35 UK schools to team up in spring 2024 for orchestral music-making with the Modulo Programme

From London to Birmingham, York to Manchester, Arts Council England’s new National Portfolio Organisation is ready for its next tour…

Spring has long been considered the most uplifting season, with its longer days and flowers in bloom – and at Orchestras for All (OFA), it also means exciting new musical opportunities for the year ahead.

With our first live event for the Modulo Programme just on the horizon, students and music leaders across the country are busy preparing for our next series of ‘Modulo Meets’, which welcome young people from diverse backgrounds to play together in large-scale ensembles – whatever their personal background, ability, level of experience or chosen instrument.

Taking place from 26 February to 19 March 2024, the inclusive music-making activities will kick off at London’s Cecil Sharp House, before heading over to the Midlands Arts Centre in Birmingham, University of York and Royal Northern College of Music in Manchester.

We’re delighted to share that Modulo reaches new heights this season, with a total of 41 applications received and 35 schools participating in the programme. This is a new record for in-person Meets at OFA and we’re so pleased to be bringing Modulo’s positive impact to even more local communities across the UK, breaking down musical barriers and improving access to music education for young people who need it the most.

During our spring 2023 Meets, a participant said: “I enjoyed the opportunity to visit a new place and work in some of the different Modulo music spaces. Everyone was very kind and encouraging and made Modulo an enjoyable experience.”

Read more: Orchestras for All’s powerful new Impact Report >

This season, 18 schools joining us are from Arts Council England’s Levelling Up for Culture Places and/or Priority Places, 15 schools are returning to the programme and one is a home educated group. We’re also widening our impact by welcoming our first Modulo ensemble from a Special Educational Needs and Disability (SEND) school and they will be supported by our Wellbeing Lead, Sasha Mattock.

For the students that join us, Modulo is more than just a music education initiative. For many, attending a Meet can be a transformative experience that goes beyond reading the notes on a page. Our charity’s aim is to empower each young person to express themselves, explore their own creativity and build confidence and leadership skills, while learning to collaborate and communicate with others.

A Modulo musician told us: “I feel more confident in ensemble playing and have enjoyed discovering new music and instruments. I’ve also made new friends through Modulo, who I talk to regularly!”

Read more: 7 wonderful ways youth leadership will empower your youth orchestra >

Modulo values diversity and encourages its young participants to explore a broad range of musical genres and styles from around the world, helping them to foster cultural awareness and an appreciation for different traditions. This spring, our repertoire includes the ‘Allegro’ movement of Symphony No. 1 (1932), penned by Arkansas-born classical composer, pianist and organist, Florence Price, and arranged specially for our inclusive Modulo ensembles by award-winning composer, Emily Lim.

Pictured: A group of Modulo participants and OFA Ambassador, Tashan, at Royal Birmingham Conservatoire

Participants will also be raising their instruments to play ‘Hornet’, a dramatic video game soundtrack taken from Hollow Knight, written by composer and sound designer, Christopher Larkin. Orchestras for All’s Associate Conductor, Rocco Brunori, who specialises in brass and music education in primary schools and universities, produced the Modulo arrangement, and the work was selected as an OFA piece by Modulo and National Orchestra for All members during our 2022-23 season.

Plus, our inclusive ensembles will have the opportunity to perform ‘I Wish’, a 1976 funk classic written and produced by Grammy Award-winning American singer, Stevie Wonder. The uplifting song, which has been arranged for OFA by our keyboards tutor, Matthew Poad, focuses on Wonder’s childhood from the 1950s into the early 1960s, with lyrics sharing how he wished he could go back and relive it.

We can’t wait to greet our dedicated cohort of school students and music leaders – who now have access to an exclusive online hub of Modulo resources – very soon, and would like to extend our warm thanks to the ongoing support of OFA’s generous funders and individual donors. Without you, our charity wouldn’t exist.

Not attending the Meets but keen to get a sense of the action? We’ll be sharing daily event highlights via our social media channels, including Instagram takeovers from OFA’s 10 brilliant Ambassadors, so do visit our profile and follow along!

Finally, if you haven’t quite locked down your New Year’s resolutions this year, why not join our inspiring network of supporters? By donating just £10 a month to Orchestras for All, you could help a young person who faces daily barriers discover the joy of music-making with others, when they may not otherwise have the opportunity.

Making an impact: read Orchestras for All’s powerful new report

Building inclusive communities, one musical note at a time…

Another memorable year at Orchestras for All (OFA), another inspiring Impact Report – and our 2022-23 roundup might just be our best one yet.

In a world that often echoes with discord, we’ve been working tirelessly over the past year to become a driving force for positive social change by welcoming young people and music leaders from all across the UK – from London to Birmingham, Manchester to York – to our inclusive music-making activities.

We truly believe that the joy of group music-making should be experienced by all young people, from all walks of life – not to mention the associated benefits that come through playing music with others in an orchestra, which include boosting a young person’s confidence, developing their social skills, unlocking creative potential and building community, to name but a few.

In our latest Impact Report, we share key findings from OFA’s three barrier-smashing programmes: National Orchestra for All (NOFA), Modulo and Music Leadership Training (MLT), through which we aim to empower and energise young people and music leaders alike – regardless of their personal circumstances or the daily challenges they might be facing.

Trustees Beth White and Joelle Sogunro said: “This year, the number of NOFA members has doubled compared to last year, which is a testament to the growing influence and reach of our organisation. Through Modulo, we reached 613 young people nationwide, directly impacting their lives and fostering a sense of community through music making. Plus, an astounding 7,000 young people have been indirectly impacted through our MLT programme.”

Read more: 13 barrier-smashing highlights from Orchestras for All in 2023 >

Modulo participants play together at Cecil Sharp House in London, led by OFA’s Associate Conductor, Rocco.

The former NOFA members added: “We firmly believe in the power of youth voice and have taken significant strides towards championing it, so one of our key triumphs this year has been the development of youth leadership opportunities at OFA. As part of this, we handed over the Youth Board to current OFA Ambassador, Chloe Morgan, and welcomed her to the Board of Trustees. Chloe’s energy and fresh perspective has already made a positive impact on our decision-making processes.

“We also further invested in our wellbeing approach, ensuring that OFA’s programmes not only inspire creativity but also nurture the individual needs of every participant – making our initiatives even more inclusive and accessible, while opening up doors for diverse young minds to thrive.”

