access to a wide network of young people participating in other UK-based Modulos, so it’s a great way to make new friends!

3. You can play any instrument

Whether you’re just starting out on the guitar, would love to share your passion for the ukulele or are a dab hand on the drums, all instruments are welcome at Modulo.

4. Play beautiful music

This season, our diverse repertoire has included Alice Mary Smith’s iconic Symphony in A minor, alongside more modern, genre-spanning pieces like ‘Crossfade’, penned by British composer, Jack McNeill. A recent participant said: “Modulo is really interesting – I got to learn new pieces!”

5. Discover new genres

Modulo students don’t just enjoy playing or listening to classical music – here we appreciate all musical genres. From folk and drill, to punk rock (and everything in between), get chatting to your orchestra neighbour and you might just discover music you’d never explored before.

6. Conduct like a pro

Ever fancied trying your hand at conducting? At our regional events, you’ll have the opportunity to stand up in front of your peers, take the lead and experience what it feels like to be a musical maestro on stage!

7. Perform without a crowd

You can experience the joy of playing music with others – without the pressure of a formal concert. One Modulo student said: “We don’t have to perform in front of a lot of people, like a whole audience. It’s a good place!”

8. Improve your mood

Whether you’re having a hard day at school, struggling with a mental health condition or simply in need of an energy boost, listening to music has been scientifically proven to lower your levels of cortisol (also known as the stress hormone), which can help you to cope during tough times.

9. Get creative

Our Modulo Meets aren’t just about performing; there are plenty of creative composition workshops for you to get stuck into, too – all led by professionals in the field. Here you’ll learn about rhythm, instrumentation and adding texture to a melody, how to tell a story through your music, and much more.

10.  Express yourself!

Often, music can say what words can’t – bust out that bold personality of yours in the brass, share a playful flutter on the flute, unleash a powerful sound over in percussion or soothe your orchestra friends with a sweet violin melody.

11.  We’ll support you throughout

Are you worried about losing your place or getting nervous playing to a new group? That’s completely natural and the chances are, there are other students who feel the same. That’s why during our regional and national meets, we’ll have a team of friendly wellbeing and orchestral tutors on hand to help you every step of the way.

12. Boost your skills

As well as improving your musical ability, joining a Modulo can help you gain valuable new social and communication skills, teach you how to collaborate with others as part of a team and even enhance your memory. What’s not to love?

13. Enjoy yourself!

And finally, in the words of a Modulo student who recently attended our London session: “It’s really fun!”

Kerri tunes up for youth social action

Kerri tunes up for youth social action

If it hadn’t been for Alannah, I’m not sure I would have made it to the 4pm concert. From helping me tune my instrument, pointing to the music when I got lost and helping me with patches I simply could not play, Alannah supported me every step of the way. She was not alone. Throughout the day, across every instrument section in the orchestra, young people from NOFA were actively supporting, mentoring and coaching the adult Musical Chairs participants.