Inclusive music-making across the UK: Modulo Programme 2024 season highlights

All the best bits from our barrier-smashing national ensembles…

Earlier this year, the Orchestras for All team travelled across the UK with the Modulo Programme to bring inclusive music-making activities to 500 students from 35 participating schools and community groups – with 252 young people joining us in the spring and 248 in the summer months.

We were delighted to be joined by 18 schools from Arts Council England’s Levelling Up for Culture Places, 15 returning schools and one home educated group. We were also thrilled to be able to widen the impact of Modulo even further by welcoming our first ensemble from a Special Educational Needs and Disability (SEND) school.

From Royal Birmingham Conservatoire to the University of York, Royal Northern College of Music in Manchester to the Royal Academy of Music in London (watch our concert video above), we held eight energising meets that were jam-packed with uplifting ensemble music-making.

A Modulo participant said: “Now I have found where I belong.”

Read more: 9 groundbreaking black composers you really need to know > 

Modulo participants getting in the groove

Our inspiring participants had the opportunity to perform an eclectic programme of music together as one powerful large-scale orchestra, which included everything from video game soundtracks to 1970s funk classics.

Read more: Orchestras for All invites young people to join its new season of inclusive programmes >

Arranged by Orchestras for All’s Associate Conductor, Rocco Brunori, Christopher Larkin’s ‘Hornet’, as featured in the video game Hollow Knight, quickly became a firm favourite for its driving rhythms and captivating melodies (watch video below).

Our participants also had the chance to perform the stunning ‘Allegro’ movement of Florence Price’s Symphony No. 1 (1932), arranged specially for our Modulo ensembles by award-winning composer, Emily Lim.

Plus, our inclusive ensembles even got stuck into ‘I Wish’, the 1976 funk classic written and produced by Grammy Award-winning American singer, Stevie Wonder, and arranged by our keyboard tutor, Matthew Poad. In this catchy tune, Wonder’s lyrics share how he wishes he could go back in time and relive his childhood – and you just can’t help but dance along!

As with all our work, wellbeing was at the forefront of every event this season. Alongside building on their musical skills, our diverse cohort of students were able to develop their social and communication skills, while having their emotional needs fully supported by our expert team of safeguarding staff.

A young participant told us: “I come to Modulo for the confidence-boosting side of it.”

Modulo Participants enjoying a break from rehearsals

On behalf of everyone at Orchestras for All, we would like to thank our Modulo funders, Arts Council England, Department for Education, Foyle Foundation, Garfield Weston Foundation, Scops Arts Trust, 29th May 1961 Charitable Trust, Association British Orchestras Sirens Fund and Catherine Cookson Charitable Trust.

We would also like to thank our individual donors, orchestral and wellbeing tutors, freelance staff, ambassadors and audience members for making our Modulo 2024 season so memorable.

Keen to get involved? There’s still time to apply to join our next Modulo cohort in 2025 – but hurry, the deadline is 6pm on Monday 19th November 2024!

Find out how your school can get involved below:

Music-making across borders: A memorable week in Vienna with Superar

Exploring the value of youth leadership and inclusive music education in ‘the city of music’…

Hello! I am Elen, Fundraising and Communications Coordinator here at Orchestras for All (pictured middle above).

Earlier this year and during my time as Youth Leadership Coordinator, I was offered the incredible opportunity to represent Orchestras for All during a visit to Superar, a music and choir programme based in Vienna committed to providing high-quality music education to young people, regardless of their background.

It was a week filled with learning, sharing and making connections, thanks to the organisation’s wonderful staff and students as well as the rich musical culture of the city – and I’ve been keen to share this with you.

Read more: “Investing in youth leadership is crucial for shaping the future of the arts” >

Stunning scenery: Enjoying the sunshine outside the renowned Hofburg Palace.

A highlight of my trip was having the chance to share OFA’s mission and practice – those relating to its focus on youth leadership – with Superar’s staff and students, in particular.

During these discussions, I was able to delve into how we implement our youth leadership leadership initiatives, including youth-led performances or working with the Youth Board.

The staff were keen to hear about how this could be integrated into their own work, while the students were eager to ask questions and share their own experiences from their personal music-making journeys.

Plus, no visit to Vienna would have been complete without exploring its operatic heritage and I was fortunate enough to visit the Vienna State Opera to watch a rehearsal of ‘Sugar Revolution’ – a newly-created performance by CityLab.

This is the Opera’s cross-generational community theatre group, in which people of all ages are invited to develop their own piece and perform it in front of an audience.

I was amazed by how collaborative the rehearsal felt and the different ways in which they created an inclusive and empowering environment.

It was inspiring to see how opera, which is often written off as an ‘elite’ artform, could be made accessible to all,  leaving me with plenty of ideas for how we might continue to expand community outreach through music back home.

Ornate details: The beautiful architecture of Vienna State Opera.

I also had the privilege of visiting two middle schools in different parts of Vienna, where I observed Superar’s choir programme in action.

The energy in the room was contagious! The students were fully immersed in the music and it was clear they had formed a close-knit community through their choir work.

Watching the rehearsals, I was struck by how singing can break down barriers and create a shared space for expression. What stood out to me most was the variety of languages the children were singing in. From German to English and Turkish to Ukrainian (to name but a few), every song was sung in a different language and from a different genre.

The programme’s commitment to inclusivity, much like Orchestras for All’s approach to inclusivity, was admirable, and it was wonderful to witness the impact of this vital work in real-time.