Read more: Meet National Orchestra for All musicians, Lola and Christian >

As well as outlining the steps we have taken to keep youth leadership and wellbeing at the forefront of OFA’s vital work, the Impact Report shares event highlights, heartwarming stories of personal growth and resilience from the young people who participate in our programmes, and sheds light on how we plan to strengthen the charity in future – from investing in our environmental responsibility to continuing our exciting transition as a new National Portfolio Organisation.

Alongside our commitment to providing high-quality music education and musical opportunities, building inclusive communities where each and every young person (and staff member) feels welcome and supported is what makes OFA so very special.

By fostering a sense of belonging and collaboration, we’re creating vibrant ensembles that reflect the rich tapestry of our society. During NOFA’s spring 2023 residential, we recorded a video of the young musicians creating a powerful improvised piece, titled ‘Strength in Numbers’, with composer and multi-instrumentalist, Joe Broughton. The video (watch above) is currently being considered in the Smiley Charity Film Awards 2024 and open to a public vote until midnight on 24th January 2024 – you can support us by casting your vote here!

We can’t wait to see what the future holds for OFA and through our latest Impact Report, we hope to demonstrate that when young people have access to a safe space in which they can come together to create music, it can be truly life-changing.

Please join us in breaking down musical barriers by reading our Impact Report below and taking a moment to share it with your network – let’s make a difference in 2024!

13 barrier-smashing highlights from Orchestras for All in 2023

From inclusive music-making activities and youth leadership developments to inspiring new additions to our team, here are a few charity highlights from over the past year…

1. Amplifying youth voice

Pictured: Ambassadors Tashan, Beau and Shannon support the OFA team at the Royal Academy of Music.

At Orchestras for All (OFA), youth voice is at the heart of everything that we do. That’s why we welcomed a dynamic new cohort of 10 Ambassadors and appointed 15 passionate individuals to the Youth Board – each playing a fundamental role in representing the wants and needs of the young people our charity supports as well as in the planning and delivery of our vital work in breaking down barriers to music-making nationwide.

“Like the other nine ambassadors, my job is to support the young people if they need anything or have any questions. Always happy to help! The thing I’m most excited about is seeing everyone play together at the end of the course as well as seeing how much progress everyone’s made.”

— Grace, Ambassador and National Orchestra for All alum

2. Sharing powerful stories and expert insights

Throughout the year, we were lucky enough to interview many of the inspiring young people who participate in OFA’s life-changing programmes – both in the “diary room” during our live events as well as virtually. We always learn so much from their often brave, motivating and heartwarming accounts. We also gained expert insights through speaking with arts industry professionals, such as BBC Young Jazz Musician 2022 finalist, Ralph Porrett, and composer and arranger, James Brady.

“It’s important that musical institutions think really seriously about diversity, equity, inclusion and accessibility – and that’s why it’s so brilliant that young people can get involved with Orchestras for All.”

— Ralph Porrett, guitar tutor at OFA

3. A youth-led season of memorable music

National Orchestra for All members rehearse music from the ‘Hollow Knight’ soundtrack.

We’re keen to ensure that our repertoire always resonates with the personal interests and aspirations of our diverse community, so our Youth Board have been busy collaborating with OFA’s Artistic Director, Emma Oliver-Trend, to co-design our current musical season. Video game soundtracks continue to be a popular choice with young people, so ‘Hornet’ and ‘Reflection’ (taken from Christopher Larkin’s video game soundtrack, Hollow Knight) made it to this year’s list, alongside ‘99 Red Balloons’, a protest song by 80s pop singer, Nena, and ‘Merry-Go-Round of Life’, a stunning piece written by Japanese film composer, Joe Hisaishi.

“It’s good at NOFA because there are a lot of video game music composers who get inspiration from orchestral music, but you never usually hear their music being played.”

— Christian, euphonium player at National Orchestra for All

4. Welcoming our Associate Conductor, Rocco

Associate Conductor, Rocco Brunori, leads the way during a performance at Royal Birmingham Conservatoire.

As well as expanding our team of Young Leaders in 2023, we were also proud to welcome another maestro to the charity to support us in delivering OFA’s artistic vision. Associate Conductor, Rocco Brunori, has been working closely with our Artistic Director and skilled team of professional orchestral tutors to bring vibrant new energy to our inclusive ensembles and arrangements. It’s all about dynamics, expression and sticking to the beat!

“I truly enjoy seeing so many young musicians and colleagues. I conduct all sorts of musical styles (symphonic, jazz, big band, wind band, choir and brass band) and I love the challenges this role is offering me. It’s never-ending fun!”

— Rocco Brunori, Associate Conductor

5. Securing new Arts Council England funding

Pictured: Trustees, Ambassadors, core team members and special guests gather in Birmingham.

In the spring, we were excited and grateful to hear the news that OFA would be one of the arts organisations receiving new funding from Arts Council England (ACE). Also known as the National Portfolio Organisation (NPO) Transfer Programme, this funding will help our charity deliver its creative and cultural activity over the next few years and as part of the programme, new NPOs are encouraged to move their registered office out of London to another UK-based location by October 2024. Watch this space!

“This is fantastic news. I’m so glad that OFA’s got the funding to improve the lives of young people – just like they did for me. Their commitment for making a space where young people can thrive both musically and socially is unique.”

— Isaac, former National Orchestra for All Ambassador and young carer

6. Youth leadership takes centre stage

It takes two: Co-Chairs to the Board of Trustees, Susanna Eastburn (left) and Beth White (right).

The growth of our core team has also included welcoming OFA’s first-ever Youth Leadership Coordinator, Elen Derrett – a National Orchestra for All (NOFA) alum, cellist and recent Royal Welsh College of Music & Drama graduate. She is joined by NOFA alum and trumpeter, Beth White – our new Co-Chair to the Board of Trustees, working alongside Susanna Eastburn MBE. Both Elen and Beth have already made a positive impact and taken OFA’s youth leadership to the next level, regularly representing the charity at arts conferences and events across the UK.

“I am so excited to continue my OFA journey and delve deeper into the organisation. I have found such a fulfilling purpose over these last few years volunteering in numerous roles and can’t wait to see what this new venture as Co-Chair brings.”

— Beth, Co-Chair to the Board of Trustees

7. Spring activity with Modulo and National Orchestra for All

Making friends through the power of music: A group of young participants bond during a Modulo Meet.

With the launch of NOFA’s new season and our first few Modulo Meets of the year all taking place throughout March and April, our spring months were filled with joy, connection and young participants being empowered to take ownership over their music-making. From London’s Cecil Sharp House to the University of York, Royal Birmingham Conservatoire to the Royal Northern College of Music in Manchester, our first tour of the year left us with memories to last a lifetime.

“For me, playing instruments is the best part about music. I think it’s very exciting and I really enjoy it.”

— Xander, Modulo participant and bassoonist

8. Summer extravaganzas

Of course, the musical fun didn’t stop in the spring! During our summer activity, NOFA and Modulo musicians played everything from traditional orchestral works written by underrepresented female composers – including the first movement of Florence Price’s Symphony No. 1 in E minor – to improvised pieces such as ‘Strength in Numbers’, which was written in collaboration with NOFA and Joe Broughton. Young musicians also shared their love of music with their peers in our famed NOFA recital evening – a true annual highlight!

“When you’re improvising, you can do nothing but think of the song you are playing, which gives you a sense of freedom.”

— Farbod, National Orchestra for All flautist

9. Wellbeing remains at the forefront of our work

Pictured: Orchestras for All’s new Wellbeing Lead, Sasha, kickstarts a NOFA day with some relaxing stretches.

At OFA, the wellbeing, safety and happiness of all young people and staff is our top priority. We do everything in our power to promote welcoming, inclusive and accessible spaces and are committed to creating a positive safeguarding culture. This year, Sasha Mattock joined the core team as our new Wellbeing Lead and her key focus is to embed wellbeing at every level of the organisation. The young people we work with have also been encouraged to write ‘About me’ profiles, sharing their individual needs and preferences with us in their own words.

“When I found Orchestras for All, it showed me there are places that value wellbeing completely. It makes me excited that I can use the skills and knowledge I have developed to contribute to creating spaces that support wellbeing.”

— Sasha Mattock, Wellbeing Lead

10. Live webinars for music leaders

As part of our Music Leadership Training programme, we held a series of live webinars for music teachers and leaders across the UK – including a session on ‘Inclusive Arranging for Mixed Ensembles’. Drawing on experience from NOFA and Modulo, and led by Glasgow-based arranger and music educator, James Brady, the webinar introduced participants to practical arranging techniques and approaches, while also exploring the importance of repertoire choice, instrumentation templates and the essential connection between musical content and rehearsal techniques.

“For many of us working in music education, buying arrangements off the shelf isn’t always the best solution. We’re often dealing with groups with wide ranges of ability, or unusual instrumental line-ups, or mixing different genres of music – and this is something we do at NOFA and Modulo all the time.”

— James Brady, arranger and orchestral tutor at Orchestras for All

11. Inspiring away days

Orchestras for All’s Youth Board, Trustees, core team members and guests meet for an inspiring away day.

Throughout the year, we held thought-provoking away days in a variety of London locations for OFA’s Youth Board, Trustees and core team. Most recently, we discussed key topics such as wellbeing, the environment, artistic development, diversity, inclusion and accessibility as well as how our charity and its activities could become even more youth led in future. Every decision we make at our charity is guided by young people: “Nothing about us, without us.”

“I cannot do all the good the world needs. But the world needs all the good that I can do.”

— Co-Chair, Beth, shares a quote from Jana Stanfield with away day attendees

12. Advocacy at national conferences

Making an impact: Executive Director, Nick Thorne, and Youth Leadership Coordinator, Elen Derrett.

To help raise awareness of our charity’s vision, life-changing impact and unique approach, ‘The OFA Way’, with other organisations across the arts sector, we regularly took to the stage at national conferences. Our new Youth Leadership Coordinator, Elen, recently attended Music Mark’s annual conference in Southampton and gave an insightful presentation to delegates about the importance of youth leadership within music education.

“As a National Orchestra for All alum, I feel very privileged to be able to share Orchestras for All’s powerful approach to youth leadership with the world.”

— Elen, Youth Leadership Coordinator and former NOFA cellist

13. Soothing sounds at National Orchestra for All’s winter regionals

A group of NOFA musicians play Gamelan instruments as a percussionist tries his hand at conducting.

To wrap up another memorable year, we held a series of one-day winter sessions for NOFA members in York, London and Glasgow. Here we introduced them to the enchanting sounds of Indonesia’s beautiful Gamelan instruments – and unlike traditional orchestral instruments, they can be picked up by ear, so do not always require sheet music. This makes them the perfect choice for an inclusive group and with the relaxing ambience they create, listening to Gamelan music can be a great way to boost your wellbeing and unwind after a busy day too. Give it a go!

On behalf of everyone at Orchestras for All, we would like to thank each of the incredible individuals and organisations who have been part of our journey in 2023. Without you, our life-changing programmes wouldn’t exist. We are so grateful for your ongoing support and can’t wait to see what the future holds. Roll on 2024!

Keen to support young people in fulfilling their musical dreams?
Please donate what you can to our charity today:

Welcoming a new Co-Chair: Beth White takes up new role as Orchestras for All’s Co-Chair of the Board of Trustees

Susanna and Beth after their first meeting as Co-Chairs of Orchestras for All

Orchestras for All is delighted to announce the appointment of Beth White as the new Co-Chair of the Board of Trustees. Beth will sit alongside Susanna Eastburn MBE, our current Chair, who moves to the position of Co-Chair alongside Beth. This appointment marks a significant moment in OFA's journey as Beth brings with her a unique blend of experience, passion, and connection to the organisation's mission.

Read more: Introducing the newest members of the Orchestras for All team >

Beth White: A Remarkable Journey with Orchestras for All

Having joined the charity as a cornet player from Peterlee in County Durham back in 2013, Beth’s journey with Orchestras for All is nothing short of inspiring. She is not only a current Trustee but also a previous participant of one of the charity’s programmes, the National Orchestra for All (NOFA), and Founding Co-Chair of OFA’s Youth Board 2020-2022. Her story is a testament to the transformative power of music.