Read more: OFA invites young people in the UK to participate in new season of programmes >

So many strings: My view as a cellist from within the orchestra.

To cap off my experience, I was invited to join an orchestra rehearsal, playing cello alongside Superar students. It was one thing to observe, but something else entirely to sit among the students and experience their rehearsal practices firsthand.

The dedication and focus of the young musicians was impressive, as was the warm, supportive environment fostered by their conductor and tutors.

The rehearsal felt collaborative, with plenty of space for the students to make musical decisions and even direct the orchestra. It was an excellent example of the kind of youth leadership we champion at Orchestras for All – and it was joyful to be a part of.

Vibrant surroundings: Vienna has the most colourful terraced buildings.

Overall, my week with Superar was a reminder of how much music has the power to transcend borders and bring people together. It reaffirmed the idea that music is a universal language, capable of building bridges between different cultures, experiences and communities.

It wasn’t just a chance for me to share what we do at Orchestras for All; it was also a valuable opportunity to learn from Superar’s approach to inclusive music education.

I am so grateful to Valerie, Fundraising Manager at Superar and my host for the week, and the rest of the team at Superar, for their kindness and hospitality.

I came away with a renewed sense of purpose and excitement about what can be achieved when people work together across borders to empower young musicians – and I encourage others arts organisations to give it a go too!

Keen to support our inclusive music-making programmes? Please donate what you can:

‘Investing in youth leadership is crucial for shaping the future of the arts,’ says National Orchestra for All alum, Elen

From working with Orchestras for All’s Youth Board to supporting its inspiring team of Ambassadors, Elen tells all on her time as Youth Leadership Coordinator…

At Orchestras for All (OFA), we believe that young people are best placed to tell us what they need and want – and we want all young people to feel empowered enough to do so, which is why it is essential their voices and opinions are heard, valued and actioned.

However, cultivating youth leadership isn’t just about giving young people a voice; it’s about empowering them to take active roles in decision-making, fostering a sense of ownership and enabling them to lead the change that the sector so desperately needs.

At OFA, we have implemented all kinds of key initiatives to cultivate youth leadership within our organisation and as the charity’s first Youth Leadership Coordinator, my role over the past year focused on creating and facilitating these opportunities, many of which I share in this blog.

Read more: OFA invites young people in the UK to participate in its new season of inclusive programmes >

“Orchestras for All gives young people lifelong skills, potentially opening up career paths they never thought they’d have.”

— Phoebe, National Orchestra for All alum

Pictured: OFA’s Youth Board, Trustees, core team members and guests meet for an inspiring away day.

One of OFA’s flagship youth leadership programmes is its Youth Board. This brilliant programme has been specially designed to give the young people we work with the opportunity to influence the direction of the organisation and bring new ideas to the table.

The Youth Board is actively involved in all major decision making and strategic planning as well as providing feedback and valuable insights to help shape and improve OFA’s vital work.

I was delighted to be tasked with the responsibility of designing and implementing a new set of subcommittees for Youth Board members, trustees and core staff, enabling us to collaborate on different areas of our work in a focused setting, which has boosted youth involvement.

Read more: Why becoming an OFA Trustee is the volunteer role you never knew you needed >

“Hearing from our Youth Board about the difference that Orchestras for All has made to their lives is key – and celebrating the successes of the young people OFA works with in a range of fields proves it is making an impact.”

— Kate, former OFA Trustee

Pictured: OFA Ambassador, Grace, expertly leading the NOFA summer concert at CBSO Centre in August.

Since joining OFA as a member of staff, I have also been working closely with OFA’s dedicated team of 10 Ambassadors. Employed as part of our freelance team, this group are recent alums of National Orchestra for All – one of OFA’s life-changing music-making programmes for young people in the UK, which I have personal experience of.

For many of the young people we work with, this opportunity acts as a valuable first step into the workplace, providing them with meaningful ways of applying their skills in a real-world context, while also supporting the smooth running of our live events.

Ambassadors take on diverse roles within the organisation, from working with production and shadowing communications to designing new software, all the while gaining insight into our charity and developing skills they can take forward into their future careers. Some Ambassadors have even gone on to join OFA’s orchestral and wellbeing teams!

“Being an Ambassador has been a very rewarding and valuable experience for me. ”

— Atse, OFA Ambassador and NOFA alum

Pictured: NOFA members enjoy a break from rehearsals at CBSO Centre in summer 2024.

Meanwhile, OFA’s Young Leaders programme is designed for 16-18-year-olds who are still members of National Orchestra for All. It focuses on equipping these young musicians with the leadership skills they need to take on more significant roles within the orchestra and beyond.

Through supported, hands-on experience, this group of young leaders are encouraged to grow in confidence, develop personally and build their communication skills.

Read more: 7 wonderful ways that youth leadership will empower your youth orchestra >

I was able to reinstate our Bronze Arts Award programme, which is a practical qualification that develops young people’s artistic abilities, alongside their research and communication skills.

The Young Leaders were involved in a whole host of activities for the award, including a visit to Birmingham Symphony Hall to see National Youth Orchestra live in concert as well as an old NOFA tradition – an entertaining instrument swap!

We have found that by empowering young people to lead, we can ensure OFA’s work and the organisation itself remains dynamic, innovative and responsive.

Pictured: Elen (middle) and the Superar team enjoying a visit to a renowned Viennese ice cream parlour.

Beyond supporting our own youth leadership programmes, I’ve spent much of the past year raising awareness of the importance of youth leadership across the wider music sector.