““I am so excited to continue my OFA journey and delve deeper into the organisation. I have found such a fulfilling purpose over these last few years volunteering in numerous roles and can’t wait to see what this new venture as Co-Chair brings.” ”

— Beth White - Co-Chair of Orchestras for All

Read more: Music podcast highlights need ‘to take meaningful action against inequality’ – here’s how to listen >

Orchestras for All Ambassadors laughing with guests at the National Orchestra for All summer course

The Power of Youth on Charity Boards

OFA’s Board of Trustees are a group of 12 volunteers who ensure we carry out our mission, use our funding and resources wisely, ensure we are accountable and comply with our governing document and the law.

It’s our belief that Boards whose trustees have different backgrounds and experience are more likely to encourage debate and to make better decisions as a result.

As a charity working with young people, Young Trustees bring fresh perspectives, energy, and a deep understanding of current issues. However, when less than 3% of charity trustees are under 30, charities are in desperate need of young people’s perspectives. This engagement of young people, alumni of OFA’s programmes, not only helps in better understanding the needs of the community but also paves the way for more effective and relevant decision-making and strategic planning.

According to a study conducted by the Charity Commission, organisations with younger Trustees tend to be more innovative, adaptable, and in tune with the needs and expectations of younger beneficiaries.

Read more: Meet Orchestras for All’s barrier-smashing new trustees >

Beth and the founding Orchestras for All Youth Board members

Beth White's Vision for Orchestras for All

Beth’s appointment as Co-Chair is a clear signal of OFA's dedication to promoting the involvement of young people in the decision-making processes. She brings her unique perspective as a previous member of the NOFA programme, having experienced firsthand the transformative power of music and the impact it can have on the lives of young people.

She Founded OFA’s very first Youth Board 2020 – 2022 at a vital moment for young people’s perspectives to be heard throughout the pandemic. Her leadership oversaw the Youth Board rebranding the charity, becoming more invested in artistic and programme decision making alongside creating the Youth Board slogan: nothing about us, without us.

Susanna Eastburn, Co-Chair shared: “I am so looking forward to working as Co-Chair with Beth, who has been a wonderful and committed Trustee and brilliant advocate for our work. Co-Chairing is a new experience for me and I appreciate being able to draw on Beth’s insights from her previous role as Co-Chair of the Youth Board. Putting youth leadership at the top and front of the organisation is what we’re all about, so this is a vital step for us to be taking.”

Read more: 7 wonderful ways youth leadership will empower your youth orchestra >

As Beth takes on this new role, we can look forward to witnessing her passion and dedication driving positive change within Orchestras for All. With her unique perspective having taken part in NOFA, Beth is poised to lead Orchestras for All towards even greater heights, ensuring that more young people across the country can experience the transformative power of music.

Orchestras for All seeks new headquarters – join the search!

As Orchestras for All (OFA) continues to expand and develop its reach and impact across the UK, the charity finds itself in an exciting new phase of growth and development.

We are now on the lookout for new headquarters that will provide much more to us than just office space; our new location could also be a hub for forging new partnerships, nurturing existing relationships and fostering creativity within the sectors of music education, mental health and wellbeing, youth leadership and engagement.

We invite you, our incredible network of supporters and followers, to join us on our search by sharing your expert insights and recommendations for where our new headquarters could be based.

A Modulo participant expertly conducting their ensemble

What are we looking for?

Our vision is a country where all young people have access to the joy and benefits of orchestral music making, regardless of the daily challenges they might be facing.

By relocating to a vibrant location that takes OFA’s strategy into consideration, we aim to amplify our charity’s impact, celebrate being truly national and strengthen our connections within the sectors we are so deeply passionate about.

We have now embraced a hybrid model of working and are based all across the UK, so our new headquarters will not merely offer us a physical space, it will also provide us with the opportunity to collaborate and innovate.

We are envisioning an area of the country where like-minded organisations and individuals can come together to share ideas, knowledge and resources. It should be a dynamic space, where music educators, mental health and wellbeing advocates, youth leaders and artists alike can join forces to create a positive ripple effect across the UK.

Anthony and the powerful National Orchestra for All (NOFA) trumpet section

We need your help!

We believe that the best suggestions often come from the participants of our programmes and the supporters who believe in our cause. Whether you’re a young person, teacher or tutor working with OFA, or someone who values the impact of music on young lives, your input is truly invaluable to us.

• Can you suggest a city or town that is well-known for its vibrant arts scene and/or commitment to young people?

• Is there a region in which the passion for music and wellbeing of young people seamlessly unite?

• Perhaps you have a personal connection to a place or organisation that you feel we should be teaming up with, to ensure our vision and mission become a reality?

We hope this callout will result in an exciting list of locations and partners that we can explore for our relocation, or give us food for thought about how we might engage with other brilliant organisations.

Orchestras for All Artistic director and conductor, Emma, leading the way with her violin

How to get involved

There are three key ways you can contribute:

1. Share your suggestions: Please complete the short questionnaire below, offering recommendations for where our new headquarters should be and explain why you think a particular place would be an ideal fit;

2. Spread the word: Encourage your friends, family and colleagues to participate. The more diverse and wide-ranging the suggestions, the better!

3. Engage in the conversation: Follow our social media updates and join the ongoing conversation about our potential new headquarters’ location. Your insights and perspectives are incredibly valuable.

Your recommendations will not only help to shape our future; they will also enable us to have a positive and lasting impact on the lives of young people nationwide.

We will research each and every recommendation, assessing their potential within the topics of strategic and partnership opportunity, accessibility, financial and environmental opportunity and impact, culture and values as well as participant and audience development.

Thank you for being part of our mission – stay tuned for updates and we can't wait to see where this collaborative effort takes us! Together, we can continue to smash down the barriers to music making that so many young people face every day.

Questionnaire deadline: 12pm on Thursday 28th of September

A tribute to Elli Chapman, Orchestras for All's Wellbeing Lead 2021-22

It is with great sadness that we share the news that Elli Chapman, OFA’s Wellbeing Lead 2021-22, passed away suddenly last week.

Elli joined Orchestras for All in July 2021 as the charity’s first Wellbeing Lead, focussing on supporting the development of young people’s personal, social and wellbeing needs within the National Orchestra for All.

Elli Chapman, Orchestras for All’s Wellbeing Lead 2021-22, at a National Orchestra for All course in 2022

NOFA Programme Manager, Paula Morgan, said: “I am deeply saddened to hear the news about Elli's passing. We worked closely together on the wellbeing of our young participants in National Orchestra for All. Elli was a strong, passionate woman who brought so much knowledge and expertise to OFA.  She was a brilliant support to the young people and families. Elli cared deeply about the young people we were supporting by creating a safe, supported environment for them. Her energy brought a lot of joy to courses, so much love and kindness. She would bound into the room with her colourful hair and big smile and make everyone feel at ease.

“Elli was also a phenomenal advocate for people with disabilities and for access to the arts, the world has lost a strong voice and a very special person. My thoughts and condolences go to her family, and all the people she has made an impact on through her life, of which there will be many.”

Orchestras for All’s Team, Trustee and Youth Board Away Day in 2021

Based in Lancaster, Elli worked on a variety of arts programmes ranging from being a Board member at Curious Minds and the National Dance Company Wales through to founding Culture Works (East) and being a Fellow of the Clore Social Leadership programme in 2017-18.

Read more about Elli’s inspirational approach to working with young people: Arts Expert explains why Wellbeing is vital for young musicians.

Orchestras for All’s Executive Director, Nick Thorne, said: “Elli was an inspirational role model to both members of NOFA and our team who strengthened and developed a lot of our wellbeing practice and techniques that we still use today. Elli was someone who showcased exactly what was possible if you put your mind, heart and soul into something and was extremely passionate about making the arts more diverse, inclusive and accessible.

“This passion shone throughout all her work with us, from recruiting new colleagues, delivering training sessions and supporting young people, through to attending and feeding into our strategy away days. Her legacy will remain part of our work and culture at Orchestras for All for a very long time.”

Remembering Elli Chapman, Orchestras for All’s Wellbeing Lead 2021-22

On behalf of everyone at Orchestras for All, our thoughts and condolences are with Elli’s family and friends.

To conclude our tribute, we’d like to re-share Elli’s top tips on supporting your own wellbeing:

1. Take a moment to breathe and be present in the moment.

2. Try and do five things every day that are just for you. These could be small things – playing your favourite tune on the piano, painting your nails, talking to a friend or family member, or spending time with your nose in a book.

3. Make a gratitude jar and fill it with moments (written on post-its) about things you have done that made you happy or proud, or other memories you want to keep. Take them out whenever you need a reminder or are having a bad day.

If you’ve been affected by this story please do seek support of your friends, family or alternatively visit the Cruse Bereavement Support website.

Meet National Orchestra for All musicians, Lola and Christian

From building their confidence to boosting their skills, two of our Coventry-based members share their NOFA story…

This week, the inspiring group of young people known as National Orchestra for All (NOFA) will be reuniting in the striking surrounds of Royal Birmingham Conservatoire for their exciting summer residential.

Taking place from 1-4 August, the four-day event will be a non-stop celebration of inclusive music-making and togetherness, with each member of the diverse ensemble being fully supported throughout – both musically and emotionally, based on their individual needs and preferences – by a friendly team of professional tutors.

While NOFA’s lively gatherings have always been joyous and memorable in equal measure, with nearly 100 young people from across the UK now making their way to the Conservatoire, we’re pleased to share that the youth orchestra has finally reached its pre-pandemic numbers – making this residential especially significant.

Ahead of the musical festivities, we caught up with 12-year-old flautist, Lola, and 17-year-old euphonium player, Christian, who were both introduced to NOFA via Coventry Music Hub, to find out what it means to be part of our vibrant musical family.

Read more: In pictures – tour highlights from the summer Modulo Programme 2023 >

Sharing her thoughts on what makes NOFA so special (watch full interview above), Lola said: “Meeting new friends and building my confidence. I love the music we’re playing and I like seeing people who play the same instrument as me! When I first joined, when I first played, I felt like I wasn’t getting judged.

“I feel like people think in their own opinion that they're getting judged – but when you play, it lets it all out and you have confidence. If you mess up or feel like people are going to laugh or like you’re getting judged all the time, you’re not.”

Describing why other young people should join an orchestra like NOFA, she added: “Music, in my opinion, is about expressing yourself in your own way. I feel like you should definitely join an orchestra because it’s really helped me with talking to people and with playing my instrument. It’s helped me learn new notes and different dynamics. You get better at your instrument and you can hear all the other instruments. If you want to play another instrument, then you can hear that too!”

Lola isn’t the only young musician looking forward to the summer residential. Speaking about his experience with NOFA (watch full interview below), Christian told us: “In a lot of orchestras, the only person with the power is probably the conductor, maybe the concertmaster. I’m literally just a person on the euphonium, which a lot of people wouldn’t pay attention to, but at NOFA, I’ve had talks with people to try and see if I can learn new repertoire and even conducted the orchestra myself, so I think that’s pretty cool!”

Explaining why he feels diversity and inclusion is so important, he commented: “Back when we had Baroque, Classical, Romantic music… a lot of it was written by white composers, with white musicians playing it. A lot of the time you’d never see anybody else from different backgrounds in orchestras, or composing or playing the music.

Read more: 13 ways you can be kind to others in an inclusive youth orchestra >

“I think that if we have orchestras with more diversity, it can bring new ideas as music from around the world comes in all different forms. With African drumming, rhythm is given a lot more emphasis. Then if we go to Indian music, they have different scales, which Western music wouldn’t use.”

Highlighting some of the music in NOFA’s current season of repertoire, Christian said: “The first one I want to talk about is from a video game called Hollow Knight, which I think is quite interesting as compared to the other seasons I’ve played in, this is the first time we’ve done a song from a game, which I think is pretty good! There are a lot of game composers that get inspiration from orchestral music but you never really hear them played, unlike some of the bigger composers.”

Pictured: 17-year-old NOFA member, Christian, tries his hand at conducting during the spring residential

“The other piece is called ‘Ghost Town’, which is by a band who actually originated in Coventry! The song talks about what Coventry was like when it went through an era of everything going wrong. Everything was really bad then – and the song just talks about that time. The piece we’re playing is basically just an orchestral version of it, which is quite interesting because I don’t think I would be able to make an orchestral composition of a song like that!

“[NOFA] does help a lot of young musicians to build their musical ability; when I first started, I’d say I was terrible at euphonium. The repertoire they’ve given me, especially in the last season when we did ‘A Young Person’s Guide to the Orchestra’, was very challenging – but I’m able to play it now and I think that challenge is really good as it helps you to improve.”

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education and D’Oyly Carte Charitable Trust, as well as our individual donors and charity volunteers, for making this life-changing musical programme possible.