As Music Mark’s Advisory Council representative for its 15-strong group of National Youth Music Organisations, I have had the privilege of advocating for the interests and needs of young people on a national level. This role involves collaborating with other organisations within the sector to drive positive change.

As part of this, I’ve had the opportunity to speak at major conferences, including those held by Music Mark and Association of British Orchestras. These platforms allowed me to share OFA’s vision and the success of our youth leadership programmes with a broader audience, inspiring other organisations to adopt similar approaches.

Another key highlight of my year was a visit to Vienna, where I was fortunate enough to spend a week with a leading organisation in youth music education, Superar, which works with professional musicians to offer children and young people free access to cultural education.

Here I was able to learn more from others in Europe, exchange ideas and explore potential collaborations that could enhance OFA’s programmes. Watch this space!

“You have to be open-minded – nothing new has ever been implemented from staying closed-minded. You just don’t know unless you try. ”

— Beth, previous Co-Chair of OFA and NOFA alum

Pictured: OFA’s newly-appointed Co-Chairs, Joelle (left) and Susanna (right).

Another great example of how youth leadership has developed at OFA lately is the appointment of Trustee and NOFA and Modulo alum, Joelle Sogunro, who will be stepping into her new role as Co-Chair of the Board of Trustees. Joelle will be building on the success of our previous Co-Chair, Beth White (also a NOFA alum!) and we can’t wait to see where this will take our charity.

After a rewarding year as Youth Leadership Coordinator, I have now handed over my baton to NOFA and Modulo alum, Laura Fullwood, who recently joined the team. I have moved into the role of Fundraising and Communications Coordinator, meaning there are currently two alums in our core team – how exciting!

Laura is already doing incredible things, such as sharing our work with music leaders and teachers at Music Mark’s South Yorkshire conference, and we are all excited to see how she further develops the role and our youth leadership programmes.

Above all, our work to promote youth leadership at Orchestras for All is driven by a belief in the transformative power of music and the potential of young people to shape the future. I encourage all organisations – musical or not – to invest in youth leadership.

By providing young people with opportunities to lead, we not only empower them but also enrich our organisations through their creativity, enthusiasm and diverse perspectives, enabling us to create the positive change we all want to see in the world.

Keen to support this life-changing work? Please consider donating what you can:

Music matters: Orchestras for All invites young people in the UK to join its new season of inclusive programmes

Shaping the future of music, one note at a time…

Orchestras for All (OFA) is delighted to announce that it is now recruiting young people, state schools and local community groups for two of its flagship programmes: National Orchestra for All (NOFA) and the Modulo Programme.

Whether a young person is an experienced player or just getting started on their musical journey, OFA welcomes all young people to join its vibrant community and enjoy its life-changing activities.

NOFA violinist, Freya, said: “I think you should join NOFA because it is a once in a lifetime opportunity and you’ll never want to leave! It gives you a new outlook on other people and instruments – and it’s something you can’t get anywhere else.”

A Modulo participant commented: “I love Modulo because the people here are super nice and they’ll help you no matter what skill level you are.”

Read more: Not Just A Note – 7 reasons National Orchestra for All’s inspiring young musicians urge others to join >

What are the NOFA and Modulo programmes?

National Orchestra for All: NOFA is an inclusive, non-auditioned national youth orchestra bringing together an inspiring group of around 100 young people aged 11-19 from across the UK – regardless of their background, musical ability or choice of instrument – for an 18-month season of group music-making.

The orchestra performs all types of music, from popular songs to classical works, film music to jazz, video game soundtracks to dance anthems as well as world music. Members also create their own pieces with professional composers.

We want to ensure that cost isn’t a barrier to participating, so everything is covered for young people to join NOFA, including their food, travel, accommodation and tuition. 

Modulo Programme: We support teachers and music leaders in schools and local community groups to set up and run their own mini orchestras, known as ‘Modulos’. They receive all the music and resources they need to create an inclusive, accessible and high-quality musical experience for young people.

Throughout the year, Modulos from different parts of the UK come together to perform as one large-scale orchestra at ‘Modulo Meets’, culminating in an energising showcase of group music-making, with summer concerts open to the public.

Pictured: National Orchestra for All members enjoy a break from rehearsals at CBSO Centre in summer 2024.

Reflecting on the previous season

With its wide range of workshops, social activities, youth leadership initiatives and colourful concerts, NOFA’s 2023-24 season was a truly memorable experience for all involved. Its powerful theme, ‘Sounds of Change’, explored how music can often inspire, reflect and drive change in society as well as within ourselves.

Members had the opportunity to rehearse and perform at Royal Birmingham Conservatoire and CBSO Centre, all the while supported by an expert team of 10 Ambassadors and orchestral and wellbeing tutors.

Chosen in collaboration with the young people we work with, NOFA repertoire included an eclectic mix of works that celebrated diversity and challenged the status quo. From ever-eerie ‘Ghost Town’ by The Specials to Florence Price’s sweet-sounding Symphony No. 1 in E minor, Gamelan-inspired pieces to original compositions written with NOFA members, we’ve taken away memories and connections to last a lifetime.

Read more: 7 ways that youth leadership will empower your youth orchestra >

Meanwhile, 250 young musicians from 30 schools and community groups joined us at leading arts venues in London, Birmingham, Manchester and York for our eight Modulo Meets. Performing Stevie Wonder’s funk classic, ‘I Wish’, as part of their concert programme, participants had audiences grooving all over the country.