To support the young people in National Orchestra for All and contribute towards our vital work, please donate what you can today:

In pictures: tour highlights from our summer 2023 Modulo Programme

Making powerful music with young people nationwide…

Earlier this month, the Orchestras for All team went on tour with the Modulo Programme for the first time to bring inclusive music-making activities to school students all across the UK.

From the University of York to the Royal Birmingham Conservatoire, the Royal Northern College of Music in Manchester to the Royal Academy of Music in London, our venues for the Meets provided the perfect backdrop for the 330 young people in attendance – 171 of which had never played in an ensemble before.

By working in close partnership with these venues as well as engaging with their participation teams and inspiring students – many of which joined us as orchestral tutors during the Modulo Meets, we were also able to share best practice for running inclusive music-making sessions with our four brilliant ensembles.

Alongside improving their social and instrumental skills during sectional and full orchestra rehearsals, our diverse cohort of participants had the opportunity to perform an eclectic programme of music to special guests together as one large-scale orchestra – with Nena’s ‘99 Red Balloons’, Joe Hisaishi’s ‘Merry-Go-Round of Life’ and Christopher Larkin’s ‘Hornet’ all becoming firm favourites.

During the York Meet, Modulo percussionist, Kiara, from All Saints Catholic College in Huddersfield, told us: “My favourite piece is ‘99 Red Balloons’ – it just sounds so good with everyone playing together! Also, a really kind thing that Modulo has done for me is donated a drum kit. It really helped me out because I needed a drum kit to practice with at home – I’m so grateful for it.”

In London, Modulo musician, David, from Harris Academy Morden, said: “I’m so excited about our live performance later today and I’ve really enjoyed my trips with Modulo and Orchestras for All. I hope that other people have enjoyed them as much as me!”

Scroll down to browse all the highlights…

Read more: Introducing the newest members of the Orchestras for All team >

York: University of York

Birmingham: The Royal Birmingham Conservatoire

Manchester: The Royal Northern College of Music

London: The Royal Academy of Music

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education, the Scops Arts Trust, 29th May 1961 Charitable Trust and the Rayne Foundation as well as each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Please support aspiring young musicians across the UK and donate what you can today:

‘Our son, Xander, was desperate to play the bassoon – and Orchestras for All made it happen,’ says mum, Bec

Breaking down musical barriers, one gifted bassoon at a time…

For many parents in the UK, sourcing musical instruments for their children can often feel like a challenging task – not to mention the high cost often associated with purchasing them.

Research from the Musicians’ Union (MU) has shown that cost is currently the greatest barrier to a young person learning a musical instrument, with over two-fifths (41 per cent) of those from lower income families saying lessons are beyond their household budgets. This financial burden limits access to music education and prevents young people from exploring their creative interests.

Orchestras for All (OFA) exists to help tackle this issue and improve access to music-making. Our charity believes that all young people deserve equal opportunities to pursue their musical aspirations and enjoy the significant benefits that come with playing an instrument – from boosting their confidence levels, happiness and overall wellbeing to improving their social and communication skills.

To create new opportunities for those who are keen to kickstart their musical journey, donating and redistributing unused or unwanted instruments can be an effective solution and at OFA, we’ll always do what we can to find donated instruments a new home.

That’s why last winter, our Modulo Programme Manager, Sam, delivered a gifted bassoon to 11-year-old school student, Xander, after his family had struggled to source one. A few months later, we caught up with the budding musician and his parents, Bec and Peter, to see how he was getting on…

Read more: Orchestras for All’s Annual Report 2021-2022 >

Was it tricky for you to track down a bassoon?

Xander: “Yes, it was very hard to find! One of my friends plays a trumpet and the other plays the drums, but I think one of them got his trumpet from school and the other bought his drums from a percussion shop near us.”

Bec: “Definitely, it took us a long time! We were on a real quest to find one, just to see whether it was something that Xander would enjoy – he’d had an inkling that this was the instrument he’d like to play but finding a bassoon for him to try was so difficult. We eventually found a company that could loan us one for a short period but that wasn’t local to us. That trip was probably 45 minutes away from us, just to rent the bassoon, and we did that for a while.

“Then we got in touch with Orchestras for All, which is when we finally managed to source one for him! I was scouring the Internet, really, trying to find somebody who could help. Our son, Xander, was just desperate to play the bassoon – he knew that this was the instrument he wanted to play. For Xander’s dad, Peter, and I, being non-musical, we really wanted to embrace his enthusiasm and find a way to support him.”

Peter: “Lots of instruments are also very expensive, so Orchestras for All gives many young people the opportunity to learn something that they otherwise might not be able to.”

Pictured: National Orchestra for All bassoonists play together at the Royal Birmingham Conservatoire

Why do you love the bassoon and how are you getting on with it so far?

Xander: “I’m getting on quite well with it! I’m going to do my Grade One exam soon. I think it sounds a lot deeper than other instruments and makes a more fluent noise. So far, I’ve been playing a book that’s called ‘The Standard of Excellence’ and lots of short pieces. Sometimes, I find getting the right pitch very difficult. Putting your fingers in the correct place on all the holes can be difficult too!”

Bec: “I would say another challenge is trying to dismantle the bassoon and pop it in his bag! Xander has a lesson each week at school and he's also allowed to take it into his music lessons, so he gets another opportunity to play it then. So, it’s a good few times a week that he’s practising it – actually every evening – and then we’re packing it up in the morning. At times, it can be a mad rush trying to get it back in the bag again to get it ready for school!”

Please donate what you can to Orchestras for All >

Would you encourage other young people to play a musical instrument?

Xander: “Yeah, it’s much easier once you get started and it seems difficult in the beginning, but you get going in about a few weeks and then it gets much faster! Now I’m considering joining the woodwind orchestra at my school, and I’m also doing the beginners’ woodwind ensemble (I think, or band?) – it's on a Thursday anyway, every lunchtime!”

Bec: “I’m not musical at all, so at first, I found the whole process quite daunting but once we got in touch with you guys, it made everything quite easy and straightforward. I guess it’s just knowing what resources to tap into. It’s been hugely rewarding seeing Xander grow! He is genuinely enjoying playing the bassoon at home and practising at school. He had a lesson earlier today actually and as soon as he got in the car, he was like: ‘Oh mum, I had a great bassoon lesson this afternoon!’ He is really enjoying it, so it's just brilliant.”

What do you love the most about music?

Xander: “For me, playing instruments is the best part about music. I think it’s very exciting and I really enjoy that part. I enjoy playing music even more than listening to it and it also helps with your memory. It seems very daunting at the start, but you hit a point where it’s not so difficult and then you can just get going with it! Thank you so much for giving me the opportunity to play the bassoon.”

Bec: “I want to reiterate what has been said there – thank you very much, Orchestras for All, for making it happen! We genuinely feel super privileged that you sorted out a bassoon for Xander and are giving him this opportunity. We can't thank you enough for that.”

Peter: “I think music also adds a unique element to a young person’s day. It's not just purely reading or playing through all the books; music allows young people to express themselves in different ways. I think it's really important that Orchestras for All is able to give this opportunity to young people and would encourage anyone to give it a try.”

To give other young people like Xander the opportunity to discover the joy of playing music, please support Orchestras for All’s vital work and donate what you can today:

Introducing the newest members of the Orchestras for All team

Spoiler alert: they’re all pretty darn amazing.

Over the past year, Orchestras for All (OFA) has continued to evolve as a charity and grown at rapid speed, reaching even more young people across the UK than ever before through its inclusive music-making programmes.

To support this demand and further develop OFA’s musical offering, its team has welcomed 10 inspiring ambassadors, who all started out on their journey as young musicians with National Orchestra for All. In these paid roles, ambassadors play a vital part in assisting the core team and championing OFA’s work across all programmes, while also boosting their skills and having the opportunity to focus on a specialty of their choice.

Joining them is OFA’s new Youth Leadership Coordinator, Elen, who will be creating and facilitating opportunities for young people – including current members, ambassadors and alumni – to be involved in the charity’s key decision-making, planning and delivery of work. We believe that young people are best-placed to tell us what they want and need, so it’s essential that their voices and opinions are heard, valued and actioned. Outside OFA, Elen is a member of the ABO board’s Musicians’ Advisory Council, which also ensures that the voices of orchestral musicians are heard at board and executive level.

Finally, OFA is pleased to welcome Sasha, who will be supporting the wellbeing of both staff and participants across the charity as Wellbeing Lead, alongside superb Associate Conductor, Rocco, barrier-smashing Programmes Coordinator, Jenny, and Production Manager, Chris, whose role is key to making our live events a success.

From Arsenal fans and filmmaking students to keen cellists and music-loving maestros, let’s meet the latest additions to the team…

Read more: National Orchestra for All’s barrier-smashing spring residential in pictures >

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Atse, Ambassador

Hi, my name is Atse and I’m an OFA Ambassador. I’ve been a part of OFA since 2014, when I joined as a NOFA member. As an Ambassador, my role is to help guide young people through the experience of being part of OFA, using my own knowledge of being a NOFA member.

I am also a member of the Youth Board, which is where we take the feedback of members and discuss how we can improve the OFA experience. Outside of OFA, I’m studying to be a music producer and sound engineer and I’m a big Arsenal fan.

Beau, Ambassador

Hello! I’m Beau and I’m an Ambassador for OFA. I’ve been with NOFA since 2016 and I’ve enjoyed every year I’ve been here. An ambassador helps young people feel more comfortable within OFA as we act as a bridge between staff and members as we were once members ourselves. 

Music has always been a big part of my life and I’m always doing something that has music. Outside of OFA, I love making my own music – OFA helped me gain the confidence to be able to do that. I’m also a filmmaking student in Brighton, specialising in production design, sound design and soundtracks for film. 

Chloe, Ambasssador and Trustee

I’m Chloe and I loved music from a young age – sitting in my Granny’s kitchen in Belfast, listening to my family have a trad session, I desperately wanted to join in. I felt then how music brought people together and created a feeling of community. Naturally I did the only reasonable thing… stole one of my uncle’s tin whistles and began to make a racket.

I then started learning the cello in school at age eight. There was very limited opportunity for ensemble playing and my idea of an orchestra was “serious and stuffy”. Joining National Orchestra for All in 2018 changed that entirely! There I felt that same sense of community but this time it was with 99 other young people that I’d only met three days prior! Most importantly, as an Ambassador and Trustee I’m looking forward to helping OFA achieve what the Youth Board likes to call… “world domination”!

Chris, Production Manager

Hi everyone, I’m Chris Tindall and I’m the Production Manager at Orchestras For All. My job is to make sure all the equipment, such as stands, chairs, power for guitars and so on, is set up and working for rehearsals. I also help with the lighting and sound for the recital evening.

I love working with musicians and have previously worked for lots of opera companies. The thing I’m most excited about with NOFA is hearing the orchestra play together for the first time! I also live in the North East of England, love cricket and am a trained umpire.

Elen, Youth Leadership Coordinator

I’m Elen and I am the Youth Leadership Coordinator at Orchestras For All. My role will be focused on amplifying youth voices and furthering the youth involvement in all areas of OFA. I have recently graduated from Royal Welsh College of Music and Drama but prior to this, I was a member of OFA’s National Orchestra For All. My experience with music education, especially conservatoire, has meant that I have experienced first-hand the inaccessibility of the music industry, but these experiences have only made me more passionate about OFA’s mission.

My time with OFA has given me an insight into the lives of young musicians from all walks of life and has truly shown me the value of music-making opportunities. I firmly believe that everyone should have the opportunity to make music regardless of their background or personal challenges, so I am incredibly excited to be a member of the OFA team and to be part of the positive changes they are making!

Grace, Ambassador

Hi everyone! My name is Grace and I’m one of the NOFA ambassadors. A bit about me – I’m a violinist and auditioning for a conservatoire in November, but I also play piano and like to sing. I love buying clothes from charity and thrift shops – you will often see me in brightly-coloured clothes! 

I’m very excited to meet NOFA’s new musicians in the summer – I’m sure it’ll be a fantastic week! Like the other nine ambassadors, my job is to support the young people if they need anything or have any questions. Always happy to help! The thing I’m most excited about is seeing everyone play together at the end of the course as well as seeing how much progress everyone’s made! 

Haseeb, Ambassador

Hello everyone! I’m Haseeb, an OFA Ambassador. I have been with the organisation since 2015 and have loved every second (as you can probably tell as I’m still here). As one of the ambassadors and someone who only recently aged out of being a NOFA member, I essentially act as a bridge between members of OFA’s programmes and its staff.