In 2024, we were delighted to see 19 new Modulo ensembles established. We also held 20 in-person workshops, created visual scores to make our resources more inclusive, launched a new digital hub for Modulo leaders to access their resources more easily and worked with the first Special Education Needs and Disability (SEND) school to join the programme.

View our summer 2024 picture gallery >

Why should you join our programmes?

By signing up for National Orchestra for All and Modulo, young people and music leaders will have the opportunity to:

• Be part of a national movement: Connect with like-minded individuals from across the UK and be part of something bigger that shapes the future of music.

• Make music accessible: Help us break down significant barriers to group music-making, making it possible for all young people to participate, regardless of their background.

• Perform in prestigious venues: Experience the thrill of performing in some of the UK’s most iconic spaces.

• Learn from the best: Receive expert training and mentorship from professional musicians and educators, with the health and wellbeing of participants at the heart of all programme activity.

How to apply

This is a wonderful opportunity to be part of something truly extraordinary. Take a moment to sign up and let’s continue creating sounds of change with the next generation!

Learn more about our application process and application deadlines below:

Huge thanks to our funders, partners, donors and supporters for making these life-changing programmes possible.

---

‘Sounds of Change’: Immerse yourself in live music at National Orchestra for All’s summer concert!

Don’t miss it.

The inspiring young musicians of National Orchestra for All (NOFA) are delighted to invite you to their final concert of the season: ‘Sounds of Change’.

Taking place on Thursday 1 August 2024 from 3-5pm at Birmingham’s CBSO Centre, this special event is relaxed, family-friendly and promises to be an unforgettable experience for performers and attendees alike.

Following two years of powerful group music-making at arts venues nationwide, NOFA is ready to showcase the hard work and incredible achievements of its inclusive ensemble through a diverse programme of live music.

Chosen in collaboration with the young people OFA works with, audience members can expect to hear pieces such as ‘Hornet’ and ‘Reflection’, taken from Christopher Larkin’s gripping soundtrack for video game, Hollow Knight, arranged for NOFA by Emily Lim. Watch the video above to see NOFA’s rendition of ‘Hornet’ at Royal Birmingham Conservatoire in the spring.

Pianist Noah said: “NOFA is a second home for me – a second family, a safe space. I can't recall any moment here that I haven't enjoyed. I feel respected and heard and it’s here I’ve made some of my closest friends. The music is catchy and the staff are absolutely amazing! I feel so proud to be part of this organisation.”

Read more: Orchestras for All announces its headquarters relocation to Sheffield >

Pictured: National Orchestra for All receive a round of applause at Royal Birmingham Conservatoire.

Music often mirrors the social, political and cultural shifts occurring in society, so some of the repertoire chosen under NOFA’s artistic theme, ‘Sounds of Change’, is intended to highlight times of significant change or movement. NOFA will therefore be celebrating the Midlands and its fascinating history by playing James Brady’s haunting arrangement of ‘Ghost Town’, written by Jerry Dammers in 1981 and made famous by British two-tone band, The Specials.

Our programme also includes the ‘Allegro’ movement of Symphony No. 1 in E minor – a sonorous, lyrical work penned by American classical composer, Florence Price, which has been arranged for OFA by Simon Tong. 

Plus, NOFA will be joined on stage by 13 young musicians from CBSO’s Learning & Engagement programme and there will be solos, small group performances and original NOFA compositions to be heard such as ‘Strength in Numbers’, which the ensemble created in collaboration with Birmingham-based multi-instrumentalist, Joe Broughton.

Aged between 11 and 19, NOFA members come together from diverse backgrounds and cultures, from all corners of the country – and thanks to our charity’s inclusive, non-auditioned programme, they have been able to experience the joy of playing in an orchestra regardless of the daily barriers they might be facing and take ownership over their learning.

On an individual level, ‘Sounds of Change’ represents the personal growth and development that NOFA musicians experience. This could include mastering new skills, making new friends, growing in confidence and finding a deeper sense of identity through musical expression.

NOFA violinist, Meicha, said: “NOFA is just a wonderful community and experience for young people across the UK.” NOFA cellist, Jess, added: “At NOFA, you don’t have to feel like you have to be the best – you can just play along and laugh if you make mistakes.”

Orchestras for All strives to make its concerts accessible to all, so admission to ‘Sounds of Change’ is free. However, we welcome any donations to the charity and would like to thank each of our individual supporters as well as our loyal NOFA funders – including Arts Council England, Department of Education, Garfield Weston Foundation, Foyle Foundation, Association of British Orchestras Sirens Fund, Finzi Trust, Schroder Charity Trust and Wavendon Foundation – for making this life-changing programme possible.

Music has the ability to shift our mood, alter our perspective and create emotional connection, so whether you’re a long-time supporter of orchestral music or new to the scene, ‘Sounds of Change’ is a wonderful opportunity to experience the transformative power of live music. Come along and be part of our musical celebration. We look forward to seeing you there!

Orchestras for All announces its headquarters relocation to Sheffield

Images: Orchestras for All and Mick Knapton

Transforming the lives of even more young musicians aross the UK…

Orchestras for All (OFA) is delighted to announce the relocation of its London headquarters to Sheffield, marking an exciting new chapter for the non-profit. 

Since 2016 and following years of music-making activity at Camden arts venue, Cecil Sharp House – home to the English Folk Dance and Song Society, with whom OFA looks forward to retaining a close link – OFA’s new headquarters will be based at striking Grade II* listed building, Canada House. 

The move to South Yorkshire comes following OFA’s national callout inviting followers and supporters to share recommendations for its new address, alongside an internal callout, a consultative review among OFA’s core team, Trustees and Ambassadors, and rigorous shortlisting using key selection criteria. 

Though Canada House is currently unoccupied, Harmony Works, which promotes inspirational music education and works to enrich the lives of young people, had responded to OFA’s callout as it is in the process of carefully restoring and revitalising the building to create a thriving new music hub in the heart of Sheffield City Centre.  

Despite Sheffield being one of the largest cities in the country, behind London, Birmingham and Manchester, and while it is already home to a professional orchestra, The Brigantes, it is without a full-time professional symphony orchestra. This makes Sheffield the perfect setting for OFA to widen its impact and further develop its three powerful programmes: National Orchestra for All (NOFA), Modulo and Music Leadership Training. 

National Orchestra for All alum, OFA Ambassador and Sheffield local, Haseeb, said: “Now is the best time for OFA to be moving to Sheffield! It will be quite a convenient location for future courses, since many members would not need to travel as far. I love living in Sheffield because it's quite an outdoorsy city – the greenest city in the UK in fact and is right next door to the Peak District.”   

“Sheffield is a great place for OFA to be based due to its rich musical heritage, being the stomping ground of bands like the Arctic Monkeys and rock bands, Pulp and Def Leppard, among many others. There are some amazing venues for performances to take place, such as Sheffield City Hall and Victoria Hall, which I hope OFA will be able to benefit from.” 

Since OFA first launched in 2011, many other Sheffield-based musicians – including NOFA alum and current Orchestral Tutor, Nazar Khapsalis (watch video above), have experienced the life-changing benefits of playing with others in an ensemble. NOFA’s non-auditioned, mixed-ability youth orchestra is comprised of around 100 inspiring young members, who are welcome to play any instrument and come together from all walks of life – regardless of the daily challenges they might face. 

Some NOFA members have later joined OFA’s governance team, including Haseeb and Youth Board member, Nico (another Sheffield local), who each play an integral part in supporting the charity’s development – from determining objectives and helping to define the culture and effectiveness of the organisation, to taking a hands-on approach when working at OFA’s live events. 

The move to Sheffield also comes following OFA’s recent recognition as a new National Portfolio Organisation (NPO) from Arts Council England, which aims to support arts institutions to deliver creative and cultural activity against the outcomes in its 2020-30 strategy, ‘Let’s Create’. 

Pictured: National Orchestra for All Ambassador, Haseeb, hosts a summer 2024 Modulo Meet in Birmingham.

The Arts Council’s vital funding is awarded to London-based organisations for a three-year period on the basis that their offices are transferred by October 2024, in a bid to improve access to arts opportunities and enable communities to flourish. This aligns closely with OFA’s bold vision: for all young people in the UK to have access to the joy of group music-making.  

 OFA’s national team – who since 2020, have been working remotely from Cornwall to Glasgow, Hampshire to West Yorkshire – hope to feed into the Arts Council’s strategy by sharing the charity’s inclusive practice in Sheffield. 

Director, North, Arts Council England, Pete Massey, commented: “We are delighted that Orchestras for All has chosen to move its national base to Sheffield. Sheffield has a wonderful musical heritage and exciting plans for making music are central to its cultural offer.  

“Orchestras for All will continue to work across the country but will build on its already strong ties with the city to create even more opportunities for young people to engage in music making, helping to develop their skills and confidence. We believe that everyone should be able to experience and take part in high quality artistic and creative activity wherever they live or whatever their background and this is a terrific example of that principle in action.” 

Councillor Martin Smith, Chair of the Economic Development and Skills Committee at Sheffield City Council, added: “I am delighted to welcome Orchestras for All to Sheffield. The news comes just weeks after the announcement that English Touring Opera will also be making the city their home later this year, and I’m confident both will make brilliant additions to our already thriving cultural scene.  

 “Orchestras for All gives young people incredible opportunities to make music. Here in Sheffield, we are dedicated to creating opportunities for all our young residents and to create a city they can prosper in. That is why we are committed to supporting the development of a regional music education hub for young musicians here in the city through the Harmony Works project.” 

Through OFA’s close partnership with Sheffield Music Hub and Sheffield Music Academy, it will be supporting the city’s vision to provide inclusive group music-making opportunities for all young people and local schools, while also helping to develop music education that’s robust, sustainable, vibrant and accessible. 

This can be achieved through the training and delivery of OFA’s award-winning programmes and residential courses. Frequent collaborations with local youth leaders, music educators, artists, mental health advocates and wellbeing professionals alike will mean that OFA’s relocation can spark a truly positive ripple effect across the UK and inspire lasting social change. In future, the team will invest in new staff from across the region as well as share impact evaluation and key learnings at national conferences to amplify our messaging. 

Co-Chair to OFA’s Board of Trustees and NOFA alum, Beth White, said: “We're so excited to be joining the music scene in Sheffield, helping the push to expand into areas where youth orchestras can have a positive cultural impact. Moving out of London is going to give Orchestras for All the chance to interact with many more individuals and charities, forging new relationships and breaking down even more barriers.” 

A group of young musicians and their school teacher participate in the summer 2024 Modulo Programme.

Head of Sheffield Music Hub, Ian Naylor, added: “We are over the moon that this fabulous music education organisation will be moving to Sheffield. We have a longstanding partnership with Orchestras for All borne from mutually shared values in standing up for musical access and opportunity for children and young people from all backgrounds, welcoming musicians with a broad range of interests, putting young people at the heart of our work and sharing the joy of collective music making. 

 “The arrival of Orchestras for All here in Sheffield will have a profound impact on opportunities for our young people, schools and music making groups across the region - watch this space for some incredibly exciting collaborations and welcome to the greatest city on earth!” 

On behalf of everyone at OFA, we would like to extend our sincere thanks to all those involved in our relocation this year and are eager to see what the future holds for our charity. 

Please support young musicians in the UK by donating to Orchestras for All >

Not Just A Note: 7 reasons National Orchestra for All’s inspiring young musicians urge others to join

From connecting with our thriving musical community to performing at iconic arts venues, here’s everything you need to know…

Are you a keen young musician aged 11-16 in the UK and looking to be part of something extraordinary, or do you happen to know someone else who is? Do you believe in the power of music-making to bring people together from all walks of life? If so, National Orchestra for All (NOFA) wants to hear from you!

Our memorable two-year season with the current members of NOFA ends in August, which means that this autumn, our friendly team will be getting ready to recruit the next diverse group of young people to join us (as well as welcome back some of our existing members).

But what exactly is NOFA and why should you join? Read on as our current NOFA members share seven reasons you should consider signing up for this epic youth orchestra…

1.   National status

Whether you’re based in London, Edinburgh, Belfast or Manchester, you’re welcome to join NOFA. Our national orchestra is made up of around 100 young people from across the UK, who come together to rehearse and perform in set locations throughout the year.

In this diverse community of like-minded individuals, you’ll have the opportunity to make new friends, share exciting musical experiences and learn from each other’s different cultures and backgrounds.

NOFA cellist, Santiago, said: “NOFA provides the opportunity to meet people you’ve never seen before and make great connections all around the UK.”

2.   Inclusive environment

Young musicians in NOFA are welcome to play non-traditional orchestral instruments, including guitars.

At NOFA, any young person can participate regardless of their musical ability, background, chosen instrument (including those not usually found in a traditional orchestra, such as guitars and melodicas), or the daily challenges they might be facing – whether that’s physical disability, a mental health condition, learning difference, rural isolation, economic deprivation, living in care or living as a young carer.

We aim to promote a happy, collaborative and empathetic environment where both the young people we work with and NOFA staff feel valued, fostering a sense of belonging. From using pronouns and inclusive musical arrangements, to providing support for those with additional needs, NOFA is truly for all.

NOFA trumpeter, Cameron, said: “I would strongly recommend joining NOFA because I really feel like it gives back to others if you haven't had as much access to music before – I have personal experience through this. I love being part of the inclusive orchestra and anybody would be welcome and included.”

3.   No auditions

Pictured: National Orchestra for All members perform to a live audience at Royal Birmingham Conservatoire.

Unlike most traditional orchestras, you won’t have to worry about auditioning for NOFA as we encourage young musicians of all skill levels to join – from beginners right through to Grade 8 for those completing exams (but this isn’t a NOFA requirement).

Without the competitive pressure of auditions or fear of failure in a typical selection process, participants can focus more on their learning and collaborate in a stress-free setting. At NOFA, the primary goal is for young people to enjoy the collective experience of playing music together with others.

NOFA cellist, Jess, said: “It’s a good place to join if you are nervous about going to an orchestra because it’s just one big happy family! You don’t have to feel like you have to be the best; you can just play along and laugh if you make mistakes.” 

4.   Expert guidance

NOFA musicians will be supported during each residential by our friendly team of wellbeing staff (pictured).

From the moment each young person signs up for NOFA, they receive expert support tailored to their individual needs by our friendly team of staff.

Held a few times each year, our four-day NOFA residentials are led by experienced conductors, orchestral tutors and music educators who are passionate about helping young musicians reach their full potential, providing all the training and mentoring they need to thrive in full orchestra rehearsals and live performances. This includes one-to-one sessions and sectional rehearsals with smaller groups. Young people are also supported by our brilliant team of wellbeing staff, who are always on hand to ensure that everyone feels safe and happy.

NOFA keyboardist, Noah, said: “NOFA is a second home for me, a second family, a safe space. I can't recall any moment here that I haven't enjoyed. I feel respected and heard, and it’s here I’ve made some of my closest friends. The music is catchy and the staff are absolutely amazing!”

5.   Diverse repertoire

Being part of NOFA’s inclusive ensemble, you’ll get to rehearse and perform music spanning all kinds of genres and styles – from popular chart hits to classical masterpieces, world music to captivating film and video game soundtracks. Embracing music and learning by ear in this way introduces the young musicians we work with to different musical traditions and cultures as well as providing concert audiences with a unique and enriching experience.

You’ll also get to collaborate with other NOFA members and guest musicians to create original compositions. This season, NOFA created ’Strength in Numbers’ with composer and multi-instrumentalist, Joe Broughton, which has become a firm favourite (watch and listen above).

NOFA flautist, Keaton, said: “You should join NOFA because it’s a great opportunity to improve your musical ability!”

6.   Performance opportunities

National Orchestra for All members and Artistic Director, Emma, perform at Royal Birmingham Conservatoire.

For many young musicians who join NOFA, a highlight is having the chance to perform live. This could be to each other during group jam sessions, NOFA’s famed recital evenings, or to friends, family and members of the public at prestigious music venues like Royal Birmingham Conservatoire and Nottingham’s spectacular Albert Hall.

While performing enables NOFA members to showcase their musical achievements, it also gives them the opportunity to inspire others through the power of group music-making and share the transformative benefits of live music – like boosting wellbeing – in their local communities.

NOFA violinist, Miecha, said: “It’s nice to go somewhere independently and find yourself, and meet other people from across the UK.”

7.   Personal growth

National Orchestra for All is about more than just playing music – here you can make lifelong friendships.

While we value creativity, NOFA isn’t just about playing music – it’s about personal growth. As well as improving your musical skills, joining the orchestra will boost your confidence and help you develop vital skills. This could be through teamwork or youth leadership opportunities such as becoming a Young Leader or later an Ambassador, where you can provide support as a NOFA alum to members as well as the Orchestras for All team in key areas, including production, marketing and artistic planning.

You’ll learn how to listen and collaborate with others, take ownership over your own learning and wellbeing, and create something truly special that you can feel proud of with an inspiring group of individuals.

NOFA violinist, Freya, said: “I think you should join NOFA because it is a once in a lifetime opportunity and you will never want to leave! It gives you a new outlook on other people and instruments, and it’s something you can’t get anywhere else.”

Are you interested in learning more and signing up for NOFA?
Would you like to nominate a young person for the orchestra?
Register your interest using the form on the NOFA page below:

Big Give: Double your donation this spring with our Arts for Impact campaign!

Together, we can make a difference.

We’re delighted to share that from now until 12pm on 26 March 2024, you can make an even bigger impact on the lives of the young musicians Orchestras for All (OFA) supports by donating to our Big Give Arts for Impact campaign – with every single donation doubled!

Music can be transformative for young people’s education, development and wellbeing, but not everyone feels included in or able to access existing musical opportunities. While we are so proud to have encouraged and inspired 8,000 young people, 35 schools and more than 300 teachers over the past year, there are many other young people who could benefit from OFA’s vital work. 

National Orchestra for All alum, Tianci, told us: “Here it doesn’t matter if you’re disabled because you can still play music. You can be in a wheelchair and still play the trumpet or the clarinet. You could have a stammer and still play the violin because music is like a new language. It’s a language we can all communicate by.”

We’ve set a fundraising target of £10,000 for our spring campaign and now, we need your help. As a charity, we rely on donations to deliver OFA’s inclusive music-making programmes, which aim to empower young people from the most isolated, vulnerable and marginalised groups to embark on their music-making journey with us.

Read more: Orchestras for All’s powerful impact report >

By donating to our Big Give campaign, you’ll be instrumental in helping us to hit our target and reach 1,000 more young people nationwide who can explore their creativity through music – and with every pound donated being doubled, there’s no better time to join our vibrant network of supporters.

National Orchestra for All alum and current Trustee, Chloe, said: “People should donate to Orchestras for All because it’s absolutely life-changing – and it’s definitely changed my life. It’s shaped the way that I think and how I interact with music, especially orchestral music. Now, music is a huge part of my life and my identity.”

While every donation, big or small, is always gratefully received, we know that times are tough and not everyone can support our work financially. You can also help us by: 

• Following OFA on social media and sharing our campaign content 

• Telling your friends, family and colleagues about our charity 

• Subscribing to our newsletter

Thank you so much. Every penny counts and will make our goal of raising £10,000 achievable. It only takes a minute to donate or share our campaign, so do get involved and let’s continue to break down those musical barriers!

35 UK schools to team up in spring 2024 for orchestral music-making with the Modulo Programme

From London to Birmingham, York to Manchester, Arts Council England’s new National Portfolio Organisation is ready for its next tour…

Spring has long been considered the most uplifting season, with its longer days and flowers in bloom – and at Orchestras for All (OFA), it also means exciting new musical opportunities for the year ahead.

With our first live event for the Modulo Programme just on the horizon, students and music leaders across the country are busy preparing for our next series of ‘Modulo Meets’, which welcome young people from diverse backgrounds to play together in large-scale ensembles – whatever their personal background, ability, level of experience or chosen instrument.

Taking place from 26 February to 19 March 2024, the inclusive music-making activities will kick off at London’s Cecil Sharp House, before heading over to the Midlands Arts Centre in Birmingham, University of York and Royal Northern College of Music in Manchester.

We’re delighted to share that Modulo reaches new heights this season, with a total of 41 applications received and 35 schools participating in the programme. This is a new record for in-person Meets at OFA and we’re so pleased to be bringing Modulo’s positive impact to even more local communities across the UK, breaking down musical barriers and improving access to music education for young people who need it the most.

During our spring 2023 Meets, a participant said: “I enjoyed the opportunity to visit a new place and work in some of the different Modulo music spaces. Everyone was very kind and encouraging and made Modulo an enjoyable experience.”

Read more: Orchestras for All’s powerful new Impact Report >

This season, 18 schools joining us are from Arts Council England’s Levelling Up for Culture Places and/or Priority Places, 15 schools are returning to the programme and one is a home educated group. We’re also widening our impact by welcoming our first Modulo ensemble from a Special Educational Needs and Disability (SEND) school and they will be supported by our Wellbeing Lead, Sasha Mattock.

For the students that join us, Modulo is more than just a music education initiative. For many, attending a Meet can be a transformative experience that goes beyond reading the notes on a page. Our charity’s aim is to empower each young person to express themselves, explore their own creativity and build confidence and leadership skills, while learning to collaborate and communicate with others.

A Modulo musician told us: “I feel more confident in ensemble playing and have enjoyed discovering new music and instruments. I’ve also made new friends through Modulo, who I talk to regularly!”

Read more: 7 wonderful ways youth leadership will empower your youth orchestra >

Modulo values diversity and encourages its young participants to explore a broad range of musical genres and styles from around the world, helping them to foster cultural awareness and an appreciation for different traditions. This spring, our repertoire includes the ‘Allegro’ movement of Symphony No. 1 (1932), penned by Arkansas-born classical composer, pianist and organist, Florence Price, and arranged specially for our inclusive Modulo ensembles by award-winning composer, Emily Lim.

Pictured: A group of Modulo participants and OFA Ambassador, Tashan, at Royal Birmingham Conservatoire

Participants will also be raising their instruments to play ‘Hornet’, a dramatic video game soundtrack taken from Hollow Knight, written by composer and sound designer, Christopher Larkin. Orchestras for All’s Associate Conductor, Rocco Brunori, who specialises in brass and music education in primary schools and universities, produced the Modulo arrangement, and the work was selected as an OFA piece by Modulo and National Orchestra for All members during our 2022-23 season.

Plus, our inclusive ensembles will have the opportunity to perform ‘I Wish’, a 1976 funk classic written and produced by Grammy Award-winning American singer, Stevie Wonder. The uplifting song, which has been arranged for OFA by our keyboards tutor, Matthew Poad, focuses on Wonder’s childhood from the 1950s into the early 1960s, with lyrics sharing how he wished he could go back and relive it.

We can’t wait to greet our dedicated cohort of school students and music leaders – who now have access to an exclusive online hub of Modulo resources – very soon, and would like to extend our warm thanks to the ongoing support of OFA’s generous funders and individual donors. Without you, our charity wouldn’t exist.

Not attending the Meets but keen to get a sense of the action? We’ll be sharing daily event highlights via our social media channels, including Instagram takeovers from OFA’s 10 brilliant Ambassadors, so do visit our profile and follow along!

Finally, if you haven’t quite locked down your New Year’s resolutions this year, why not join our inspiring network of supporters? By donating just £10 a month to Orchestras for All, you could help a young person who faces daily barriers discover the joy of music-making with others, when they may not otherwise have the opportunity.

Making an impact: read Orchestras for All’s powerful new report

Building inclusive communities, one musical note at a time…

Another memorable year at Orchestras for All (OFA), another inspiring Impact Report – and our 2022-23 roundup might just be our best one yet.

In a world that often echoes with discord, we’ve been working tirelessly over the past year to become a driving force for positive social change by welcoming young people and music leaders from all across the UK – from London to Birmingham, Manchester to York – to our inclusive music-making activities.

We truly believe that the joy of group music-making should be experienced by all young people, from all walks of life – not to mention the associated benefits that come through playing music with others in an orchestra, which include boosting a young person’s confidence, developing their social skills, unlocking creative potential and building community, to name but a few.

In our latest Impact Report, we share key findings from OFA’s three barrier-smashing programmes: National Orchestra for All (NOFA), Modulo and Music Leadership Training (MLT), through which we aim to empower and energise young people and music leaders alike – regardless of their personal circumstances or the daily challenges they might be facing.

Trustees Beth White and Joelle Sogunro said: “This year, the number of NOFA members has doubled compared to last year, which is a testament to the growing influence and reach of our organisation. Through Modulo, we reached 613 young people nationwide, directly impacting their lives and fostering a sense of community through music making. Plus, an astounding 7,000 young people have been indirectly impacted through our MLT programme.”

Read more: 13 barrier-smashing highlights from Orchestras for All in 2023 >

Modulo participants play together at Cecil Sharp House in London, led by OFA’s Associate Conductor, Rocco.

The former NOFA members added: “We firmly believe in the power of youth voice and have taken significant strides towards championing it, so one of our key triumphs this year has been the development of youth leadership opportunities at OFA. As part of this, we handed over the Youth Board to current OFA Ambassador, Chloe Morgan, and welcomed her to the Board of Trustees. Chloe’s energy and fresh perspective has already made a positive impact on our decision-making processes.

“We also further invested in our wellbeing approach, ensuring that OFA’s programmes not only inspire creativity but also nurture the individual needs of every participant – making our initiatives even more inclusive and accessible, while opening up doors for diverse young minds to thrive.”

Read more: Meet National Orchestra for All musicians, Lola and Christian >

As well as outlining the steps we have taken to keep youth leadership and wellbeing at the forefront of OFA’s vital work, the Impact Report shares event highlights, heartwarming stories of personal growth and resilience from the young people who participate in our programmes, and sheds light on how we plan to strengthen the charity in future – from investing in our environmental responsibility to continuing our exciting transition as a new National Portfolio Organisation.

Alongside our commitment to providing high-quality music education and musical opportunities, building inclusive communities where each and every young person (and staff member) feels welcome and supported is what makes OFA so very special.

By fostering a sense of belonging and collaboration, we’re creating vibrant ensembles that reflect the rich tapestry of our society. During NOFA’s spring 2023 residential, we recorded a video of the young musicians creating a powerful improvised piece, titled ‘Strength in Numbers’, with composer and multi-instrumentalist, Joe Broughton. The video (watch above) is currently being considered in the Smiley Charity Film Awards 2024 and open to a public vote until midnight on 24th January 2024 – you can support us by casting your vote here!

We can’t wait to see what the future holds for OFA and through our latest Impact Report, we hope to demonstrate that when young people have access to a safe space in which they can come together to create music, it can be truly life-changing.

Please join us in breaking down musical barriers by reading our Impact Report below and taking a moment to share it with your network – let’s make a difference in 2024!