I’ve also been a member of the Youth Board, so if you have an idea on how we could improve something, I would love to hear it and feed this back to the Board, who can take it further up the ladder. Outside of OFA, I've completed my A-Levels and I'm currently a Medical Engineering Apprentice at Leeds Teaching Hospitals.

Jenny, Programmes Coordinator

Hello! My name is Jenny and I’m the Programmes Coordinator for Orchestras for All. My role is new and was created because OFA’s programmes are reaching more people than ever before! I support the lovely Sam (Modulo and MLT Manager) and Paula (NOFA Manager) in the delivery of OFA’s three innovative programmes. Something I am particularly looking forward to is attending OFA events, meeting the young people involved and experiencing their incredible performances!

Music has been a part of my life since I started learning to play the violin aged eight. My favourite part of learning an instrument was playing in ensembles – particularly orchestras! If I hadn’t participated in orchestras while growing up, I wouldn’t have the skills, friendships and life experiences I am fortunate enough to have today. I am delighted to be joining the OFA team and contributing towards inclusive music-making opportunities in the UK.

Keefe, Ambassador

Hi, I’m Keefe and I come from London. Music has been a large part of my life for a long time now, ever since I started playing the piano in Year Three. I love it because although music can vary massively, it has always been a universal language for everyone. Music has always been a sort of safe place in my mind that I can retreat to when I’m nervous or overwhelmed, almost a sort of second language. I can't imagine a life without it now.

I’ve been with OFA for three years now (although it seems a lot longer than that!) and it has given me invaluable experience, many unforgettable memories and great friends. I’m absolutely honoured to be an Ambassador for OFA! Outside of music, my biggest interest is medicine and I’m aiming to become a doctor in the future. I will also never say no to a game of chess, although I’ll probably lose very quickly!

Nell, Ambassador

I’m Nell and I’ve enjoyed playing music since I was little, bouncing around between instruments until ultimately settling on the clarinet. I joined NOFA back in 2015 and they’ve yet to manage to get rid of me. OFA were the first to introduce me to the joys of playing with others, especially on a large scale. My hope as an Ambassador is that I can play a part (get it?) in helping the current generation to experience all the opportunities OFA has given me.

Outside of music, I study physics at university. I’m also always on the lookout for another sport to try; the current list includes trampolining, netball and gymnastics. I try to find the time to play in an orchestra but none of them ever quite match up to NOFA (we’re just that good!).

Noah, Ambassador

I’m Noah and I’ve been a part of OFA for nearly six years – and every year has been better than the last. Over the years, OFA has helped me to improve my confidence and musical ability. I can play things now that I thought were impossible for me to do. I have been playing double bass for the past eight years and thanks to OFA, I have no intention of stopping anytime soon. I have always had a passion for music as it allows me to imagine and create from my mind, something which I am very grateful to be able to do.

I am incredibly grateful to have the opportunity of being an Ambassador as I would like to be able to give back to the orchestra and organisation that I have been a part of for so long. Outside of OFA, I enjoy programming – especially in the field of cyber security, as well as making robots and machines. I also enjoy outdoor sports like bouldering and kayaking.

Rocco, Associate Conductor

My name is Rocco and I am the Associate Conductor of Orchestras for All. I was born and raised in Tuscany, Italy, where I started playing the trumpet aged seven. I immediately fell in love with ensemble playing – that hasn't changed yet! I studied classical trumpet, jazz trumpet and music education, and have played in 1,500 concerts all over Europe, Asia and Oceania.

After a few years travelling around the world, I settled in North London, where I work for several music services. I truly enjoy seeing so many young musicians and colleagues every week. I conduct all sorts of musical styles (symphonic, jazz, big band, wind band, choir and brass band) and I love the challenges that this role is offering me every single time. It’s never-ending fun! I also love coffee, painting, cooking, reading and my dog Frank.

Sasha, Wellbeing Lead

Growing up, I was taken to a local brass band concert and my mum asked me what I would like to play. I vividly remember choosing the drum kit, which I think surprised even me as my mum and brother both played a brass instrument! Later on, I volunteered with a community theatre company in Toronto, where I learned about the different access points of music, before studying psychology at Goldsmiths, specialising in musical ability in children who are neurodivergent. We explored the positive sides of neurodiversity and I loved it!

I found my early 20s quite hard mentally, so started exploring different ways of looking after my wellbeing. Music, dancing, family, friends and being outside were all helpful for me during difficult times. After my dad was diagnosed with motor neurone disease, I also became an advocate for my family, keen to challenge systems that did not put the person receiving the care or support first. My dad shared all his music with me throughout this period and it held us together. Then, I found Orchestras for All. It showed me that there are places that value wellbeing completely. It makes me excited that I can use the skills and knowledge that I developed to contribute to creating spaces that support wellbeing.

Shannon, Ambassador

I’m Shannon and I joined NOFA in 2018. It changed my life as a musician – NOFA’s approach to music-making was different to anything else I’d experienced and made me realise just how much music could connect people. Since first picking it up in secondary school, my cello and I have been inseparable. I ended up studying music at college and I’m now studying Actor-Musicianship at a drama school.

I’m so excited to be joining the OFA team as an Ambassador and supporting their mission towards making music education more inclusive. I’ve been so inspired by the way OFA empowers young voices and by their commitment to making music accessible – giving me an opportunity that I otherwise wouldn’t have had. Without them, I wouldn’t be where I am today.

Tashan, Ambassador

Hey! It’s Tashan here. I’ve been part of OFA for quite some time actually – it’s been seven years. As an Ambassador, I feel that it’s important to assist the core team to make sure all OFA courses, sessions and events run smoothly. I also believe that being an Ambassador puts me in a position to be the bridge between the staff and the young members of OFA, to gain insight on what the young members like and how these OFA courses can be improved for them in the future.

I’m just another guy who really likes music and as I’ve gotten older, I’ve grown to appreciate how much music touches people and brings them together. Outside of music, I’m also studying physics at university, which is another interest of mine. It’s challenging but it’s quite fun too.

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On behalf of everyone at Orchestras for All, we would like to thank our individual donors and funders for their kind generosity; without them, these opportunities to strengthen our team wouldn’t be possible.

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Keen to support aspiring young musicians across the UK? Please donate what you can: